Midas HERITAGE 3000 Operator'S Manual Download Page 74

Page: 74 / 78

Crosstalk at 1kHz

Channel to Channel

< - 90dB

Mix to Mix

< - 90dB

Channel to Mix

< - 90dB

Maximum Fader attenuation > 80dB

Output Impedance

All Line Outputs

50 Ohms Balanced Source to drive

> 600

Headphones

To drive > 8

Maximum Output Level

All Line Outputs

+ 21dBu

Headphones

+ 21dBu

Nominal Signal Level

Mic

- 60dBu to + 10dBu

Line

0dBu

Headphones

+ 10dBu

Equaliser

Hi pass slope

12dB / Oct

Hi pass frequency

Continuously variable

- 3dB point from 20Hz to 400Hz

Treble Gain

Continuously variable

+ 15 dB to - 15 dB

Centre detent = 0dB

Treble Shelving Freq.

Continuously variable

- 3dB point from 1k to 20k

Treble Bell Freq.

Continuously variable

centre from 1k to 20k

Treble Bell Bandwidth

Continuously variable

0.1 Oct. to 2 Oct
Centre detent = 0.5 Oct

Hi Mid Gain

Continuously variable

+ 15 dB to - 15 dB

Centre detent = 0dB

Hi Mid Freq.

Continuously variable
centre from 400Hz to 8k

Hi Mid Bandwidth

Continuously variable

0.1 Oct. to 2 Oct
Centre detent = 0.5 Oct

Summary of Contents for HERITAGE 3000

Page 1: ...el 44 1562 741515 Fax 44 1562 745371 Email midas info uk telex com Website midasconsoles com OPERATORS MANUAL MIDAS Heritage 3000 Operators Manual Issue 1 4 July 2002 and features DOC02 H3000 Due to a policy of continual product improvement specification may be subject to change without notice ...

Page 2: ......

Page 3: ... not fit into your outlet consult an electrician for replacement of the obsolete outlet 10 Protect the power cord from being walked on or pinched particularly at plugs convenience receptacles and the point where they exit from the apparatus 11 Only use attachments accessories specified by the manufacturer 13 Unplug this apparatus during lightning storms or when unused for long periods of time 14 R...

Page 4: ......

Page 5: ...of use which must be observed when these products are taken into service to maintain compliance with the above directives Details of these special measures and limitations to use are available on request and are also contained in product manuals EN 55013 1990 EN 50082 1992 EN50081 1 and 2 Generic Standard using EN55022 Limits and Methods EN55022 Class B Conduct Emissions EN55022 Class B Radiated E...

Page 6: ......

Page 7: ...be degraded Degradation of up to 60dB may be experienced under extreme conditions 3V m 90 modulation POWER CONNECTION CONTROL CONNECTIONS AUDIO CONNECTIONS ELECTRIC FIELDS INSTALLATION There are a number of points to consider when installing a mixing console Many of these points will have been addressed before the console is even unpacked but it is worth repeating them The console should be locate...

Page 8: ......

Page 9: ...in 4 In Pin 5 In R Input Output XLR Pin 1 Ground Pin 2 Hot Pin 3 Cold RS 232 RS 232 Pin 2 Receive Data Pin 3 Transmit Data Pin 5 GND Input Send Return Tip Hot Ring Cold Sleeve Ground Midas Can Bus Pin 1 18V 100mA max Pin 2 Can low Pin 3 OV Can Pin 4 Can High Pin 5 18V 100mA max BUS IN OUT IN OUT THRU MIDI CAN BUSS ...

Page 10: ......

Page 11: ...odule Midas Automation Heritage Menu Overview Ver 2 04 Midas Can Bus Cable Heritage Back Panel Frame Dimensions Block Diagrams Input Module Group Module Matrix Module Master Module Monitor Module Heritage Overview and Statistics Heritage Technical Specifications Crib Sheet Page 1 Page 2 Page 8 Page 13 Page 15 Page 19 Page 21 Page 25 Page 29 Page 32 Page 40 Page 48 Page 49 Page 51 Page 53 Page 54 P...

