Miles Technology Multisonic M44 Operation Manual Download Page 27

4    M86 Operation

23

should sound like the center loudspeaker is actually

on, even though it’s disconnected.

6. Reconnect the center loudspeaker and return the

LC and CR Setup switches to the out position.

  
7. Correct system connection and operation can be

verified using the LC and CR Setup switches

independently as described in sections A1-A8

above.

Setup Adjustment of  the Surround Level
With the M86 Surround Output level control and the

Stereo Input Surround level control at the center

position, the surround amplifier gain controls are

adjusted for normal operating level. This way, if

further adustment is made on the M86 (such as for

a particular program source), then it is easy to

return the surround system to the preset level.
The ‘correct’ level for the surround loudspeakers is

somewhat subjective and arbitrary. The surround

amplifier gain controls are used to set the surround

level while listening to the system with appropriate

program material. If a 5.1 source (such as DVD

player) will be used then a ‘typical’ DVD, preferably

a music DVD (where the surround level is usually

more critical) should be used as a program source. 
The center of the listening area is usually the best

place to listen when adjusting the surround level.

While it is actually a matter of preference, a popular

level for the surround channels with music program

material is such that the surround sound field is

barely audible compared to the front channels. For

movies, the surround loudspeakers can be higher

so that during surround effects, their level is com-

parable to the front. Be sure to balance the left and

right surround levels when adjusting the amplifiers.
If 5.1 sources are rarely or not used then the

amplifiers should be adjusted using a left/right

stereo program source.
One way of adjusting this precisely is by setting the

C/S Image Balance control fully clockwise to "Diff".

Then, using ‘typical’ stereo program material, adjust

the surround amplifier gains so that the surround

loudspeakers are balanced at the same level with

the front left and right loudspeakers. Listening at the

center of the listening area, a well-balanced

surround effect should be heard with the surround

signal heard evenly from all directions. Then return

the C/S Image Balance control to its center position,

and the resulting surround level should be correct.

To adjust for individual program variations, the

Surround Output level control is used for 5.1

sources. Either the Surround Output level control or

the Stereo Input Surround level control can be used

to adjust the derived surround from a left/right

stereo source.

4 Multisonic Imager Operation

Control Adjustments

Input Level Control Operation
The Stereo Input Level control on the M44 or M86

affects the overall gain of the stereo input signals to

all of the outputs. On the M86 it will also affect the

left and right inputs from the 5.1 source only when

the ‘5.1-to-Multisonic’ switch is pressed. It does not

affect signals at the Discrete Center and Discrete

Subwoofer inputs.
This control can be used as an overall volume

control for the stereo input sources.
With the control at midpoint, the unit will operate just

a little (about 2 dB) over unity gain but there is an

additional 6 dB gain due to the outputs being

symmetrical (balanced) which provides an extra 6

dB of gain and headroom. In most applications, the

straight-up position or higher is optimum. A lower

position is ok when full power is not expected or

when the power amplifiers (or other subsequent

equipment) have higher gain than needed.

C/S Image Balance Control Operation
The C/S Image Balance control sets the parameters

used in the Multisonic Dispersion Matrix circuit. It

will effectively control the “width” of the mix. The

program material must be a stereo mix, or have

SpreadSound applied, to be able to adjust this.
One option in setting this control, for a recorded or

pre-mixed signal source, is to adjust it so that all

three loudspeakers have the same loudness. To do

this, it usually helps to be a bit off-center in the

listening area. Simply adjust the C/S Image Balance

control until the center and side loudspeakers seem

to have the same output level. Under this condition,

you will have the maximum possible separation and

optimum Multisonic dispersion for that program

source.
Another method is to listen carefully to the mix and

adjust the control for a good level balance between

the prominent, central parts of the mix (such as lead

vocals, if present and centered) and the side or

ambient parts of the mix. If the central portion of the

program material is either too dominant or too weak,

this control can be used to compensate and correct

it.  Recordings vary in the way they are mixed, and

for the most critical and optimum results, the C/S

Image Balance control can be used to optimize for

each recording. 

Summary of Contents for Multisonic M44

Page 1: ...Miles Technology Inc Niles Michigan USA M44 Multisonic Imager M86 Multisonic Imager Operation Manual...

Page 2: ...Miles Technology Inc Niles Michigan USA...

Page 3: ...as the most demanding professional applications In addition to its Multisonic Imaging function the M44 and M86 include a subwoofer output and subwoofer crossover filters for all inputs as well as disc...

Page 4: ...cific processing 4 Generally the loudspeakers and amplifier gains of left center and right are to be matched An unmatched center loudspeaker can be accommodated also in this case the gain setting may...

Page 5: ...ation Equipment Selection 14 External Signal Processing 15 Mono Output 16 Delayed Loudspeakers 16 Room Acoustics 17 Loudspeaker Placement 17 Using An Unmatched Center Loudspeaker 19 System Interconnec...

