Studio D Operations Manual
© Oxygen College 22407
V2 – 01/20 Page | 12
Bouncing Via the ZED-R16 Console
It is recommended that to take advantage of the analogue summing of the ZED-R16 console
you create a mix on the 16 channel faders, and then send the mix back to Pro Tools via the
Master Bus (ch 17 & 18). This will require the use of the stereo
BOUNCE
channel which is
created when you load the
Studio D Default
Template. The settings and procedure for this is
as follows:
Step 1
– Ensure the
BOUNCE
track has the correct I/O settings:
•
Input – Ch 17&18
•
Output – Ch 17&18
Step 2
– Engage record enable on the
BOUNCE
channel, and ensure that
no other channels
in your session are record enabled.
Step 3
– Start recording – you will notice that the audio from your channels will play through,
using the mix you have on the console, and will be recorded on the stereo
BOUNCE
track.
Step 4
– Once your recording has finished press stop. To listen back to the bounce only you
must:
•
DIS-ENGAGE RECORD ENABLE
on the
BOUNCE
channel, and engage
SOLO.
•
Engage
DIG MASTER TO L-R.
(Shown Below)
***IT IS VITAL THAT YOU DO NOT HAVE RECORD ENABLE ENGAGED WHEN YOU SWITCH THE
DIGITAL MASTER TO L-R ON, AS YOUR SYSTEM WILL FEED BACK!
DIG MASTER
TO L-R