Page 12: ......

Page 13: ...24 pan l r C MIDAS HS0001 mute image stereo lcr 15 12 18 9 6 3 0 3 6 9 25 9 10 11 12 13 14 15 16 15 15 bass 0 freq 20 60 160 400 bell freq 20 100 400 15 15 0 hi mid 15 0 lo mid freq 400 2k 8k freq 100 500 2k Q Q bell freq 1k 5k 20k 15 15 0 treble 60 25 35 15 gain direct o p 0 10 PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE PRE 48V PAD O PRE 15 PRE INS...

Page 14: ...and cut from 15dB to 15dB with a 0dB centre detent The treble WIDTH dual concentric bottom control gives continuous adjustment of bandwidth from 0 1 to 2 octaves with a 0 5 octave centre detent This only operates when the BELL switch is activated The treble BELL switch converts the treble equaliser from traditional MIDAS shelving response to full parametric operation The hi mid FREQ control gives ...

Page 15: ...he bass equaliser from traditional MIDAS shelving response to full parametric operation The BASS dual concentric top control gives continuous adjustment of boost and cut from 15dB to 15dB with a 0dB centre detent The bass WIDTH dual concentric bottom control gives continuous adjustment of bandwidth from 0 1 to 2 octaves with a 0 5 octave centre detent This only operates when the BELL switch is act...

Page 16: ...ured in three modes MONO AUX STEREO AUX or POST PAN GROUP This is controlled on a bus by bus basis by the global BUS MODE switches on the GROUP modules When configured as mono auxes the left and right controls give independent level adjustments from 6dB to off When configured as stereo auxes the left controls perform a pan function with a constant power 3dB law while the right controls give contin...

Page 17: ...pear in either of the left or right outputs When the image control is fully anti clockwise the pan control reverts to stereo such that a centre panned signal will route at equal power to the left and right speakers All other Image control positions generate a composite blend of the stereo and LCR panning systems so that the optimum degree of center image focus and speaker power can be obtained Whe...

Page 18: ...dB 10 10 5 5 0 20 30 40 50 dB safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE SET SET SET SET SET SET SET SET AUTO AUTO AUTO AUTO AUT...

Page 19: ...ntroller MODE and ASSIGN keys select the desired automute or VCA group and the SET switch will toggle the channel on and off with each alternate press The STATUS leds are used to show fader positions and the status of VCA and MUTE group assignments The central controller MODE switches toggle through the four available states VCA group assignment MUTE group assignment FADER position manual recall a...

Page 20: ...E PRE PRE PRE PRE PRE 0 0 6 l r C 0 0 6 l r C 0 0 6 l r C 0 0 6 l r C 9 10 11 12 13 14 15 16 PRE PRE PRE PRE PRE PRE PRE PRE 0 0 6 l r C 0 0 6 l r C 0 0 6 l r C 0 0 6 l r C 1 3 5 7 2 4 6 8 PRE PRE PRE PRE PRE PRE PRE PRE 15 15 0 hi mid 0 freq 400 2k 8k Q bell freq 1k 5k 20k 15 15 0 treble PRE INS EQ 15 15 bass 0 freq 20 60 160 400 bell freq 20 100 400 15 0 lo mid freq 100 500 2k Q 15 EQ 60 25 35 1...

Page 21: ...ble equalisers act on from 1k to 20k The TREBLE control gives continuous adjustment of left and right boost and cut from 15dB to 15dB with a 0dB centre detent The treble BELL switch converts the treble equalisers from traditional MIDAS shelving response to bell filters with a 1 5 octave bandwidth The hi mid HI Q control changes the bandwidth of the hi mid equalisers from 1 5 octave to 0 5 octave T...

Page 22: ...rs from 1 5 octave to 0 5 octave The bass BELL switch converts the bass equalisers from traditional MIDAS shelving response to bell filters with a 1 5 octave bandwidth The BASS control gives continuous adjustment of the left and right shelving filters boost and cut from 15dB to 15dB with a 0dB centre detent The bass FREQ control gives continuous adjustment of the frequency range that the bass equa...

