MarkBass CL 810 Review Download Page 7

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MARKBASS

2008  

CLASSIC 300

Bass

Head

:

G E N E R A L

Company

Parsek Srl   Via Po, 52
66020 San Giovanni Teatino
Chieti Italy   www.markbass.it  

Country of Origin

Italy

Warranty

3 Year

Listed Price

$2,599.00

Street Price

$2,599.00

Test Unit Options

None

Accessories

None

Price as Tested

$2,599.00

Available colors

Black

Available options

Footswitch to control mute

in­hand 

on­bench

TEST SUMMARY

1-5 (unacceptable to impeccable)

Features

4

Tonal Flexibility

3.5

Ease of  Use

4

Aesthetics

3.5

Ergonomics

4

Tone

4

Value

4

SONIC PROFILE

Lows – taut, controlled, warm; not
overly big
Mids – focused, punchy; aggressive;
nice complexity and texture
Highs – average brightness, but
cranking the pre-gain adds high-
end excitement

Chassis

4

Vents and cooling

3

Knobs / Lights

4

Finish / Handles

4

Jacks / Sockets

4

Pots / Switches 

3.5

Chassis Layout 

3

Components Resistor/Cap  3 
PCB / Power Transformer  3.5
Solder / Dress

4

Internal / Overall Build        3
Output Power Rating          4.5
Portability

Roadworthiness

4

Ease of Repair   

3

Warranty  

3

Quality per price

4

C O N D I T I O N S

Acquired from

Markbass

Dates

August through November, 2008

Locales

Ohio

Test gear

Nordy vJ5, Celinder VP4, LeCompte

CBSC-4, Fender Roscoe Beck V, Dingwall Z3, Dingwall SJ4,
Markbass CL108, Bergantino NV610 & NV215, Sadowsky SA410,
Ampeg SVT-VR, Mesa/Boogie Bass 400, Sadowsky SA200, Reeves
Custom 225, Elixir & Planet Waves cables.

The Classic 300 delivers vintage
midrange punch, and a hint of
grit,  with  more  control  and
wider  range  of  tones  than
vintage counterparts

TONE-O-METER

In-Hand Score

3.9 

average

On-Bench Score

3.5 

average

E N C L O S U R E

Material

Wooden head cabinet 

Getting inside

4 bolts, 9 screws, 7 cable connectors

Time to assemble

5 minute

Time to disassemble

5 minute

Dimensions

19 5/8” w x 12 3/8” d x 11 9/16”h

Weight

50.8 lbs

Rackable

No

P R E A M P

Inputs

1/4” jack

Mode

Tube preamp, solid state EQ

Tubes

2 Ecc083,  2 Ecc099 

Input Impedance

340 kOhm

EQ Type / Features

4-band

Bandpass EQ

Compressor/Limiter

Non-user adjustable limiter

Potentiometers

PC mount

DI Output

Switchable pre/post EQ, level 
control on front panel, ground lift

Effects Loop

Pre-EQ send

Additional Features

Footswitchable mute

P O W E R   A M P

Mode

Tube

Tubes

6 KT-88

Power Supply

Toroidal transformer

Outputs

1 Speakon for 8/- ohm, 1 for 2-ohm

Impedance Options

8/4, 2-ohms

Pre/Power PCBs

4 printed circuit boards

Power Transformer

Toroidal

Output Transformer

Taps for 2-ohm and a 4/8-ohm tap

Cooling System

Fan

Line Voltage Options

120VAC

Line Voltage Setting

User-variable

M E A S U R E M E N T S

Freq Resp - Preamp from DI post EQ

20 Hz - 20 KHz +/- 9.9

Freq Resp - Preamp & Power Amp

20 Hz - 20 KHz +/- 11.8

EQ Controls Down, Idle Hum

60 Hz

-71 dB

120 Hz

-80 dB

180 Hz

-84 dB

EQ Controls Down, Idle Noise 200 Hz - 1 KHz

-99 dB

1.1 KHz - 20 KHz   

-100 dB

EQ Controls Flat, Idle Hum

60 Hz

-74 dB

120 Hz

-87 dB 

180 Hz

-78 dB

EQ Controls Flat, Idle Noise 200 Hz - 1 KHz

-74 dB

1.1 KHz - 20 KHz    

-87 dB

EQ Controls Up, Idle Hum

60 Hz

-94 dB

120 Hz

-81 dB

180 Hz

-75 dB

EQ Controls Up, Idle Noise

200 Hz - 1 KHz

-89 dB

1.1 KHz - 20 KHz    

-97 dB

Summary of Contents for CL 810

Page 1: ...56 bass gear by Tom Bowlus...

Page 2: ...the rage nowadays and mentioning the word hybrid to most folks conjures up images of eco friendly high mileage vehicles For us bass players we may also think of the typical hybrid bass head which emp...

Page 3: ...e for 4 8 ohm loads and one for 2 ohm loads The two more unusual features are the display function switch and RS 232 PC serial port The switch toggles between three modes for the front panel LCD scree...

Page 4: ...admire with regard to the warm gritty tube powerhouse and the punchy focused midrange attack of a sealed closed 8x10 But he also saw room for improvement especially considering modern technological ad...

Page 5: ...ange focus and a more aggressive attack than the SA200 Conversely the Sadowsky is more smooth full and even and can cop a wider range of tones On a whim I also compared the Classic 300 to the GK Fusio...

Page 6: ...interesting mix of vintage fatness and more modern tones It has that midrange punch that you only seem to get from a big sealed cab with a bunch of 10 s but with more control and refinement The tweete...

Page 7: ...punch and a hint of grit with more control and wider range of tones than vintage counterparts TONE O METER In Hand Score 3 9 average On Bench Score 3 5 average E N C L O S U R E Material Wooden head c...

Page 8: ...nal 0 6 Volts 1 0 Volts 1 0 Volts Voltage drop 0 7 Volts 0 9 Volts 1 0 Volts D STRING 73Hz Power 195 Watts 286 Watts 263 Watts Input Signal 0 6 Volts 1 0 Volts 1 0 Volts Voltage drop 0 6 Volts 0 8 Vol...

Page 9: ...The Markbass CL108 8x10 has immediate warmth with great control There are aggressive upper mids and multiple high end personalities TONE O METER In Hand Score 3 5 average On Bench Score 3 7 average E...

Page 10: ...Tweeter On Red 1 watt Gray 10 watts Green 25 watts Yellow 50 watts Chart 2 showing SPL with Tweeter Off Light Blue 1 watt Purple 10 watts Blue 25 watts Orange 50 watts Markbass Classic 108 with grill...

Page 11: ...panel care must be exercised as the fan which is secured to the back panel plugs into the chassis using a thin wires and a small plastic connector There is very little slack in the wires to position...

Page 12: ...speeds as necessary to keep the amp cool This keeps the fan noise to a minimum such as when the higher fan speed is not necessary Additionally the microprocessor monitors critical functions such as po...

Page 13: ...e function The mute affects the speaker outputs as well as the DI output However the tuner effects send and effects return are not affected by the mute function The effects loop in the Classic 300 is...

Page 14: ...asis network at the effects send The overall response is theoretically a flat frequency response to a device in the effects loop However the pre emphasis de emphasis has the advantage of potentially l...

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