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LPE-2

QUICK START

READ THIS!!   For your protection, never under any circumstances
remove the top cover. Refer to a qualified electronics technician any

and all servicing and other operations which require the top cover to
be removed.

Congratulations on your purchase of the Millennia Media LPE-2 

Analog Legacy

 archive refer-

ence system. The LPE-2 is the culmination of meticulous listening tests on innumerable circuit,

topology, and packaging designs over many years of product design and development. Your
LPE-2 is a finely tuned instrument intended for critical professional applications — we feel it
offers the world's most sonically invisible 

and

 versatile phonographic front-end.

Before connecting power to the LPE-2, assure that the rear panel voltage selection fuse block

switch is set correctly. In the USA and Canada, the LPE-2 is shipped with the voltage selection
block set to 100-120 VAC. If you change the voltage selection block to 200-240 VAC usage, be
sure to change both fuses to the correct types. See "Rear Panel" instructions for proper fuse

requirements.

The LPE-2 enclosure measures approximately 19" wide x 3.5" high x 15" deep and is designed
for mounting into a standard 2U, 19" equipment rack. If the LPE-2 is mounted in a road case
or other rack which is prone to strong vibration or shock, it is highly recommended that the

rear of the LPE-2 be supported or otherwise reinforced to withstand such conditions. The
LPE-2 contains 50V discrete transistor amplifiers, with most running in Class-A bias. As such,

the LPE-2 

Analog Legacy

 runs warm and should be mounted with at least one rack screw space

open above and below the unit.

The LPE-2 is designed on a common ground topology. For high quality operation, and for your
own safety and the safety of others, 

do not defeat

 the purpose of the AC plug earth grounding

pin.

LPE-2 FRONT-END PROTECTION

Millennia Media enjoys a reputation for what many top engineers and producers call the
world's most musically accurate and dynamically uniform audio preamplifier — 

the HV-3

. But

this unique design is not achieved without certain operating criteria. Back-to-back Zener
diodes protect the super-matched discrete bipolar input transistors against high transient

energy spikes that can occur when inserting and extracting connectors. To maintain top perfor-
mance and protect the LPE-2's sensitive HV-3 front-end, it is advised that you do not insert or
extract XLR or phono connectors with LPE-2 power on. Get in the habit of turning the unit

off before inserting or extracting XLR's or RCA plugs on the inputs.

Summary of Contents for LPE-2

Page 1: ...1 LPE 2 Dedicated to the lives memory and families of Chris Camacho and Gabe Weiner two young men who shared a passion for great audio and who left us much too soon Gabe 1970 1997 Chris 1959 1999...

Page 2: ...al consists of information that is property of Millennia Media Inc and is intended solely for use by the purchasers of the equipment described in this manual Millennia Media Inc expressly prohibits th...

Page 3: ...ects placed on it Pay particular attention to plugs receptacles and the point where the AC power cord exits the LPE 2 4 GROUNDING For your safety it is extremely important that the grounding pin of th...

Page 4: ...ard 2U 19 equipment rack If the LPE 2 is mounted in a road case or other rack which is prone to strong vibration or shock it is highly recommended that the rear of the LPE 2 be supported or otherwise...

Page 5: ...ord press ing 78 45 33 etc can be compensated perfectly with the LPE 2 including vertical groove processes When the LPE 2 does not offer a precise preset compensation point or loading character istic...

Page 6: ...minal which ties earth ground to audio ground If ground hum loops are experienced when using the LPE 2 removing this jumper may help Using this jumper to lift ground the integrity of the chassis earth...

Page 7: ...7 LPE 2...

Page 8: ...with any normal phono input signal The red high level LED illuminates with an audio signal level of approximately 20 dBu and should only illuminate on the very highest peak levels 5 HIGH RESOLUTION PH...

Page 9: ...9 LPE 2...

Page 10: ...C14 on LF board and C8 on HF board The LPE 2 compensation and filter circuits are based upon a unique shunt topology This topology is unlike conventional state variable filters in that only one signal...

Page 11: ...11 LPE 2...

Page 12: ...12 LPE 2...

Page 13: ...e only Ultimately use your ears as the final reference for correct compensation on legacy formats SOURCE SERIES TURNOVER Hz ROLLOFF dB 10 kHz Acoustic Recording such as cylinders etc 0 or as required...

Page 14: ...tsch Grammophone 300 5 Dial 500 or 750 16 Disc 300 16 Ducretet Thomson 450 11 EMI 1931 250 0 33LP 500 12 EMS 375 12 Edison 0 0 Electrola 800 10 Elektra 629 16 Epic thru 1954 COL or 750 16 Esoteric 400...

Page 15: ...ford 750 16 Pacific Jazz 400 12 Parlophone varies with era 300 or 500 0 or 8 5 Pathe inconsistent adjust as required Period 500 16 Polydor 300 8 5 Philharmonia 400 12 Polymusic 500 16 Ploymusic binaur...

Page 16: ...tric early transcriptions 300 0 Westminster pre 1956 500 or 750 16 Westminster AES printed on jacket 400 12 Westrex 200 0 Zonophone early 71 29 RPM 0 0 most 300 0 Per NAB standards the nominal speed o...

Page 17: ...5 dB EIN flat Better than 98 dB EIN RIAA in Three pin XLR Polarity Pin 2 positive polarity Pin 1 ground EQUALIZER SPECIFICATIONS Maximum Filter Boost Cut 10 dB 21 step detent Notch Filter Q Quality Fa...

Page 18: ...l not be liable for special subsequent incidental consequential or punitive damages including but not limited to damage to recordings archives broadcasts mixing consoles or any associated equipment do...

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