Page 23: ...r POST PAN GROUP This is controlled on a bus by bus basis by the global BUS MODE switches on the GROUP modules When configured as mono auxes the left and right controls give independent level adjustments of the levels sent from a mono sum of the channels left and right sides The adjustment is from 6dB to off When configured as stereo auxes the left controls give level adjustment of the left channe...

Page 24: ...ft and right crossed over The controls have a constant power law i e 3dB at the centre position The ST switch connects the post fader channel signals to the stereo master bus via the pan controls The MONO switch connects the post fader channel signals to the mono master bus The MUTE switch mutes the input channel at all points after the insert send The switch can be controlled from snapshot automa...

Page 25: ... dB 10 10 5 5 0 20 30 40 50 dB safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE 1 2 3 4 5 6 7 8 9 10 safe s FDR solo MUTE SET SET SET SET SET SET SET SET AUTO AUTO AUTO AUTO AU...

Page 26: ...ntroller MODE and ASSIGN keys select the desired automute or VCA group and the SET switch will toggle the channel on and off with each alternate press The STATUS leds are used to show fader positions and the status of VCA and MUTE group assignments The central controller MODE switches toggle through the four available states VCA group assignment MUTE group assignment FADER position manual recall a...

Page 27: ...no aux solo solo group MONO ST MONO ST MUTE SOLO PRE MUTE SOLO PRE SOLO INS TALK INS TALK 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 0 0 6 6 0 0 6 6 0 0 6 6 0 0 6 6 0 0 6 6 0 0 6 6 0 0 6 6 0 0 6 6 1 1 2 2 3 3 4 5 6 7 8 4 5 6 7 8 SAFE SAFE fader fader insert insert PRE PRE PRE PRE matrix l r to masters vca 9 9 10 10 10 5 5 0 10 20 30 40 dB ...

Page 28: ...e PRE switches are active the signals are summed at the sub group mix busses The direct MUTE switches mute the sub group direct inputs at all points The direct SOLO switches send direct input to the PFL mono and AFL stereo busses AFL is selected as stereo or mono depending on the group SPLIT switch settings If a SOLO switch is pressed for a short time it will latch on or off but if it is held on f...

Page 29: ...matrix mixes from 6dB to off The PRE fader switches change the signals sent to the matrix mixes from post group fader to pre group fader The PRE insert switches change the signals sent to the matrix mixes from post group insert to pre group insert and override the pre fader switches It is important to note that pre insert matrix sends are also pre the group mutes The VCA switches assign the audio ...

Page 30: ... switch changes the sub group AFL solos from mono to stereo The SOLO switches send sub group signals to the PFL mono and AFL stereo busses If a SOLO switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto cancelling so each new ...

Page 31: ...0 10 10 10 10 10 10 10 10 10 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 5 0 0 0 0 0 0 0 0 0 0 20 20 20 20 20 20 20 20 20 20 30 30 30 30 30 30 30 30 30 30 40 40 40 40 40 40 40 40 40 40 50 50 50 50 50 50 50 50 50 50 dB dB dB dB dB dB dB dB dB dB HS0013 1 2 3 4 5 6 7 8 9 10 MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO MUTE AUTO ...

Page 32: ...is moved closer to the required position the LED s will stop flashing and will be replaced by a single continuously lit LED Once the fader is at the correct position all LEDs will extinguish FADER POSITION CHECK When a scene s contents are being checked see automation operation the STATUS LEDs will indicate the fader position stored in the scene by continuously illuminating one or two LEDs as appr...

Page 33: ...3 0 3 6 9 12 15 18 21 24 27 30 33 36 0 10 level PRE PRE fader insert masters l r mute mute s o l o i n p l a c e 6 6 6 6 6 6 6 6 0 0 0 0 0 0 0 0 right left sum right left sum right left sum right left sum right left sum right left sum right left sum right left sum mono centre mute SAFE INST balance mono 1 2 3 4 5 6 7 8 SAFE ST SAFE VCA 0 10 to mono link to mono TALK 10 5 5 0 10 20 30 40 10 5 5 0 1...

