MartinLogan MONTAGE User Manual Download Page 8

8

Room Acoustics

This is one of those areas that requires both a little back-
ground to understand and some time and experimentation
to obtain the best performance from your system.

Your room is actually a component and an important part of
your system. This component is a very large variable and can
dramatically add to, or subtract from, a great musical
experience.

All sound is composed of waves. Each note has its own wave
size, with the lower bass notes literally encompassing from
10 feet to as much as 40 feet. Your room participates in
this wave experience like a three-dimensional pool with
waves reflecting and becoming enhanced depending on
the size of the room and the types of surfaces in the room.

Remember, your audio system can literally generate all of
the information required to recreate a musical event in
time, space and tonal balance. The purpose of your
room, ideally, is to not contribute to that information.
However, every room does contribute to the sound, and
the better speaker manufacturers have designed their sys-
tems to accommodate this phenomenon.

Let’s talk about a few important terms before we begin.

Terminology

Standing Waves

The parallel walls in your room will reinforce certain notes to
the point that they will sound louder than the rest of the audio
spectrum and cause “one-note bass”, “boomy bass” or
“tubby bass”. For instance, 100Hz represents a 10 foot
wavelength. Your room will reinforce that specific frequency
if one of the dominant dimensions is 10 feet. Large objects
in the room such as cabinetry or furniture can help to min-
imize this potential problem. Some serious “audiophiles”
will literally build a special room with no parallel walls just
to help eliminate this phenomenon.

Reflective Surfaces (near-field reflections)

The hard surfaces of your room, particularly if close to your
speaker system, will reflect some waves back into the room
over and over again, confusing the clarity and imaging of
your system. The smaller sound waves are mostly affected
here, and occur in the mid and high frequencies. This is
where voice and frequencies as high as the cymbals occur.

Resonant Surfaces and Objects

All of the surfaces and objects in your room are subject to
the frequencies generated by your system. Much like an
instrument, they will vibrate and “carry on” in syncopation
with the music, and contribute in a negative way to the
music. Ringing, boominess, and even brightness can occur
simply because they are “singing along” with your music.

Resonant Cavities

Small alcoves or closet type areas in your room can be
chambers that create their own “standing waves” and can
drum their own “one-note” sounds.

Clap your hands. Can you hear an instant echo respond
back? You have near-field reflections. Stomp your foot on the
floor. Can you hear a “boom”? You have standing waves
or large panel resonances such as a poorly supported wall.
Put your head in a small cavity area and talk loudly. Can you
hear a booming? You’ve just experienced a cavity resonance.

Rules of Thumb

Hard vs. Soft Surfaces

If the front or back wall of your listening room is soft, it
might benefit you to have a hard or reflective wall in
opposition. The ceiling and floor should follow the same
basic guideline as well. However, the side walls should be
roughly the same in order to deliver a focused image. 

This rule suggests that a little reflection is good. As a mat-
ter of fact, some rooms can be so “over damped” with
carpeting, drapes and sound absorbers that the music sys-
tem can sound dull and lifeless. On the other hand,
rooms can be so hard that the system can sound like a
gymnasium with too much reflection and brightness. The
point is that balance is the optimum environment.

Breakup Objects

Objects with complex shapes, such as bookshelves, cabi-
netry and multiple-shaped walls can help break up those
sonic gremlins and diffuse any dominant frequencies.

Solid Coupling

Your loudspeaker system generates frequency vibrations or
waves into the room. This is how it creates sound. These
vibrations vary from 20 per second to 20,000 per second.
If your speaker system is not securely planted on the floor

R

OOM

A

COUSTICS

Your Room

Summary of Contents for MONTAGE

Page 1: ...TM MONTAGETM u s e r s m a n u a l M A R T I N L O G A N the loudspeaker technology company...

Page 2: ...nd the Speakers The Side Walls Experimentation Final Placement 7 The Extra Tweak Enjoy Yourself Room Acoustics 8 Your Room Terminology Rules of Thumb Dipolar Speakers and Your Room 9 Solid Footing Hom...

Page 3: ...ted by electromagnetic interference Step 1 Unpacking Remove your new Montage speaker from the packing Step 2 Placement Place the Montage near the desired location Please see the Placement section page...

Page 4: ...speaker technology The materials in your new Montage speaker are of the highest quality and will provide years of enduring enjoy ment and deepening respect Montage s state of the art Vojtko crossover...

Page 5: ...plifier This results in the power amplifiers being close to the speakers which may be practically or cosmetically difficult but if the length of the speaker cables can be reduced to a few meters sonic...

Page 6: ...ld not be extremely hard or soft For instance a pane of glass will cause reflections brightness and confused imaging Curtains drapery and objects such as bookshelves can be placed along the wall to so...

Page 7: ...mined by Tightness and extension of bass response Width of the stage Pinpoint focusing of imaging Once you have determined the best of all three of these considerations you will have your best speaker...

Page 8: ...sound waves are mostly affected here and occur in the mid and high frequencies This is where voice and frequencies as high as the cymbals occur Resonant Surfaces and Objects All of the surfaces and o...

Page 9: ...of the precious timing information that carries the clues to imaging Consequently the result is blurred imaging and excessive brightness Soft walls curtains wall hangings or sound dampeners can be eff...

Page 10: ...ilities and demands placed on each speaker Front Left and Front Right If these speakers will be the same two used for your stereo playback they should be of very high quality and able to play loudly o...

Page 11: ...e magnetic materials This incredible field strength proves ideal for maintaining perfect control over the low mass Kaladex diaphragm Super low distortion levels high resolution and crystal clear trans...

Page 12: ...eakers The area of electronics and cable choice is probably the most common type of question that we receive It is also the most subjective We have repeatedly found that brands that work well in one s...

Page 13: ...nlogan com MartinLogan may not honor warranty service claims unless we have a completed Warranty Registration on file If you did not receive a Certificate of Registration with your new Montage speaker...

Page 14: ...difference in decibels between two sounds is ten times the Base 10 logarithm of the ratio of their power levels DC Abbreviation for direct current Diffraction The breaking up of a sound wave caused by...

Page 15: ...f the RMS sound pressure Resistance That property of a conductor by which it opposes the flow of electric current resulting in the generation of heat in the conducting material usually expressed in oh...

Page 16: ...1 Delaware Street Lawrence Kansas 66046 USA tel 785 749 0133 fax 785 749 5320 www martinlogan com M A R T I N L O G A N the loudspeaker technology company 2003 MartinLogan All rights reserved Rev 0929...

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