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1.0 Equipment installation

Normally your Naim equipment will have been installed by the dealer who sold

it to you even if you live outside their immediate vicinity. Your dealer is

responsible for making sure that the system sounds exactly as it should and

information given here is not intended to reduce this responsibility in any way.

1.1 cables and connections

Please do not modify the standard interconnect cables supplied with your Naim

equipment. This is important for safety as well as performance. One end of each

cable is marked with a band to establish its correct orientation. The band always

marks the end that connects to the signal source.

Loudspeaker leads are also very important. Naim loudspeaker cable is correct for

your system and your dealer will make up leads to suit your equipment

installation. 

The leads should each be at least 3.5 metres long and of equal

length

. The recommended maximum is 20 metres. Loudspeaker leads are, like

interconnect leads, directional, and should be connected so that the printed

arrow points towards the speakers. Using alternative loudspeaker cable will

degrade performance, and may even damage your amplifier. An exception to

these loudspeaker cable constraints is the 

nap 6-50

multi-room power

amplifier. The 

nap 6-50

is designed to be tolerant of both a wide variety of cable

types, and cable runs well in excess of 20m. The loudspeaker connectors supplied

with all Naim amplifiers and loudspeakers have been specifically designed to

make a robust mechanical connection. It is essential that these are used in order

to comply with current European safety regulations.

All the plugs and sockets supplied with your Naim equipment have been chosen

because they make the best possible connection for their purpose. A poor

contact will degrade the signal substantially and plugs and sockets should look

clean and free from corrosion. The easiest way to clean them is to switch off the

equipment, pull the plugs out of their sockets, and push them back in again.

Special contact cleaners and contact enhancers should not be used as they tend

to deposit a film which is very difficult to remove and may degrade the sound.

1

1.0

Equipment Installation 
1.1 cables and

connections

2

2.0

Getting Started
2.1 switching on and off
2.2 running in
2.3 mains supply
2.4 siting the equipment
2.5 if you have a problem

3

3.0

Warnings

4

4.0

Connection
4.1 mains lead
4.2 non-rewireable mains

plugs

4.3 fuse carrier
4.4 plug fuses

5

nac 52

8

nac 82

12

nac 102

15

nac 112

18

narcom 2 remote handset

20

EC Declaration of Conformity
to Appropriate Standards

1

Summary of Contents for nac 102

Page 1: ...O W N E R S M A N U A L P r e a m p l i f i e r s ...

Page 2: ...ker cable constraints is the nap 6 50 multi room power amplifier The nap 6 50 is designed to be tolerant of both a wide variety of cable types and cable runs well in excess of 20m The loudspeaker connectors supplied with all Naim amplifiers and loudspeakers have been specifically designed to make a robust mechanical connection It is essential that these are used in order to comply with current Eur...

Page 3: ...ve a lower impedance supply cleaner power and consequently improve system performance Do not wire voltage dependent resistors or noise suppressors into mains plugs They degrade the mains supply and the sound 2 4 siting the equipment Power supplies and amplifiers should be located a reasonable distance away from other equipment This separation will stop transformer radiation causing hum audible fro...

Page 4: ...ng an overall improvement in sound quality It may be necessary however to take account of mechanical transformer noise when siting your equipment In some circumstances depending on where you live and the earthing arrangements in your home you may experience radio frequency interference Controls on broadcasting in some territories allow very high levels of radio frequency radiation and both the cho...

Page 5: ...ct Do not use the plug until the fuse carrier is replaced 4 4 plug fuses Replace only with ASTA or BS 1362 approved fuses 4 note This equipment has been tested and found to comply with the relevant EMC and Safety Standards and where applicable also complies with the limits for a class B digital device pursuant to Part 15 of the FCC Rules These limits are designed to provide reasonable protection a...

Page 6: ... chosen via the upper source buttons and vice versa Operating the mono button on the source bank will not affect the record circuits To select either function press the relevant button once To cancel that function press the button again preamplifier inputs Input 1 is a high level input but can be converted into a phono input by fitting plug in boards Please see your dealer for further details Inpu...

Page 7: ... Coil K 100µV 560 Moving Coil E 400µV 560 Overload margin all inputs all audio frequencies 40dB Main output level 0 775V 50 Tape output level 75mV 600 Case size H x W x D 76 x 430 x 300mm nac 52 front nac 52 rear ve ch1 ch2 ve ve 6 5 4 3 2a 2b 1 volume balance mono inputs 1 2 a b 3 4 5 6 source record mute high level inputs phono input digital power supply audio power supply ch 1 left ch 2 right p...

Page 8: ...the cable and cut back the cable outer sheath 9mm Comb out the copper braid and insert the ferrule Trim the core insulation to 4mm and apply a thin layer of solder to the cable centre conductor Mount the rear insulator over the core insulation and solder the male contact to the core conductor Slide the clamp nut and plain gasket up to the ferrule and fit the front insulator onto the male contact S...