Page 34: ...ing only The direct PRE switches move the point at which the direct signals are summed into the masters The default is post insert but when the PRE switches are active the signals are summed at the master mix busses The direct MUTE switches mute the master direct inputs at all points The direct SOLO switches send direct input to the PFL mono and AFL stereo busses If a SOLO switch is pressed for a ...

Page 35: ...post group fader to pre group fader The PRE insert switches change the signals sent to the matrix mixes from post group insert to pre group insert and override the pre fader switches It is important to note that pre insert matrix sends are also pre the master mutes The MONO level control gives continuous adjustment of the mono master output level from 10dB to off The mono TALK switch connect the m...

Page 36: ...lk mic can be routed to the stereo masters The INS switches connect the master insert return signals to the stereo master signals The MUTE switches mute the stereo master signals at all points after the insert send The switches can be controlled from snapshot automation The mute SAFE switches remove the stereo master mutes from snapshot automation The VCA link to mono switch connects the mono mast...

Page 37: ...INK TALK to all internal meter change over level mic gain talk mic talk internal talk external generator internal generator external signal generator 10 20 60 40 0 10 mute mute solo clear PAD ON R L l r reverse left only 20dB sum O MONO output b output b mono output mono source TALK SOLO MONO SOLO MONO ST C O C O EXT stereo output stereo source 0 10 0 10 mute 300 10 5 5 0 10 20 30 40 10 5 5 0 10 2...

Page 38: ...requency control giving a fixed 1k tone The PINK switch overrides the oscillator by giving a pink noise output The generator LEVEL control gives continuous adjustment of the signal generator peak output signals from 10dBu to off The GENERATOR TO INTERNAL switch connects the signal generator output to the console s internal talk all and talk select busses The GENERATOR TO EXTERNAL switch connects t...

Page 39: ... output The talk LEVEL gives continuous adjustment of the external talk input from 10dB to off The talk LEVEL gives continuous adjustment of the external talk input from 10dB to off The MONO masters switch routes the post fader mono master mix to the mono local monitor output The SOLO switch routes solo signals to the mono local monitor output when ever a solo is active on the console This overrid...

Page 40: ...puts The left MUTE switch controls the mute function on the left hand side of the stereo local monitor speaker outputs The right MUTE switch controls the mute function on the right hand side of the stereo local monitor speaker outputs The SOLO ADD MODE switch allows multiple channel access to the solo busses When the solo add mode is off the action of pressing a solo switch will cancel any previou...

Page 41: ... 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 MIDAS HS0041 matrix solo solo mute mute split SOLO SAFE SAFE INS TALK INS TALK VCA VCA masters control VCA VCA masters control solo solo 10 5 5 0 10 20 30 40 10 5 5 0 10 20 30 40 dB mute mute split SOLO SAFE SAFE INS TALK INS TALK 3 4 ...

Page 42: ... 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 The METERS monitor the peak signal levels of the matrix outputs post fader 30 ...

Page 43: ...eo The SOLO switches send matrix signals to the PFL mono and AFL stereo busses If a SOLO switch is pressed for a short time it will latch on or off but if it is held on for more than 1 second the latching is disabled and when the switch is released the channel solo will turn off As a default the solo system is auto cancelling so each new solo cancels the last This function is time dependant which ...

Page 44: ...s check confirm delete copy insert cancel store midi system up now down next c o act scene last virtual fader recall mode assign keys MIDAS f a s t s c e n e s a u t o m u t e s 1 2 3 4 5 6 7 8 9 10 mute lock fader vca act scene 1 2 3 4 5 6 7 8 9 10 ...

Page 45: ...use that channel to toggle the number one and two assignments for the channel either from off to on or visa versa To enter CLEAR mode set all the assign keys to off To switch the assign keys off simply press the ones that are illuminated which will toggle them off In this mode operating an input SET switch with a long press will clear all the VCA and or automute assignments The mode switches can b...

