Odyssey Stratos User Manual Download Page 14

Warm - up Operation

The following and it's related pages are intended as a general reference to the proper setup and 
operation of audio equipment. Every single audio and video system, Odyssey or other brands, 
benefit from these simple steps, some of which are actually free and very effective. A little attention 
and work can go a very long way as far as your system's performance is concerned
 
Even though most high-end audio equipment such as Odyssey products have been burned-in at 
the factory for a minimum of 48 hours, there is still considerable operational time needed for your 
unit to perform at its best. For enhanced sonic performance, we highly recommend you leave your 
unit on at all times until break-in is complete. The length of the break-in period is highly variable 
and dependent upon the specific product. There are specially-designed CDs, such as Reference 
Recording's Test and Burn-In CD (RX1000) or the Sheffield and Purist Audio Designs PAD burn-in 
CD's that contain special tracks that help with break-in. As a general rule, most equipment requires 
several hundred hours of playing to fully break-in. There are several factors that determine the 
extensive length of "break-in", such as charging of capacitors, establishing the electron flow on the 
PC board, cables, soldering joints, etc. External conditions, such as the power quality and stability 
of your power in your listening room, the kind of music you are listening to (more or less dynamics), 
and many more factors will contribute to the break-in process. It is important to note, that the more 
a given electronic unit has been played, the smaller the audible differences get. 
Even though we generalize improvements across the board, the typical phases of break-in below 
are more valid for solid state equipment, such as the Odyssey..  
 
Within the break-in process, we distinguish four distinct phases of performance: 

First Period: 

After turning on your amplifier or preamplifier for the first time, the units will require a 

few minutes to stabilize. The sound will be rather harsh on the higher frequencies, and the dynamic 
range   is   rather   restricted   with   a   flat   overall   presentation.   This   sonic   signature   will   always   be 
apparent when you turn on "cold" components.  

Second Period:

 This stage will be reached after approximately 1-2 hours of playing time and lasts 

about 3-4 days. This stage is all about the charging of the power supply, and during this time, the 
dynamics, soundstaging, focus, and transients will improve noticeably. Essentially, your unit will 
start "opening up and relaxing."   However, please also note that the amplifiers do a "Jeckyl and 
Hyde"   during   this   time   to  some   degree.   Meaning   that   one   day  you   might   not   have   any  bass 
whatsoever   while   the   next   day   you   might   have   too   much   of   it,   for   example.   Overall,   the 
presentation might be very unstable. 

Third Period:

 After approximately 10-14 days of playing and being charged, the upper midrange 

and highs will "smoothen out". The bass will improve in speed and articulation with less overhang. 
The result is more even and natural tone balance. 

Fourth Period:

 After about 6 weeks + of operation when left on continuously, your unit should be 

very close to being fully broken in. The sound and performance has progressively improved and 
your unit will perform to it's full sonic potential. 

Even after the initial break-in period, the internal components lose their charge each time the unit is 
turned off. The full re-charging can take hours (and sometimes days!). Therefore, the best sonic 
performance is achieved when the components are kept fully charged at all times. This essentially 
means leaving your equipment on at all times--if you are comfortable with that arrangement. If not, 
at least be aware that it will take some time for your unit to warm up and fully charge each time you 
power up. These charged-based performance issues are applicable to most electronic equipment, 
and   are   especially   critical   in   high-end   solid-state   gear   such   as   Odyssey   amplifiers   and 
preamplifiers.  

Summary of Contents for Stratos

Page 1: ...Users Manual For Odyssey Stratos Khartago Cyclops Tempest Candela product families Lorelei and Epiphony II speakers...

Page 2: ...thing very special After all the Odyssey designs were pure Symphonic Line s to be seen as the little brothers of the RG s or Kraft Reference s hi listening to the Odyssey products you will immediately...

Page 3: ...tructions and the entire owner s manual You ll be given not only information about safety concerns and technical specifications but also advice as how to optimize your system sonically as well as info...

Page 4: ...t show awards Countless hours were spent in developing an extremely sophisticated circuitry that is a world class high end performer and due to its compact design very inexpensive to manufacture Your...

Page 5: ...ave to use extension cords make sure that cord or outlets have a sufficient current of at least 10 amps 4 Ventilation and Temperature Due to extensive measures in selecting the best possible cooling d...

