background image

215 SA

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

LIFT

FUSE F

5 A

230V     
50/60Hz

GND

P O W E R E D     P R O C E S S O R     C O N T R O L L E D

Montarbo

215 SA

MOD.

P O W E R

800W  

INPUT

LEVEL

2

7

6

5

4

9

10

0

8

3

1

I N P U T

X - O V E R     O U T

FLAT

L I N K

R / mono

100Hz   20KHz

L

R

R

L

L

S T E R E O     S U B W O O F E R       S Y S T E M

L

MIXER OUTPUTS

OUT

 

➩  

 IN

OUT

 

➩  

 IN

R

Parallel connection of two or more systems

mixer L / R outputs

➟ 

 215SA 'R/

MONO

' inputs

215SA 'LINK' outputs

 

 ➟ 

 215SA inputs

OUT

 

➩  

 IN

OUT

 

➩  

 IN

OUT

 

➩  

 IN

OUT

 

➩  

 IN

Hz

31

31

63

63

125

125

250

250

500

500

1K

1K

2K

2K

4K

4K

8K

8K

16K

16K

TAPE

IN

OUT

L

L

R

R

0

3

6

9

3

6

9

12

15

18

0

3

6

9

3

6

9

12

15

18

CTRL

ROOM

STEREO EFFECTS RETURNS

AUX

MASTER

EQ

MONO

VOL

OUT

PHONES

BAL

R

L

BAL

R

L

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

GAIN 

8

6

4

2

GAIN 

8

6

4

2

HF

8

15

2

2

8

15

HM

8

15

2

2

8

15

LM

8

15

2

2

8

15

LF

8

15

2

2

8

15

HF

8

15

2

2

8

15

HM

8

15

2

2

8

15

LM

8

15

2

2

8

15

LF

8

15

2

2

8

15

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

STEREO DIGITAL

EFFECTS PROCESSORS

dB

dB

peak

peak

B

B

A

A

on

on

10

3

0

3

20

dB

INPUT  LEVEL

10

3

0

3

20

dB

INPUT  LEVEL

BAL

R

L

BAL

R

L

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

6

4

2

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

8

6

4

2

flat

VOL

A

B

A

B

AUX  SEND

EXT. EFF.  SEND

flat

OUTPUTS    LEVEL

0

3

6

9

3

6

9

12

15

18

40

30

18

6

0

6

+

40

30

18

6

0

6

+

EQ

10

10

Montarbo

Montarbo

I

EFF  SEND

230V      

50   60Hz

POWER

0

1

2

L

1

2

STEREO EFF. RET.

R

(mono)

EFF. FT/SW

1

2

48V D.C.

mute

mute

MONO

AUX SEND

C

D

CTRL  ROOM

L

R

AUX     OUTPUTS

FUSE  T

0,5 A

MASTER  OUTPUTS

R

L

(mono)

LINE

MIC

E1/E2

LOAD

PROGRAMS SELECTOR

STEREO DIGITAL

EFFECTS PROCESSORS

E 1

E 2

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

R

L

(mono)

LINE

MIC

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

R

L

(mono)

LINE

MIC

40

30

18

6

0

6

+

GAIN 

8

10

6

4

2

HF

8

15

2

2

8

15

MF

8

15

2

2

8

15

LF

8

15

2

2

8

15

peak

R

L

BAL

R

L

(mono)

LINE

MIC

40

30

18

6

0

6

+

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

40

30

18

6

0

6

+

0

3

6

9

12

3
6
9

12

dB

dB

0

3

6

9

12

3
6
9

12

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

GAIN 

8

10

6

4

2

HF

8

15

2

2

8

15

MF

8

15

2

2

8

15

LF

8

15

2

2

8

15

peak

R

L

BAL

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

GAIN 

8

10

6

4

2

HF

8

15

2

2

8

15

MF

8

15

2

2

8

15

LF

8

15

2

2

8

15

peak

R

L

BAL

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

GAIN 

8

10

6

4

2

HF

8

15

2

2

8

15

MF

8

15

2

2

8

15

LF

8

15

2

2

8

15

peak

R

L

BAL

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

LINE

INSERT

MIC

LINE

INSERT

MIC

LINE

INSERT

MIC

LINE

INSERT

MIC

LINE

INSERT

MIC

LINE

INSERT

MIC

LINE

INSERT

MIC

PHANTOM

LINE

INSERT

MIC

9

10 11

12 13

14 15

16

8

7

6

5

4

3

2

1

1

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

GAIN 

8

10

6

4

2

peak

R

L

PAN

M

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

B

A

C

D

8

10

6

4

2

0

8

10

6

4

2

0

8

10

6

4

2

0

post

pre

E1

E2

3

.18

1.6

.75

1.3

2

.3

KHz

LF

MF

HF

8

15

2

2

8

15

8

15

2

2

8

15

dB

8

15

2

2

8

15

2

3

4

5

6

7

8

9

10 11

12 13

14 15

16

E1

E2

2

D

A

B

L

R

B

L

1

C

1

A

L

2

B

R

A

R

21

APPENDIX

Summary of Contents for 215 SA

Page 1: ...215SA active subwoofer...

Page 2: ...recchio alcun liquido n alcun oggetto solido In caso ci avvenga scollega re immediatamente l apparecchio dalla rete elettrica e rivolgersi ad un servizio di assistenza qualificato prima di adoperarlo...