Page 46: ... is no difference between an ACT or a SCENE apart from the numbering scenes are just sub sets within acts The UP DOWN switches allow the operator to scroll through act scene numbers and navigate through menus The LAST NOW and NEXT switches recall snapshots to the console surface NEXT recalls the snapshot numerically proceeding the snapshot that is currently recalled stored NOW recalls the snap sho...

Page 47: ...sages that are stored within each snap shot its operation is similar to the system menu The COPY DELETE and INSERT keys allow the operator to edit the snapshot sequence in the following manner INSERT Pressing this key will allow the operator to insert a snapshot at the number on the numeric display The scene that was originally at the number and all con current scenes will be re numbered by adding...

Page 48: ... the fader position stored will always be the actual current position of the real fader Fader Automation System In VIRTUAL FADER MODE the console automation takes control of all internal VCA systems and displays a representation of the virtual fader position using the 11 LED s next to each fader Additional adjustment trims can be added if required using the real faders The virtual fader system wor...

Page 49: ...cated by changes in the virtual fader leds If a new scene is recalled the fader adjustments made will be added to the new scene also The adjustment can be removed by returning the fader to the 0dB position or by clearing the fader to infin as detailed below If a new scene is recalled the fader adjustments will all be cleared and the set leds will extinguish to indicate that faders are not tracking...

Page 50: ...ual fader control switch the AUTOmation SAFE switch off and then recall the current or next required scene Virtual fader control will resume as the scene is recalled The fader will not be picked up and can be moved to infin if desired as long as it does not pass through the virtual fader position If it does it will pick up in the normal way Any input channel virtual fader can be totally isolated b...

Page 51: ...o great care must be taken to set them correctly prior to overstoring any adjustments 2 VIRTUAL FADER STORE MODE Used for later rehearsals and for shows where there is a large degree of change from night to night due to venue conditions or add lib s etc Each scene recalled is as it was stored but may need adjustment to suit the prevailing conditions Adjustments are clear and fast to implement with...

Page 52: ...ene information on the console to give a clean starting point for programming MIDI OUT1 MIDI Out Message 1 OUT2 Out Message 2 OUT3 Out Message 3 OUT4 Out Message 4 MIDI Out Sub Menus denotes a number OUT CLR N_ON Ch Channel Menu Menu 1 Menu 2 Button Level Level st nd DATA LOAD SERIAL MIDI SAVE SERIAL MIDI AUTO ENAB YES NO SET_ P Chnn NOFF N ON SNGP PRCH CONS NONE No consoles connected SLAVE Consol...

Page 53: ...play will revert back to default When Overstoring an existing scene the following options are available OVERSTORE OVR STOR The scene is over stored and display reverts back to scene number XFADE The cross fade speed can be set from 0 1 to 100 seconds PRCH Allows selection of the Program change the scene will respond to between NONE 000 to 127 when In Program changes are enabled MIDI 41 ...

Page 54: ...LED s on the input channel will illuminate If the SET button is pressed quickly the VCA s selected on the assign keys will be added to those already selected on the channel If the SET button is pressed and held for a short time then any VCA s already selected on that channel will be cleared and replaced with those selected on the assign key a Ensure that the lock button is not illuminated on the m...

Page 55: ...ill be dropped back to the first level of the menu When the desired messages have been edited press the MIDI button again to drop out of the menu f To then store the information with the scene the STORE button must be pressed followed by CONFIRM a Once a scene has been stored press the STORE button so that the display reads OVER STOR b Press the UP key until the display reads PRCH then press CONFI...

Page 56: ...wish to delete Or display the scene number on the screen using the ACT SCENE UP and DOWN buttons When this is done press the DELETE button You will be asked to confirm this Press the CONFIRM button the screen will then say when the scene is deleted To preview a scene without effecting your mix select the scene number on the display using the ACT SCENE UP and DOWN buttons Once the desired number is...

Page 57: ...mber the following conditions must be true a The AUTO ENAB menu setting must be set to YES b The console must not be in TOTL TOTaL Lock Mode C The console use must not be performing any menu operations Midi In Assignment Setting The Console to Respond to Changes MIDI Setting Up a Midi Device MIDI To cause the console to automatically change its act scene a MIDI command can be sent using the pre pr...