Page 9: ...r buttons labelled mute and mono These work independently for example the mute button in the lower recording bank does not affect the signal that is chosen via the upper source buttons and vice versa Operating the mono button on the source bank will not affect the record circuits To select either function press the relevant button once To cancel that function press the button again preamplifier in...

Page 10: ...00µV 470 Moving Coil K 100µV 560 Moving Coil E 400µV 560 Overload margin all inputs all audio frequencies 40dB Main output level 0 775V 50 Tape output level 75mV 600 Case size H x W x D 76 x 430 x 300mm nac 82 front nac 82 rear 6 5 4 3 2 1 volume balance mono inputs 1 2 3 4 5 6 source record mute high level inputs outputs phono input napsc ch 1 left ch 2 right phono ground 9 ...

Page 11: ...napsc link plug fitted link plug removed to nap 135 500 power amplifiers to nap 140 150 180 power amplifiers nac 82 connection to one power amplifier with internal power supply to napsc all link plugs fitted mains input note The napsc power supply must be connected at all times to the nac 82 ...

Page 12: ...nd quality will be severely impaired if power supplies are mixed nac 82 connection to two hi caps or flatcaps all link plugs removed to napsc mains input mains input to nap 140 150 180 250 power amplifiers to nap 135 500 power amplifiers nac 82 connection to supercap to napsc all link plugs removed mains input to nap 140 150 180 250 power amplifiers to nap 135 500 power amplifiers ...

Page 13: ...ten to the output of a tape recorder while recording which can be useful with a 3 head tape machine to monitor the off tape signal The source for recording is chosen by the input selector buttons Operating the monitor button during recording allows the output from the tape machine connected to input 4 to be heard unless input 4 is chosen on the input selector switch i e for tape to tape recording ...

Page 14: ...erload margin all inputs all audio frequencies 40dB Main output level 0 775V 50 Tape output level 75mV 600 Case size H x W x D 76 x 430 x 300mm nac 102 front volume balance monitor inputs 1 2 3 4 5 6 mute nac 102 rear 6 5 4 3 2 1a 1b high level inputs outputs phono input napsc optional ch 1 left ch 2 right phono ground inputs 3 2 1a inputs 6 5 4 ch1 nc nc ve ch2 ch1 ch1 ch2 ve ch2 ...

Page 15: ... amplifiers nac 102 connection to hi cap or flatcap 2 link plugs removed napsc optional cable direction marker 4 to 4 pin DIN 5 to 5 pin DIN Interconnect Cables to nap 140 150 180 250 power amplifiers to nap 135 500 power amplifiers mains input note When using a hi cap without the optional napsc the large link plug must be fitted ...

Page 16: ... heard while recording in order to check the off tape signal The source for recording is chosen by the input selector buttons in the normal way Pressing the monitor button during recording allows the output from a 3 head tape machine connected to either tape A V or AUX 1 to be heard After pressing mon select whichever one of these your tape machine is connected to A second press of the monitor but...

Page 17: ...Some movement of the board and sockets when connecting disconnecting is normal note The aux 2 input is provided with two sockets The left hand socket fitted on delivery with a blanking cover is intended for use with a Stageline or Prefix phono stage and incorporates an appropriate DC power supply cd tuner tape a v aux 1 aux 2 to nap 140 150 180 power amplifiers Specifications nac 112 Line input se...

Page 18: ...in DIN 5 to 5 pin DIN Interconnect Cables nac 112 connected to flatcap 2 power mains input for CD5 headline or stageline Additional interconnects required to nap 140 150 180 250 power amplifiers to nap 135 500 power amplifiers cover fitted ...

Page 19: ...o be heard while recording in order to check the off tape signal The source to be recorded is chosen by the input selector buttons in the normal way After pressing mon select the input to which your machine is connected A second operation of the mon key restores normal output compact disc prev Selects the previous track From a stopped position prev will select the last track next Selects the next ...

Page 20: ...ay result if the unity gain feature is used inappropriately To return to the default settings press and hold the prog key until the amplifier volume control indicator flashes Press and hold disp key until the volume control indicator stops flashing In cd mode the prog key enables specific CD tracks and their play order to be selected To select a play order select a track number from the numeric ke...

Page 21: ... 60 065 EMC Emissions Tested to EN 55013 Sound and television broadcast receivers and associated equiment Immunity Tested to EN55020 Electromagnetic immunity of broadcast receivers and associated equipment In accordance with CISPR 16 1 Radio disturbance and immunity measuring apparatus CISPR 16 2 Methods of measurement of disturbances and immunity IEC 801 2 8KV air gap 4KV contact performance crit...

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