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Turning on power

First, open the lens cap by flipping the switch on the 
left side of the lens hood. The turn the POWER/MODE 
switch up to the <ON> position while pressing the 
lock release button. The mode lamp <CAMERA> 
lights up in red and the camera goes into standby 
status (<CAMERA> mode).

If the POWER/MODE switch is turned up to the 
<MODE> postion, the mode lamp <PB> will light 
up in greenand the camera goes to playback mode (for 
playing back footage already recorded). Every time the 
switch is turned to the <MODE> postion, the mode 
will change between  <CAMERA> mode and <PB> 
mode.

To turn the camera off, turn the POWER/MODE switch 
up to the <OFF> position while pressing the lock 
release button. The mode lamp <CAMERA>/<PB> 

goes off.

Photograpy Basics

EXPOSURE

: The amount of light entering the camera, controlled by the IRIS. The iris determines the 

aperture, or the variable-sized hole allowing light to enter the lens. The size of the hole is measured in 
f-stops. The smaller the f-stop number, the larger the size of the hole; the larger the f-stop number, the 
more light it “stops” from coming through and the smaller the hole. The difference between f-stops is 
equal to doubling or halving the amount of light entering the lens.
 

FOCUS

: Point at which objects in front of the lens form a sharp image. Focus is determined by the 

distance between the lens and the subject.

DEPTH OF FIELD

: The distance between the nearest and farthest objects in a scene that appear 

acceptably sharp in an image. The lower the f-stop number, the shallower depth of field becomes. 

WHITE BALANCE

: adjusts the color of the image. The video image is made up of red, green and blue; 

adjusting the white balance changes the sensitivity of the camera to each of these colors to 
compensate for the color temperature of ambient light. Tungsten light bulbs tend to have more red and 
are “warmer”, while sunlight has more blue (“cooler”). The camera must be adjusted accordingly to 
balance these differences out, and accurately reproduce color.

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Summary of Contents for AG-AC130A Series

Page 1: ...Camcorder Battle Creek Area Community Television 70 West Michigan Ave Suite 112 Battle Creek MI 49017 269 968 3633 http accessvision tv...

Page 2: ......

Page 3: ...mera s POWER MODE switch to OFF 2 Remove the battery while pressing the battery release button Support the battery with your hand to ensure that it will not fall Battery life A fully charged battery w...

Page 4: ...the lens The size of the hole is measured in f stops The smaller the f stop number the larger the size of the hole the larger the f stop number the more light it stops from coming through and the sma...

Page 5: ...top recording AccessVision s cameras each come with a 64 GB SD card which holds about 4 hours 38 minutes of standard definition DV footage or 6 hours 32 minutes of high definition AVCHD footage To dis...

Page 6: ...enough get good exposure If this happens use the ND FILTER switch on the side of the lens This will filter out some of the light entering the lens before it hits the iris without changing the color N...

Page 7: ...ent is completed in a few seconds and will display the message on screen AWB Ach OK Manually adjusting sound levels The same concepts for AUTO vs MANUAL settings apply to sound AUTO will get you accep...

Page 8: ...in Both microphones have windscreens that can be used to filter unwanted wind noise or strong breaths Connecting microphones to the camera 1 Use an XLR cable to connect the microphone to the AUDIO IN...

Page 9: ...nds Handheld transmitter press and hold red light button just above Pair button for 3 seconds To pair transmitter receiver Red light no link green light linked 1 Turn on power for both 2 Wait do not p...

Page 10: ...tton multiple times to cycle through the 4 levels The lavalier puts out a very high signal 1 bar is sufficient when the camera s input is set to LINE level Sennheiser recommends against using AUTO lev...

Page 11: ...the focal length of the lens from wide angle to telephoto or vice versa to enlarge or shrink the subjects and show more or less space around them in the frame Zoom in close up or zoom out wide shot A...

Page 12: ...STOP button Common shots and terminology see images on next page Wide shot WS used to show environment Begin a scene with a wide shot to establish the setting for the viewer then cut in to a medium sh...

Page 13: ...gin with a wide shot to establish the setting Then cut in to a medium shot then to close ups for details Wide Shot Medium Shot Medium Close Up Close Up Extreme Close Up Lead Room Nose Room Look Space...

Page 14: ...ecessary to create a three dimensional look 2 Fill light Provides general diffused or soft illumination for scenes to soften the shadows and cut down the contrast created by the key light 3 Back light...

Page 15: ...of which batteries need to be charged Secure the camera in the case using the straps Make sure all tripod legs are folded up and secured Unlock the pan and tilt locks when the tripod is folded up Ple...

Page 16: ...archives Double click the Click To Create A Camera Archive icon on the Desktop 3 In Final Cut Pro click the Import button or go to the File menu Import Media 4 Select the SD card named CAM_SD in the l...

Page 17: ...from TV and movies DON t 4 Don t trust a camera s automatic settings to always be correct 4 Don t shoot from too far away get as close as possible A lens zoomed out to a wide angle maximizes depth an...

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