Page 58: ...Hsutil and click on Save To File 5 A prompt will appear asking for a show a name Give the file type as shw 6 Click on OK and the file will be saved 1 Connect the null modem cable 2 Select Show menu and click on Load From File Using the browse function select the show you wish to download into the console and click on OK A window will open telling you the loading is complete click on OK 3 Select th...

Page 59: ...on a slave console If this is done you will see a warning message on the Master indicating that the scene does not exist and prompting for conformation at which point the master will recall the required scene but the slave will remain on the last existing scene recalled Midi may only be stored locally on a console if you wish to program midi outs on slave console you must first make this the maste...

Page 60: ...t No Connectors 1 5 Pin XLR NC5MXB X Series 2 Neutrik NC5MXB CON31 5MXB 2 5 Pin XLR NC5FXB X Series 1 Neutrik NC5FXB CON31 5FXB Cable 3 Cardinal 48400 Starquad 4 Core Cable 8m Farnell 152 133 Connector Pins Signal Cable Core Cable Colour Pin 1 NA No Connection NA PIN2 CAN_L CABLE CORE 1 BLUE PIN3 0V CAN CABLE CORE 3 GREEN PIN4 CAN_H CABLE CORE 2 RED Pin5 NA No Connection NA CASE CHASSIS Braid Scre...

Page 61: ...HERITAGE 3000 Back panel Cover Release Catch Location Cover Release Catch Location 49 ...

Page 62: ...Rear Panel Left View Rear Panel Right View Rear Panel Centre View 50 ...

Page 63: ...nnel 36 mono 4 stereo 188kg 414 5lbs 1054mm x 1985mm 41 49 x 78 15 48 channel 44 mono 4 stereo 215kg 473 9lbs 1054mm x 2257mm 41 49 x 88 86 56 channel 52 mono 4 stereo 253kg 564 4lbs 1054mm x 2529mm 41 49 x 99 57 64 channel 60 mono 4 stereo 260kg 573 2lbs 1054mm x 2772mm 41 49 x 109 1 16 extender user specified 80kg 176 4lbs 1054mm x 657mm 41 49 x 25 88 These weights are approximate and taken out ...

Page 64: ...52 ...

Page 65: ... 1 0 3 15 15 6 6 0 lo mid width 2 0 1 1 0 3 bell bell freq 1k 3k 8k 20k freq 400 1k 3k 8k freq 100 300 800 2k freq 20 60 160 400 _ pre insert eq PRE INS EQ mute VCA å å image stereo lcr ST MONO SIS pan l r C PRE PRE 0 l r C PUSH ON PUSH ON PRE XL3000 INPUT FADER MODULE BLOCK DIAGRAM solo 5 5 0 VCA GROUP MUTE GROUP SET LEDS MAY FUNCTION IN ANY ONE OF THREE WAYS AS SHOWN FUNCTION IS DEPENDANT ON ASS...

Page 66: ...EREO AUX MONO AUX BUS LOGIC MATRIX BUS 1 OF 8 MATRIX SENDS 1PAIR OF8 TO MATRIX 2 8 VCA VCA 0 10 level direct input direct input MUTE insert PRE PRE insert PRE PRE insert PRE PRE insert PRE PRE 0 10 level MUTE SOLO SOLO TALK TALK INSERT POINT RETURN SEND _ INS INSERT POINT RETURN SEND _ INS MUTE SAFE MUTE SAFE green stereo aux red mono aux split SOLO fader 0 0 10 10 fader 10 10 5 5 0 PRE PRE 21 18 ...

Page 67: ...TPUT MATRIX 5 OUTPUT MATRIX 6 OUTPUT SOLO RIGHT SOLO LEFT PFL SOLO LOGIC VCA VCA VCA VCA TALK TALK TALK TALK INSERT POINT RETURN SEND _ INST INSERT POINT RETURN SEND _ INST INSERT POINT RETURN SEND _ INSERT POINT RETURN SEND _ INST INST MUTE SAFE MUTE SAFE MUTE SAFE MUTE SAFE split SOLO split SOLO 10 10 5 5 0 10 10 5 5 0 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 l r 21 18 15 12 9 6 3 0 ...