Page 3: ...si piani di rinforzo interni collocati nei punti strategici anch essi in betulla 18 mm e conformati nel rispetto dei parametri acustici del sistema La grande rigidit del cabinet permette al 215SA di e...

Page 4: ...interno per commutarlo servirsi di una punta penna o matita 2 2 prese XLR maschio sbilanciate per l uscita stereo 3 2 prese XLR femmina bilanciate per l ingresso stereo 4 2 prese XLR maschio bilancia...

Page 5: ...olo le basse frequenze L omnidirezionalit delle bassissime frequenze riprodotte dal mod 215SA 37 100Hz rende l installazione del subwoofer per nulla critica Pur se sempre preferibile posizionare il su...

Page 6: ...ER 2 INGRESSO XLR FEMMINA 215SA O DI UNA CASSA SATELLITE AMPLIFICATA CABLARE LA SPINA JACK STEREO COME ILLUSTRATO 3 GND 1GND collegare 1 e 3 cortocircuitarli collegare punta e anello cortocircuitarli...

Page 7: ...overe la polvere usate un pennello o un soffio d aria non usate mai detergenti solventi o alcool Abbiate cura dei cavi di collegamento avvolgeteli evitan do nodi e torsioni Non forzate i connettori ed...

Page 8: ...xternal fuse needs replacement substitute it only with one of the same type and rating as stated on the product Always make sure the On Off switch is in its Off position before doing any operation on...

Page 9: ...esigned to magnify stiffness and rigidity of the box Thanks to this bracing system rock solid 215SA absolutely don t flex Period And efficiency precision and sonic imaging can be described truly outst...

Page 10: ...ive a full range signal or the upper audio range only In both conditions the signal is affected by the volume control 5 Button up crossover off flat mode the output signal is full bandwidth Button pus...

Page 11: ...s manual Our examples are showing the 215SA subwoofer enclosure in conjunction with the Montarbo powered speakers W20A used as satellite enclosures However this represents an optimum combination the 2...

Page 12: ...connect ring with tip shortcircuit 1 GND GND 2 HOT 3 GND 3 GND 2 1GND WIRE THE STEREO JACK PLUG AS SHOWN WIRE THE XLR MALE CONNECTOR AS SHOWN Parallel connection of two or more systems The 215SA is eq...

Page 13: ...vents or detergents Take care of your connector cables Make sure that they are not damaged knotted or twisted Do not force the connectors and the controls Important Power supply connection make sure t...

Page 14: ...__________________________________ __________________________________________ __________________________________________ __________________________________________ ____________________________________...

Page 15: ...Asia Power supply USA and Canada Fuse Europe and Asia Fuse USA and Canada Dimensions w x h x d Weight Amplifier Max output power Frequency Response Input Impedance Input Sensitivity Equivalent input n...

Page 16: ...215 SA Block diagram 16 APPENDIX...

Page 17: ...SYSTEM 1 GND Ground 2 Hot 3 Cold standard IEC 268 Connectors 3 1 2 2 1 3 3 1 2 3 1 2 3 1 2 2 1 3 UNBALANCED XLR MALE SOCKETS BALANCED XLR MALE SOCKETS BALANCED XLR FEMALE CONNECTOR BALANCED XLR MALE...

Page 18: ...10 6 4 2 0 8 10 6 4 2 0 8 10 6 4 2 0 B A C D 8 10 6 4 2 0 8 10 6 4 2 0 post pre E1 3 18 1 6 75 1 3 2 3 KHz LF MF HF 8 15 2 2 8 15 8 15 2 2 8 15 dB 8 15 2 2 8 15 GAIN 8 10 6 4 2 8 10 6 4 2 0 8 10 6 4 2...

Page 19: ...2 8 15 8 15 2 2 8 15 dB 8 15 2 2 8 15 GAIN 8 10 6 4 2 8 10 6 4 2 0 8 10 6 4 2 0 8 10 6 4 2 0 B A C D 8 10 6 4 2 0 8 10 6 4 2 0 post pre E1 3 18 1 6 75 1 3 2 3 KHz LF MF HF 8 15 2 2 8 15 8 15 2 2 8 15...

Page 20: ...5 HM 8 15 2 2 8 15 dB dB A A on on 10 3 0 3 20 dB INPUT LEVEL 10 3 0 3 20 dB INPUT LEVEL 8 10 6 4 2 0 8 10 6 4 2 0 8 6 4 2 8 10 6 4 2 0 8 10 6 4 2 0 8 10 6 4 2 0 8 10 6 4 2 0 8 6 4 2 flat A A AUX SEND...

Page 21: ...6 0 6 R L mono LINE MIC 40 30 18 6 0 6 GAIN 8 10 6 4 2 HF 8 15 2 2 8 15 MF 8 15 2 2 8 15 LF 8 15 2 2 8 15 peak R L BAL R L mono LINE MIC 40 30 18 6 0 6 GAIN 8 10 6 4 2 peak R L PAN M 8 10 6 4 2 0 8 10...

Page 22: ...TAND HOLDER WOOFER 15 PK40 8 CONTROL CONNECTION PANEL AMPLIFIER CHASSIS POWER AMPLIFIER HEAT SINK POWER AMPLIFIER POWER TRANSFORMER HANDLE ASSEMBLY FUSE 5A FUSE 10A METAL GRID B010010 A300151 D522151...

Page 23: ...ourraient se pr senter lors de l installation et de l usage de l appareil Nous sommes votre disposi tion pour d ventuels conseils et informations suppl mentaires Elettronica Montarbo srl ne peut tre c...

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