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Introduction

The relationship between the guitarist and amplifier has been our prime concern since the earliest
Marshall’s were produced.  We always aim to give that extra edge, which can help to inspire the player,
fuelling creativity and the ability to express.  

Advances in technology have allowed us to modify and enhance this basic principle for the benefit of the
musician.  However, we have never lost sight of that extra emotional drive that only valves are capable of
producing.  The whole character of our unique sound emanates from the breathing full bodied pure tone of
the valve.  

Your JMP-1 MIDI pre-amp is a carefully designed coalescence between modern MIDI technology and
classic Marshall valve circuitry.  It’s many tones are all valve generated and presented in a way that is both
comfortable and familiar to guitar players. 

The digital control capabilities add a new degree of flexibility to the way in which the tones can be switched
and processed.  The advantages  provided by this level of control are truly astounding.  After studying the
manual and with a little practical exploration, you will find an unbelievable range of sounds and will very soon
wonder how you managed without MIDI.  The only limit is your own imagination.

JMP-1 Front Panel Features

1. Input Socket

Connect the guitar to this socket.

2. Headphone Socket

For the connection of stereo headphones.      
Headphones with an impedance of 600 Ohms will give
the best performance.  Connecting headphones does not 
disable the outputs of the pre-amp.

3. Output Level Control

Controls the volume level from the master left and right 
outputs (Item 25).

4. Display 

The display is split into two sections and shows patch 
and data information.

5. Patch Key 

Push this key to enter patch selection mode (0-99). The 
patch key LED will illuminate to indicate patch mode.

6. Store Key

Use this key to store a patch in the memory. 

Operational Note:

Push once and the store key LED will flash.  The data entry control (7) can now be used to change the storage location.
Pushing patch or a parameter key will abandon the store.  Push the store key again to complete the store. (Also see
section Creating Your Sounds). 

7. Data Entry Control

This rotary control is used to increment/decrement data 
information, or to select a patch in patch mode.

8. Volume Key 

Push this key to adjust the patch volume level between 0 
and 20.  The volume key LED will illuminate to indicate 
that the volume parameter has been selected.  The data 
display will show the current value.  The value can then 
be adjusted using the rotary data entry control (7).

9. Gain Key

Push this key to adjust the level of gain between 0 - 20.

2

Summary of Contents for JMP-1

Page 1: ...England Tel 01908 375411 Fax 01908 376118 Web Site http www marshallamps com Whilst the information contained herein is correct at the time of publication due to our policy of constant improvement and development Marshall Amplification plc reserve the right to alter specifications without prior notice Nov 98 ...

Page 2: ...mit is your own imagination JMP 1 Front Panel Features 1 Input Socket Connect the guitar to this socket 2 Headphone Socket For the connection of stereo headphones Headphones with an impedance of 600 Ohms will give the best performance Connecting headphones does not disable the outputs of the pre amp 3 Output Level Control Controls the volume level from the master left and right outputs Item 25 4 D...

Page 3: ...has a full warm character and pure vintage tone 19 Clean 2 Key Selects Clean 2 This has a bright sparkling tone ideal for clean picking and ringing chords 20 MIDI Mapping Key The mapping function enables the mapping of incoming MIDI patch messages to internal patches and outgoing MIDI patch numbers to external devices See MIDI mapping 21 MIDI Channel Key This key selects the MIDI Channel on which ...

Page 4: ...s last switched off Fig1 Your JMP 1 is now ready for action Creating Your Sounds Your JMP 1 is capable of producing a vast array of different tones stored in the 100 available patches The simplicity of creating and storing these sounds is a major advantage and feature of the pre amp A Patch is a combination of all the programmable elements that you put in therefore if all tone and volume selection...

Page 5: ...ation of each channel s basic sound type Clean 1 This is a warm full bodied clean tone ideal for rich chords which can be softened for jazz tones or by adding gain will suit clean lead lines with a hint of vintage distortion Clean 2 In complete contrast to Clean 1 Clean 2 is bright and glassy with a clear jangling tone In addition it contains the unique lively edge found only in the early JTM 45 a...

Page 6: ...6 04 British Steel OD 2 on 17 16 4 0 4 1 05 Nasal Tone OD 2 on 16 20 0 1 6 6 06 Quo OD 2 on 17 10 2 2 6 3 07 Angus Ho OD 2 on 17 14 0 1 3 2 08 Filth OD 2 on 17 20 2 6 6 6 09 Bloooz O OD 2 on 17 11 2 2 3 2 10 Bloooz O OD 2 on 17 19 2 2 3 2 11 Tej as OD 1 on 16 14 1 1 4 1 12 Modster OD 1 on 14 20 2 1 5 5 13 Biffa OD 1 off 15 20 2 0 3 3 14 More Gary OD 2 on 17 4 3 0 3 3 15 Mid lands OD 1 on 14 17 2 6...

Page 7: ... vintage singles 12 Modster OD 1 Mod ed Plexi More than enough 13 Biffa OD 1 Obnoxious overdrive In your face crunch 14 More Gary OD 2 JTM 45 on 6 Started it all 15 Mid lands OD 1 Honky mid range voice Cuts through 16 Sunshine OD 2 Cleaner than you think Increase Treb for dark guitars 17 Britaevious CL 2 Modern clean Pick s up EFX well Hi output pickups will distort 18 Trash OD 1 Very broad modern...

Page 8: ...P 1 calls up a new patch it also sends a MIDI program change message via the MIDI OUT terminal Pressing a pedal on a MIDI foot controller will send a MIDI program change message Each MIDI program change message carries a number between 00 and 127 corresponding to the patch program to be called up The JMP 1 has 100 internal patches but will respond to all 128 MIDI program change messages by using a...

Page 9: ...e used to select a particular effects program for each JMP 1 patch with the advantage that several JMP 1 patches can share the same program on the effects processor To Edit The Mapping Table 1 Push Map key once to select incoming MIDI Program number See Fig 5 Use the data entry control to select the incoming Program number 00 to 127 The decimal point signifies program numbers 100 and over 2 Push a...

Page 10: ...rnal MIDI device such as a sequencer or data filer To Transmit MIDI Dump Data Connect a MIDI cable from the MIDI OUT of the JMP 1 to the MIDI IN of the receiving device Press the PATCH key and the VOLUME key together to begin transmitting The display will indicate that a MIDI exclusive dump is in progress by counting the data blocks 0 thru 9 as they are transmitted Fig 9 When the transmission is c...

Page 11: ...EMARKS Basic Default 1 OMNI Memorized Channel Channel 1 16 1 16 Default MODE 1 Mode Message Altered Note Number True Voice Velocity Note ON Note OFF After Key s Touch Channels Pitch Bender Control Change Program 0 127 0 127 Change True 0 99 0 99 System Exclusive 0 0 See Note System Song Pos Song Sel Common Tune System Clock Real Time Commands Aux Messages Local ON OFF All Notes Off Active Sense Re...

Page 12: ...d England WARNING Fire and Shock Hazard Do not Expose Unit to Rain or Moisture Shock Hazard This Unit Must be Earthed Don Not Open AVIS Risque de choc Electrique Ne Pas Ouvrir WARNING No User Serviceable Parts Inside Refer to Qualified Personnel MIDI FOOTSWITCH EFFECTS MASTER L OUTPUT R OUTPUT LEVEL LEVEL L OUTPUT L RETURN R RETURN LEVEL SEND 4 dB 20 dB OUT THRU IN R OUTPUT SPEAKER EMULATOR 4 dB 2...

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