Page 68: ... 8 MATRIX SEND 1 OF 8 TO MATRIX 2 8 MASTER VCA O P MONO VCA O P VCA VCA VCA 0 10 level insert direct input direct input MUTE PRE PRE insert PRE PRE PRE PRE insert fader s o l o i n p l a c e ST VCA mono centre 0 10 to mono link to mono l r balance 0 10 level MUTE SOLO SOLO TALK TALK TALK INSERT POINT RETURN SEND _ INST INSERT POINT RETURN SEND _ INST INSERT POINT RETURN SEND _ INST MUTE SAFE MUTE ...

Page 69: ...S SOLO INJECT LEFT PFL INJECT SOLO INJECT RIGHT MONO SUM _ _ _ 3dB 3dB INSERT POINT RETURN SEND _ INSERT POINT RETURN SEND _ MONO O P LEFT A MONO O P LEFT B A B SPEAKERS MUTE INSERT POINT RETURN SEND _ 21 18 15 12 9 6 3 0 3 6 9 12 15 18 21 24 27 30 33 36 add mode phones SOLO PRE input to mono to stereo pre fade pfl TALK meter change over 10 10 5 5 0 10 10 5 5 0 solo clear TALK SOLO ST ON R L MONO ...

Page 70: ...58 ...

Page 71: ...ts 24 group direct inputs 8 matrix bus inject inputs 3 solo bus inject inputs 2 master direct inputs 2 external inputs 2 track return 1 master bus inject 2 talk mic input 1 talk external input 1 talk int line 5 The 3000 has a total XLR output count of 89 as follows 44 input channel direct outputs 24 audio group outputs 8 matrix outputs 3 master outputs 3 solo outputs 6 local outputs 1 talk externa...

Page 72: ...ons as follows 480 input channel VCA sub group virtual assign switches 480 input channel mute sub group virtual assign switches 48 input channel mute switches 24 audio sub group mute switches 8 matrix mute switches 3 master mute switches 9 The 3000 has a total of 89 peak program meters with 20 LED segments on all outputs and 11 LED segments on input channels 60 ...

Page 73: ... gain at 40dB Typ 115dB CMR at 1kHz Mic gain 40dB 100dB Mic Pad gain 0dB 60dB Line 50dB Frequency Response Mic to Mix 20 to 20kHz gain 60dB 0dB to 1dB Noise 20 to 20kHz Mic EIN ref 150 gain 60dB 128dBu System Noise 20 to 20kHz 48 channels routed with faders down 80dB Line to Mix Noise 48 channels routed at 0dB pan centre 75dB Distortion at 1kHz Mic to Mix 60dB gain 0dBu output 0 03 all faders at 0...

Page 74: ...Oct Hi pass frequency Continuously variable 3dB point from 20Hz to 400Hz Treble Gain Continuously variable 15 dB to 15 dB Centre detent 0dB Treble Shelving Freq Continuously variable 3dB point from 1k to 20k Treble Bell Freq Continuously variable centre from 1k to 20k Treble Bell Bandwidth Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct Hi Mid Gain Continuously variable 15 dB to 15 dB...

Page 75: ... Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct Bass Gain Continuously variable 15 dB to 15 dB Centre detent 0dB Bass Shelving Freq Continuously variable 3dB point from 20Hz to 400Hz Bass Bell Freq Continuously variable centre from 20Hz to 400Hz Bass Bell Bandwidth Continuously variable 0 1 Oct to 2 Oct Centre detent 0 5 Oct 63 ...

Page 76: ...64 ...

Page 77: ......

Page 78: ......

Search results

Summary of Contents for HERITAGE 3000

Reviews:

Related manuals for HERITAGE 3000

Brands by name

Popular brands

Midas HERITAGE 3000, Operator'S Manual

Search results

Summary of Contents for HERITAGE 3000

Reviews:

Related manuals for HERITAGE 3000

Brands by name

Popular brands