Interface (cont.)
Index
: The amount of LFO sent to the delay lines that make
up the effect. This is a bipolar control: in the center the LFO
is disabled; to the left, the LFO modulates the delay lines
randomly. To the right, the LFO modulates the delay lines
with a sine wave.
Size
: The delay time. When unclocked, it sets times from
comb-like bursts at the left to long, lush delays at the right.
When clocked, it selects from the following clock divisions/
multiplications: 1/2, 5/8, 3/4, 7/8, 1/1, 15/4, 3/2, 7/4, 2/1
Dense
: The spacing of the delay lines. To the left, the effect
sounds like a delay, to the right the delays are smeared into
reverb.
Tap
: Tap tempo. Tap in your desired clock rate, or use an
external clock. Holding down this button for about two
seconds exits clocked mode and returns to free-running
mode.
LIM/DST/SHM
: Atmosphere style.
•
LIM
(Limit): A clean atmosphere, using limiting to contain
feedback.
•
DST
(Distort): Instead of using limiting, clipping is used to limit feedback creating a
more distorted tail.
•
SHM
(Shimmer): A demonic pitch-shifting algorithm. Adds a one-octave pitch shift
that feeds back into the input.
L/C/R
: Reflection structure: Changes how the delay lines connect with each other.
In L/In R
: Audio input. If R is not patched, the signal from L is normaled to both inputs.
Out L/Out R
: Stereo output pair.
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