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without compensation.  In fact, if you build a supersymmetric circuit with multiple gain stages, it
does not work as well.

In 1993 I attempted to build the first power amplifier using this principle, but it was not
successful.  Ironically, the supersymmetric concept not only allows for very simple gain circuits,
but it requires them for good performance.  My first efforts did not use a simple enough
approach, although I didn’t realize it at the time.  A more modest version of the circuit found its
way into a preamplifier, the Aleph P.  Ultimately the power amplifier was set aside, as we were
very busy building Aleph single-ended Class A amplifiers.

In 1997 I decided to build a state-of-the-art 

very high power

 amplifier, the X1000, a project not

particularly appropriate for the single-ended Class A approach (believe me, you don’t want to
own an amplifier idling at 3000 watts per channel).  So I pulled out the files on patent
# 5,376,899 and took another look.  Extensive testing of potential circuits revealed that the
best topology for the front end of the amplifier is what we refer to as “balanced single-ended”, a
phrase I use to refer to differential use of two single-ended Class A gain devices.  The classic
differential pair of transistors (or tubes, for that matter) is just such a topology.

“Balanced single-ended” is an oxymoron in the sense that most single-ended enthusiasts
believe that the most desirable characteristic of single-ended circuits is their generation of
even-order distortion components by virtue of their asymmetry.  Purists will point out that a
balanced version of a single-ended circuit will experience cancellation of noise and even-order
components.  Just so.  Interestingly, the single-ended nature of each half of the balanced
circuit doesn’t give rise to much in the way of odd-order distortion, and when the even-order
components and noise are cancelled there isn’t much distortion and noise left.  In any case,
“Balanced single-ended” is a phrase that accurately describes the circuit.

For the amplifier’s front end, a balanced single-ended gain stage was developed which used
just a differential pair of Mosfet gain devices.  These were biased by constant current sources
and cascoded for maximum performance and given local feedback and a Supersymmetric
connection.  After years of trying alternative arrangements, it ended up virtually identical to the
schematic on the cover page of the patent, which is reproduced later in this manual.

The front end, which develops all the voltage gain for the amplifier, then presents this voltage
to a large bank of follower Mosfet power transistors.  Originally it was assumed that we would
have to enclose this output stage in a feedback loop to get the performance we wanted, but
ultimately we found that we could operate it without feedback as long as we put a healthy bias
current through it.  For these amplifiers this is about 600 watts worth.  This is not pure Class A
operation in the context of 1000 watts output, but it has proven to be the appropriate amount.

The result is a series of amplifiers using the supersymmetric topology delivering up to 1000
watts per channel into 8 ohms with good distortion and noise figures.  If you are a little less
fussy about distortion, you will get twice that into 4 ohms.  This is accomplished with only two
gain stages and no feedback.

People inevitably will ask how this relates to bridged amplifiers in general, and the balanced
amplifier offerings of other companies.  It is similar in that both terminals of the output to the
speaker are “live”; neither of them is grounded.

Summary of Contents for Pass X5

Page 1: ...Page 1 Pass X5 Owner s Manual ...

Page 2: ...y distorted signal Supersymmetry seeks merely to create perfect matching Matched balanced power circuitry typically sees a distortion and noise reduction of about 90 20 dB through a balanced connection without any additional effort TheSupersymmetric circuit delivers another 90 reduction so that the X series has about 1 100 of the distortion of a conventionally simple amplifier Actually this ordina...

Page 3: ... the switch on up The lights in your house will blink when the power supply charges the capacitors On the front panel the Standby LED indicator should be glowing blue indicating that the power is on The Power LED should not be on If the Power LED is on don t get excited just use the front panel stand by button to go to stand by mode with the Standby LED on and the Power LED off OK so the amplifier...

Page 4: ...onnection open So much for essential information Speaker Interface The X5 is optimized for loads nominally rated at 4 ohms and above You can run the amplifiers into a lower nominal impedance without difficulty and we are not aware of a speaker on the market that presents unusual difficulty with these amplifiers The X amplifiers do not care particularly about the reactivity of the load Reactive loa...

Page 5: ...in the amplifier the transformer will deliver about 1800 watts for short duration To avoid huge inrush of current during charge up each of the transformer primary coils has its own inrush suppressor which keeps the inrush down to 100 amps or so The X5 has 4 computer grade the old large style computer capacitor cans not the new dinky ones capacitor cans at 31 000 uF and 50 volts each These are used...

Page 6: ...mplifiers operating in the field in excess of 20 years with no particular mortality except capacitors The answer is I don t have good information beyond that More to the point I would suggest that you not worry about it This is a conservatively built industrial design not a tweaky tube circuit run on the brink If it breaks we will simply get it fixed so sleep well Warranty Information This product...

Page 7: ...t with the result that the amplifier did not sound very good in spite of good distortion measurements Push pull circuits while allowing high efficiency and cheap manufacture did not improve the character of the sound at lower levels where we do most of our listening a deficiency which designers often use feedback to cover up It appears that the human sense of hearing is more subtle in some ways th...

Page 8: ... with fast amplification high slew rate In retrospect the idea was at least half right but I believe not completely for the following reasons First it presumed that there was really fast signal in music Research conducted independently by Peter Walker and myself showed conclusively that real music contained very little signal with appreciable slew rate therefore slew rate limiting on the order pro...

Page 9: ...e input look like the output in the conventional sense Instead it works to make two halves of an already symmetric balanced circuit behave identically with respect to distortion and noise dramatically lowering the differential distortion and noise but not the distortion and noise of each half of the circuit considered by itself If you build such a symmetric balanced circuit you get much of this ef...

Page 10: ...terestingly the single ended nature of each half of the balanced circuit doesn t give rise to much in the way of odd order distortion and when the even order components and noise are cancelled there isn t much distortion and noise left In any case Balanced single ended is a phrase that accurately describes the circuit For the amplifier s front end a balanced single ended gain stage was developed w...

Page 11: ...signal symmetry with respect to both the voltage and current axis and anti symmetry for distortion and noise This means that the distortion and noise of each half appears identically and cancels The diagram on the patent cover sheet shows an example of this topology Each of the two input devices 20 and 21 are driven by an input signal and their outputs run through a folded cascode formed by device...

Page 12: ...unwanted components As long as the two halves are matched this performance tends to be frequency independent and does not deteriorate over the audio band With mid level distortion figures on the order of 002 this is very high performance for a single balanced gain stage The following pages include a typical distortion curve of the amplifier a list of specifications for the amplifier and where to r...

Page 13: ...inus 10 amps Input Impedance 22 kohm balanced Damping factor 200 ref 8 ohms nominal Slew rate plus minus 50 V uS Output Noise 300 uV unweighted 20 20 kHz Random noise floor approximately 2 uV Dynamic range 140 dB random noise floor to peak output Balanced CMRR 85 dB 1 kHz input common mode rejection ratio DC offset 100 mv Power Consumption 200 watts idle 600 watts maximum Temperature 20 degrees C ...

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