the note up and down just slightly. Vibrato that
is too wide, covering several steps, is a trill and
generally doesn’t sound as pleasant. There is no
“correct” way to perform vibrato, but generally
you want to find a technique that is both precise
and physically comfortable to sustain.
Using only your wrist to provide the necessary
back-and-forth motion can become painful
even after just a few minutes. Instead, try leav-
ing your wrist relaxed and flexible, using main-
ly forearm movements to shake your hand.
Pitch and Volume Exercises
Refer to Figure 13
Now it’s time to practice both hands working in
concert.
1.
Hum a note and play it aloud.
2.
This time, before sliding to the second note,
slowly mute the volume.
3.
Raise your volume hand just after your pitch
hand has glided to the second note.
Do this again, syncing a dip of your volume
hand as you glide between the second to the
third note. Don’t get frustrated if you find it dif-
ficult to keep both hands moving accurately at
the same time; just keep practicing!
Learning How to Play
33
Summary of Contents for Claravox Centennial
Page 1: ......
Page 2: ...CELE BRATI N G YE ARS OF T HE T HEREMIN...
Page 3: ......
Page 8: ...Clara Rockmore PR photo with theremin New York 1932...
Page 12: ...Clara Rockmore Recital Poster 1938...
Page 20: ...19...
Page 24: ...23...
Page 25: ...Claravox Centennial Moog Music Inc...
Page 28: ...Figure 7...
Page 29: ...28 Figure 9 Figure 8 Learning How to Play...
Page 33: ...Figure 13...
Page 46: ...45 Figure 28 Figure 29 Controls Functions Figure 26 Figure 27...
Page 48: ......
Page 67: ...Clara Rockmore PR photo playing theremin New York mid to late 1930s...
Page 70: ...69 69...
Page 71: ...70 70...
Page 76: ......
Page 77: ......