Olympus E-M10 Mark III, Instruction Manual, Page: 30 / 173

Shooting
2
30 EN
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Types of scene modes
Subject type Scene mode Description
People
B Portrait
Suitable for portrait shooting.
Brings out skin texture.
e
e-Portrait
Smooths out skin tones and texture. This mode is
suitable when viewing images on a high-definition TV.
The camera records two pictures: one with the effect
applied and one without.
D
Po
Landscape
Suitable for portraits featuring a landscape in the
background.
Blues, greens, and skin tones are captured beautifully.
U
Po
Nightscape
Suitable for portrait shooting against a background of
night view.
Use of a tripod and remote control via OI.Share is
recommended (P. 127).
m
Children
Suitable for photographs of children and other active
subjects.
Nightscapes
G Nightscape
Suitable for tripod shooting of night scenes.
Use of a tripod and remote control via OI.Share is
recommended (P. 127).
U
Po
Nightscape
Suitable for portrait shooting against a background of
night view.
Raise the flash (P. 66).
Use of a tripod and remote control via OI.Share is
recommended (P. 127).
H
Handheld
Starlight
Suitable for shooting night scenes without a tripod.
Reduces blur when shooting low light/illuminated
scenes.
The camera makes eight exposures and combines
them into a single photograph.
X
Fireworks
Suitable for shooting fireworks at night.
Use of a tripod and remote control via OI.Share is
recommended (P. 127).
d
Light Trails
The camera automatically shoots multiple images,
takes newly bright areas only, and composites them
into a single image.
With normal long exposure, an image of light trace such
as star trails with bright buildings tends to get too bright.
You can capture them without over exposure while
checking the progress.
Press the shutter button to start shooting, then view the
changing result in the monitor and press the shutter
button again to end shooting once the desired result is
achieved (maximum 3 hours).
Use of a tripod and remote control via OI.Share is
recommended (P. 127).
• Advanced settings can be accessed via live
composite photography (dark and light field
composite) in
M
mode (P. 51).