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miniDSP Ltd, Hong Kong / 

www.minidsp.com

 / Features and specifications subject to change without prior notice

 

2

 

G

ETTING 

S

TARTED WITH 

EARS 

In a nutshell, you mount your headphones on the EARS jig 

(or put your IEMs in the “ear canal”

) and run a 

measurement sweep using your headphone amp and favorite measurement program. To get a useful 
measurement, you will need to first load a suitable calibration/compensation file (which we provide) into the 
measurement program. 

2.1

 

A

 NOTE ON MEASUREMENT CONDITIONS

 

Measurements should be performed under good conditions. While the sweep technique used by modern 
acoustic measurement programs is quite robust, external noise can still corrupt a measurement. Be aware of 
external noise sources such as computer fans, air conditioning, traffic noise, aircraft and so on. If necessary, 
choose a location or time of day for measurement that minimizes noise. 

Low frequencies in particular are susceptible to external noise. Even if you cannot hear (or are not aware of) 
external noise sources, they can still show up in your measurements.  If you are not getting consistent 
measurements at low frequency, external noise is the most likely reason. 

Try and keep the space around the EARS clear of other objects, and keep both sides similar

. For example, don’t 

position the EARS so one channel is next to a wall and the other is facing into the room. 

2.2

 

C

HECK THE 

EARS

 GAIN SETTING

 

There is a bank of DIP switches on the front of the EARS. 

 

Switches 1 to 3 control the internal gain of the microphone amplifier, as shown in Table 1. (Switch 4 is not used.) 
The default gain as shipped and as indicated in the diagram above is 18 dB. The remainder of this section 
assumes that the default gain is used. If you change the analog gain setting and want to display correct SPL 
values, you will also need to read Measuring at higher SPLs on page 14. 

Table 1. Gain switch settings 

Gain (dB) 

SW1 

SW2 

SW3 

Down 

Down 

Up 

Down 

Up 

Down 

12 

Down 

Up 

Up 

18 

Up 

Down 

Down 

24 

Up 

Down 

Up 

30 

Up 

Up 

Down 

36 

Up 

Up 

Up 

Summary of Contents for EARS

Page 1: ...miniDSP Ltd Hong Kong www minidsp com Features and specifications subject to change without prior notice 1 MINIDSP EARS HEADPHONE MEASUREMENT JIG User Manual...

Page 2: ...2 Revision history Revision Description Date 0 1 First draft 12 Sept 2017 0 2 Second draft 15 Sept 2017 0 5 Fifth draft 15 Dec 2017 0 7 Preliminary version OK for public release 17 Dec 2017 1 0 First...

Page 3: ...Measure the other channel 13 2 6 5 Changing the calibration file 14 2 6 6 Measuring at higher SPLs 14 3 More about measurement 15 3 1 The frequency response graph 15 3 2 Other types of measurement 16...

Page 4: ...potential to cause damage to your audio system Please also note that many of the questions we receive at the technical support department are already answered in this User Manual and in the online app...

Page 5: ...nt off and on the user is encouraged to try to correct the interference by one or more of the following measures Reorient or relocate the receiving antenna Increase the separation between the equipmen...

Page 6: ...ne enthusiasts It is ideal to 1 Check that your headphones are operating correctly e g balance of left right frequency response 2 Take measurements that you can use as a basis for equalizing your head...

Page 7: ...particular are susceptible to external noise Even if you cannot hear or are not aware of external noise sources they can still show up in your measurements If you are not getting consistent measuremen...

Page 8: ...er of your EARS unit Table 2 Naming of calibration files for EARS Code Type Channel File name HEQ Over ear headphone Left L_HEQ_xxxyyyy txt HEQ Over ear headphone Right R_HEQ_xxxyyyy txt IDF IEM diffu...

Page 9: ...ots Here is the documentation 2 6 1 Calculate SPL calibration target 1 Work out your SPL calibration target By default this is 40 for headphones and 30 for IEMs a Open one of your calibration files e...

Page 10: ...output and the EARS as the input source Choose the sensitive channel Left in this example for both output and input and set the Sweep Level to 20 dBFS 4 On the Mic Meter tab click on Browse Select the...

Page 11: ...pen the REW SPL Meter window and turn it on the red button at lower right Increase the volume on your headphone amplifier until the dBFS meter lower half of window reads the SPL calibration target In...

Page 12: ...up Close both the Generator and SPL Meter windows 2 6 3 Measure the first channel 11 Press the Measure button top left of the REW main window Set Start Freq to 20 and End Freq to 20 000 Check that Le...

Page 13: ...t Left now 14 On the Mic Meter tab click on Browse Select the other calibration file for the selected channel Make sure that the Mic or Z weighted SPL meter option is set 15 Press the Measure button a...

Page 14: ...measurement thumbnail on the left hand side Then select the correct calibration file 2 6 6 Measuring at higher SPLs If you measure headphones at a reference SPL higher than 84 dB or IEMs at a referen...

Page 15: ...at 4 kHz the SPL is 75 dB as shown by the blue markers overlaid on the graph Underneath the graph is a set of checkboxes usually you will need to display only the amplitude response named Left in this...

Page 16: ...an read off the distortion in percent at any frequency by placing the cursor on the graph then reading off the distortion next to the graph names underneath Impulse EARS is not suited for impulse resp...

Page 17: ...ositions one channel only for an open headphone AKG K702 while Figure 4 shows measurements at five positions for a closed headphone Audeze LCD XC We recommend that you measure your own headphones at s...

Page 18: ...cusPad in red The difference in the bass area is most likely due to the old pads being torn and therefore unable to seal properly Some headphones are very sensitive to the amount of seal and or any pr...

Page 19: ...sides that is don t change the headphone amp volume just check the level and move the IEM out or in a little until the level is close to your reference level Additional notes and things to be aware of...

Page 20: ...s the amplifier s output impedance and Zphones is the headphone s nominal impedance Zamp Zphones 10 20 50 100 Worst case variation dB 1 2 3 6 6 In practice real headphones will have less variation tha...

Page 21: ...l get poor results if you don t use the right type 4 1 RAW VS COMPENSATED RESPONSE When a measurement is made of a headphone with the EARS the raw measurement tends to look something like the green gr...

Page 22: ...g will be required Please follow the guidance in this application note Headphone EQ with EARS and REW 4 3 IEM DIFFUSE FIELD COMPENSATION IDF The IDF compensation for IEMs is intended to equalize an IE...

Page 23: ...owever that for headphone EQ we now recommend the HEQ compensation 4 5 RAW CALIBRATION WITH NO COMPENSATION RAW The RAW calibration files provide only the calibration for the microphone capsules with...

Page 24: ...ue microphone calibration file for each channel referenced to serial number Analog gain DIP switch to select analog gain 0 to 36 dB in 6 dB steps Dimensions H x W x D 250 x 180 x 130 mm 5 2 OBTAINING...

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