Page 6: ...ical beast one can easily see why quality control becomes even more important This is why we at Odyssey Designs see the quality control aspect as being so important From the very beginning we made sur...

Page 7: ...the heatsinks of the amplifier there is no need for a large ventilation area around your Odyssey unit Both the Tempest and the Stratos can be situated in tight areas 3 DO NOT install your Odyssey pro...

Page 8: ...Tempest preamplifier connection to Stratos Stereo power amplifier Stratos Stereo power amplifier connection to Tempest preamplifier...

Page 9: ...Tempest preamplifier connection to Stratos Mono power amplifier Stratos Mono power amplifier connection to Tempest preamplifier...

Page 10: ...Tempest preamplifier connection to Khartago Stereo power amplifier Khartago Stereo power amplifier connection to Tempest preamplifier...

Page 11: ...Tempest preamplifier connection to Khartago Mono power amplifier Khartago Mono power amplifier connection to Tempest preamplifier...

Page 12: ...Cyclops integrated amplifier source connection...

Page 13: ...extreme on preamplifier s back panel if you ordered a second output stereo set will be aside the main outputs Connections Always keep channels order this is white to white left channel and red to red...

Page 14: ...fter turning on your amplifier or preamplifier for the first time the units will require a few minutes to stabilize The sound will be rather harsh on the higher frequencies and the dynamic range is ra...

Page 15: ...ance In reviewing the following sections it is important to understand that the suggested techniques and products are system specific Therefore we strongly advise you to audition the products before p...

Page 16: ...Placement of speakers in your listening room is probably the single most important aspect of proper system set up First set up your speakers by following the recommendations in your manufacturer s ow...

Page 17: ...io cables can improve performance Again synergy is the key Please feel free to contact us regarding your system and we will try to give you the best possible advice based on our 12 years of experience...

Page 18: ...rops of fluid can enter the inside of the case and cause serious damage to your unit This would also void your warranty Don t use chemical solvents to clean your case Even though your case is made of...

Page 19: ...and replace this fuse with the correct value 5 If the switch lights up check for the internal fuses Turn off your unit disconnect the power cord and open the top cover Check the internal fuses and rep...

Page 20: ...idle 30Watts 4 internal fuses 250V 6 3A 5x20mm fast blow Additional electrical protection fuse 54 lbs weight 24 5 kg Dimensions 19 width x 18 deep x 7 height in 48 3 width x 45 7 deep x 17 8 height c...

Page 21: ...dual thickness PCB Power consumption when idle 30Watts 4 internal fuses 250V 6 3A 5x20mm fast blow Additional electrical protection fuse 56 lbs weight 25 4 kg Dimensions 19 width x 18 deep x 7 height...

Page 22: ...nken Epitaxial Planar Transistors 2SA1216 2SC2922 Anti vibration dual thickness PCB Power consumption when idle 30Watts 4 internal fuses 250V 6 3A 5x20mm fast blow Additional electrical protection fus...

Page 23: ...each Sanken Epitaxial Planar Transistors 2SA1216 2SC2922 Anti vibration dual thickness PCB Power consumption when idle 30Watts 4 internal fuses 250V 6 3A 5x20mm fast blow Additional electrical protec...

Page 24: ...A Plitron transformer Sanken Epitaxial Planar Transistors 2SA1216 2SC2922 Anti vibration dual thickness PCB Power consumption when idle 30Watts 4 internal fuses 250V 6 3A 5x20mm fast blow Additional e...

Page 25: ...monitor in out 1 MM MC selectable phono input Phono MM input impedance 47 kOhm 150 pf Phono MC input impedance 70 Ohm 1 pair preamplifier output 2nd pair of pre outs optional Preamplifier output impe...

Page 26: ...supply rectification using ultra fast soft recovery Stealth Diodes 2 ECC82 12AU7 tubes 14dB gain Frequency Response 10Hz 500kHz RCA type inputs output 4 line inputs 1 input can be configured for HT b...

Page 27: ...ght each 43 kg Dimensions 8 width x 11 5 deep top 15 bottom x 45 height in 20 3 width x 29 5 deep top 38 1 bottom x 114 5 height cm Epiphony II model specifications 2 way Ported time aligned 48hz 29kh...

Page 28: ...the product without obligation to the purchasers of previously manufactured products and to change the prices or specifications of the product without notice or obligation to any person 3 Transferal L...

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