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1. CLASSIC FLANGING
This effect features an up-and-down modu-
lation of the input signal. Some describe it
as a whooshing or jet plane sound.
•Move
TIME
left to raise flanging frequency
and right to lower it
•Try negative
FEEDBACK
for a lower pitched,
hollow flange
•For best flanging results MIX control should
be mostly wet
•As
RATE
increases, try decreasing the
AMOUNT
for more musical results
2. CLASSIC CHORUS
This effect features a subtle up-and-down
modulation of the input signal’s pitch. With
a 50-50 mix of wet and dry signal, the result
is a lush, swirling tone.
•Longer
TIME
settings cause a more audible
pitch modulation
• Adding
FEEDBACK
to a Chorus effect
gives it a metallic edge
•For best results
MIX
should be set to
center position
•As
RATE
increases, try decreasing the
AMOUNT
for more musical results
