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Your Room

This is an area that requires both a little background to 

understand and some time and experimentation to attain 

the best performance from your system.

Your room is actually a component and an important part 

of your system. This component is a large variable and can 

dramatically add to or subtract from a great sonic experience. 

All sound is composed of waves. Each frequency has its 

own wave size, with the lower, or bass frequencies liter-

ally encompassing from 10 feet to as much as 40 feet. Your 

room participates in this wave experience like a swimming 

pool with waves reflecting and becoming enhanced depend-

ing on the size and shape of the room and the types of 

surfaces in the room.

Remember that your audio system can actually generate 

all of the information required to recreate a sonic event 

in time, space, and tonal balance. Acoustically, the role of 

an ideal room would be to neither delete nor contribute 

to that information. However, nearly every room does to 

some degree.

Terminology

Standing Waves

Sound coming from a subwoofer bounces around in a 

room until a pattern emerges—this is called a standing 

wave. Typically, this is only a problem with frequencies 

below 100Hz. When this happens different parts of your 

room  experience either an excess or a lack of bass.

Some people believe that having a room without parallel 

walls will eliminate this effect. The truth is that non-parallel 

walls only generate different standing wave patterns than 

those that occur in rectangular rooms.

Usually, you can excite most of the standing waves in a 

room by putting the subwoofer in a corner. Listening 

position determines which standing waves you will expe-

rience. For instance, if you sit in a corner you will hear 

most of the standing waves. This can be an overpowering 

experience. Sitting next to a wall can also intensify the levels 

of the standing waves that are experienced.

Resonant Surfaces and Objects

All of the surfaces and objects in your room are subject to 

the frequencies generated by your system. Much like an 

instrument, they will vibrate and "carry on" in syncopation 

with the music, and may contribute in a negative way to the 

sound. Ringing, boominess, and even brightness can occur 

simply because surfaces and objects are "singing along" with 

your speakers.

Resonant Cavities

Small alcoves or closet type areas in your room can be 

chambers that create their own "standing waves" and can 

drum their own "one note" sounds.

Room Acoustics     17

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CoustICs

Summary of Contents for Depth I

Page 1: ...D e p t h i u s e r s m a n u a l tm...

Page 2: ..._ High Pass _______________________________________ Low Pass _______________________________________ WARNING Do not use your Depth i loudspeakers outside of the country of original sale voltage requir...

Page 3: ...Thank you to you the MartinLogan owner for loving what we do and for making it possible for us to do what we love...

Page 4: ...llowing deep tight well defined bass Servo control woofer technology minimizes distortion A proprietary digital amplifier drives the output stage with precision and extremely high efficiency Low pass...

Page 5: ...with the lightning bolt symbol should be connected by an instructed person or by way of ready made terminals The power cord should remain readily oper able should any abnormal conditions occur Step 1...

Page 6: ...the bass management When connected in 2 channel mode via its speaker or line level left right input the low pass filter is active As a general rule the Low Pass Filter should be set at the option appr...

Page 7: ...when there is none The On setting prevents the Depth i from entering energy saving mode The Standby setting forces the Depth i into energy saving mode While set to Standby the Depth i will not operate...

Page 8: ...ker cable Depth i s Low Pass Filter control effects the signal received through these inputs Status Light The Depth i is equipped with a multi color LED to indicate the current status of the woofers T...

Page 9: ...o the closest setting below the resulting number 2 Play familiar music with bass content Increase the Level control until the music has deep extended bass Be careful to avoid levels that become overwh...

Page 10: ...pe speakers in limited or narrow mode Recommended Control Settings see figure 7 1 With multi channel source material playing adjust the Level control to your preferred level 2 Try the phase control in...

Page 11: ...te the number equal to 70 of your main loud speaker s lowest frequency rating Set the Low Pass Filter switch to the closest setting below the resulting number 3 While playing familiar music with bass...

Page 12: ...fier only has one set of outputs you may connect your amplifier to your speakers as normal and run an additional set of cables from your speakers to the subwoofer s Speaker Level In binding posts It i...

Page 13: ...response make note of this number If the High Pass Filter Out is set to None the Low Pass Filter should remain at approximately 70 of your loudspeakers lowest frequency response If the High Pass Filt...

Page 14: ...oofer in the chain using the same input for every additional connection Recommended Control Settings 1 Adjust the control settings of the first subwoofer using one of the five modes previously describ...

Page 15: ...he power service supplied in the country of original consumer sale The AC power rat ing applicable to a particular unit is specified both on the packing carton and on the serial number plate attached...

Page 16: ...um of three inches of open space between the cabinet and the front left and right sides see figure 17 Ask Your Dealer Your MartinLogan dealer can suggest many options for optimal subwoofer placement T...

Page 17: ...cally this is only a problem with frequencies below 100Hz When this happens different parts of your room experience either an excess or a lack of bass Some people believe that having a room without pa...

Page 18: ...n Instructions 1 On a soft padded surface carefully lay your subwoofer on its side to gain access to the bottom 2 Remove existing feet or spikes Thread new spikes into holes and screw them in all of t...

Page 19: ...so be the same two used for your stereo playback then they should be of very high quality and able to play loud over 102 dB and reproduce bass below 80 Hz Center Channel Many experts believe this to b...

Page 20: ...performance limitations of a heavy and hard to control single large driver Servo Controlled Dynamic Drivers All dynamic drivers generate distortion caused by spider and surround nonlinearities as wel...

Page 21: ...components are turned on Check that the master power switch adjacent to the AC receptacle is set to On Check that the power switch on the subwoofer is set to either Auto or On Check your wires and con...

Page 22: ...Dimensional Drawings Plan View Top Front Elevation Back Elevation 22 Dimensional Drawings Side Elevation...

Page 23: ...ttom of the backplate Each individual unit has a unique serial number Service In the rare event that your MartinLogan product should require service please contact the dealer from whom the product was...

Page 24: ...sound The difference in decibels between two sounds is ten times the Base 10 logarithm of the ratio of their power levels DC Abbreviation for direct current Diffraction The breaking up of a sound wave...

Page 25: ...of the RMS sound pressure Resistance That property of a conductor by which it opposes the flow of electric current resulting in the generation of heat in the conducting material usually expressed in o...

Page 26: ...26 Notes Notes...

Page 27: ...Notes 27 Notes...

Page 28: ...utside of the country of original sale voltage requirements vary by country Improper voltage can cause damage that will be potentially expensive to repair The Depth i is shipped to authorized MartinLo...

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