Page 6: ...ing reproduces center panned sound sources within the mix such as lead vocals and kick drums in the center These center panned sound source locations will be heard in the center no matter where the li...

Page 7: ...at whichever device is active will be heard without any user intervention Subwoofer Crossover and Bass Management The built in fourth order Linkwitz Riley crossover filters provide an optimized subwoo...

Page 8: ...stage Adjustable Or Actual Mix The relative levels of center and side panned sounds in a stereo mix can easily be adjusted with the C S Image Balance control making the sound distribution perfectly ev...

Page 9: ...e direction at a time resulting in frequent sound staging compromises In addition the Multisonic system provides superior playback with all audio program sources Portable Sound Systems A Multisonic sy...

Page 10: ...s integral to the Multisonic circuit It allows adjustment of the matrix parameters which control the relative levels and effective width of the stereo sound stage This allows compensation for any vari...

Page 11: ...r the Multisonic Imaging conversion process This control can be set and left in the center position for general applications or used for fine tuning the imaging performance with different sources High...

Page 12: ...e send level of the derived surround signal for convenient balancing of the derived surround with the front loudspeakers Once this control is set the derived surround signal will track the source leve...

Page 13: ...Indicators Each output control has an associated two light level display which shows the actual output level The green light indicates the presence of signal above 20 dBu 80 mV The red light indicate...

Page 14: ...an external source such as a mixing console channel or subgroup output which is to be routed directly to the subwoofer in the sound system This is useful for live production applications which include...

Page 15: ...ce Outputs Left Center Right and Subwoofer XLR connectors balanced 26 dBu maximum output into 1200 ohms 100 ohms differential output impedance Left Surround Right Surround M86 only XLR connectors bala...

Page 16: ...2 The Multisonic Imager 12 Fig 7 M86 Internal Block Diagram...

Page 17: ...2 The Multisonic Imager 13 Fig 8 M44 Internal Block Diagram...

Page 18: ...ty is usually the primary concern for loudspeaker selection In general one ought to use the best sounding loudspeakers available within the sound system budget However another critical parameter espec...

Page 19: ...o be immediately after the M86 Equalization Program equalization such as one might use to optimize or correct the sound of recorded program material is normally placed right after the signal source eq...

Page 20: ...ut disrupting the sound staging The amount of delay is set so that the sound from the main system arrives at the listener just before the delayed sound usually by about 15 to 30 ms This helps to retai...

Page 21: ...y listener can hear each of them Large venues may require loudspeaker clusters with appropriate dispersion performance designed to cover the entire audience from each of the three locations In medium...

Page 22: ...shows a more extreme example where a thrust stage requires the center loudspeaker to be placed closer to the central audience than the left and right loudspeakers Also the left and right loudspeakers...

Page 23: ...nt type of center loudspeaker While the theoretical principles of stereo imaging are based upon matched sound sources good imaging still can be achieved with an unmatched center loudspeaker If an unma...

Page 24: ...ROUND CONNECTION ON ANY POWER CORD Unbalanced Connections The M44 and M86 XLR inputs can accept either balanced or unbalanced signals Connect the signal source to pin 2 and or ground to pin 3 The outp...

Page 25: ...ation The loudspeakers should be identical or at least have the same sensitivity and frequency response Since the center loudspeaker has no independent gain control or signal path it should match the...

Page 26: ...fier gain set for audibly matched loudspeaker output This is easily accomplished using the Setup switch on the M44 or M86 Here is the basic procedure 1 Set the center amplifier gain at an appropriate...

Page 27: ...level should be correct To adjust for individual program variations the Surround Output level control is used for 5 1 sources Either the Surround Output level control or the Stereo Input Surround lev...

Page 28: ...Image Balance control fully clockwise to Diff and then adjust the surround level so that a surround effect is realized which is balanced from front to back A stereo program source is necessary for thi...

Page 29: ...itor system even while generating a stereo mix In this case the resulting stereo output is the signal connected to the input of the Multisonic Imager The Imager is used just for monitoring When mixing...

Page 30: ...y when the Surround Output Level control is turned down If so then the program source is probably noisy Also be sure you have a stereo source there will be no surround signal with a mono source Turnin...

Page 31: ...from to S may be helpful also Check that the center loudspeaker is correctly connected The polarity of all signals must be correct Use the setup procedure to verify correct left center and right cente...

Page 32: ...even coverage If the center loudspeaker does not match it will be helpful to use an equalizer for the center channel adjust it for the best possible frequency response match with the side loudspeakers...

Page 33: ...probably caused by intense signal processing Multisonic Imaging will reproduce this effect exactly 6 Product Support Warranty All Miles Technology products are warranted against malfunction due to mat...

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