MarkBass CL 810 Review Download Page 11

 The Markbass Classic 300 amplifier is the
first  amplifier  from  Markbass  featuring  a
tube  output  section. The  head  cabinet  is
covered in black tolex, and the face of the
cabinet  is  accented  by  neatly-applied
(surprise!)  yellow  piping.  A  yellow  logo,
suspended  to  a  screened  vent  arranged
within  an  oval  port  on  the  face  of  the
cabinet, provides a cool 3-D feature. The
chassis  is  also  black,  and  prominently
features  yellow  silk-screened  control
labeling  and  a  display  screen  positioned
adjacent to the power switch.  

Internal Construction

The tube complement of the Classic 300
consists of one ECC083 (12ax7) preamp
tube,  one  ECC083  phase  inverter  tube,
two ECC099 driver tubes and a sextet of
KT-88 output tubes, as shown in Fig. A.
The  test  amp  was  received  with  all  new
production,  JJ-brand  tubes.  I  have  to
admit,  working  on  the  Markbass  Classic
300 felt more like working on a personal
computer  than  a  bass  amp.  The  Classic
300 chassis may be accessed by removing
nine screws from the back panel and four
hex  head  bolts  from  the  bottom  of  the
cabinet. To avoid weight and stress on the
chassis, the transformers are bolted to the
head  cab  and  the  wiring  from  the
transformers  connects  to  the  circuitry
within the chassis using heavy duty molex
connectors.  In  all,  there  are  seven  molex
connectors  that  connect  the  power
transformer,  output  transformer  and  fan
to  the  amp  circuitry.  All  of  the  molex
connectors  are  heavy  duty  with  the
exception  of  the  fan  connector.  When
removing  the  back  panel,  care  must  be
exercised  as  the  fan,  which  is  secured  to

the back panel, plugs into the chassis
using  a  thin  wires  and  a  small,
plastic connector. There is very little
slack  in  the  wires  to  position  the
panel  out  of  the  way  enough  to
easily  unplug  the  fan.  As  the  fan  is
an important part of this amp and is

computer  controlled,  it  would  be  nice  if
this wiring were more robust. 
Fortunately,  the  front  panel  bearing  the
Markbass logo is secured to the head cab
using Velcro, so a user can access the tubes
without  the  need  to  remove  the  back
panel.   

With reference to Fig. B, the internals

of the amp consist of a main circuit board
that contains the tube circuitry as well as 

2008 Markbass 
Classic 300      
Bass Head

AMP 

LAB

the  microprocessor  circuitry  (discussed
below).  The  amp  also  includes  a  circuit
board  for  the  preamp/tone  control
circuitry  as  well  as  a  few  smaller  circuit
boards  for  the  display,  tuner  and  effects
loop  jacks,  etc.  The  tube  sockets  are
soldered  directly  to  the  main  circuit
board, so use care to gently remove tubes
when performing tube swaps.

With  reference  to  Fig.  C,  as  noted

above,  one  of  the  circuit  board  contains
the  circuitry  for  the  tone  controls.  This
board  is  a  neatly  arranged  collection  of
surface-mount  components,  including
resistors,  capacitors  and  operational
amplifiers  (opamps). The  potentiometers
are soldered directly to the pc board and 

ECC083

Preamp Tube 

Sextet of KT88

Output tubes

ECC083

Phase Inverter

ECC099 Post PI

Buffer/Driver

ECC099 Post PI

Buffer/Driver

Fig. A - Chassis showing tube location 

Fig. B - Gut shot

Fig. C – A view of the surface mount

circuitry that comprises the

equalization section

Fig. D – The

microprocessor

controller

Tom Lees’

Summary of Contents for CL 810

Page 1: ...56 bass gear by Tom Bowlus...

Page 2: ...the rage nowadays and mentioning the word hybrid to most folks conjures up images of eco friendly high mileage vehicles For us bass players we may also think of the typical hybrid bass head which emp...

Page 3: ...e for 4 8 ohm loads and one for 2 ohm loads The two more unusual features are the display function switch and RS 232 PC serial port The switch toggles between three modes for the front panel LCD scree...

Page 4: ...admire with regard to the warm gritty tube powerhouse and the punchy focused midrange attack of a sealed closed 8x10 But he also saw room for improvement especially considering modern technological ad...

Page 5: ...ange focus and a more aggressive attack than the SA200 Conversely the Sadowsky is more smooth full and even and can cop a wider range of tones On a whim I also compared the Classic 300 to the GK Fusio...

Page 6: ...interesting mix of vintage fatness and more modern tones It has that midrange punch that you only seem to get from a big sealed cab with a bunch of 10 s but with more control and refinement The tweete...

Page 7: ...punch and a hint of grit with more control and wider range of tones than vintage counterparts TONE O METER In Hand Score 3 9 average On Bench Score 3 5 average E N C L O S U R E Material Wooden head c...

Page 8: ...nal 0 6 Volts 1 0 Volts 1 0 Volts Voltage drop 0 7 Volts 0 9 Volts 1 0 Volts D STRING 73Hz Power 195 Watts 286 Watts 263 Watts Input Signal 0 6 Volts 1 0 Volts 1 0 Volts Voltage drop 0 6 Volts 0 8 Vol...

Page 9: ...The Markbass CL108 8x10 has immediate warmth with great control There are aggressive upper mids and multiple high end personalities TONE O METER In Hand Score 3 5 average On Bench Score 3 7 average E...

Page 10: ...Tweeter On Red 1 watt Gray 10 watts Green 25 watts Yellow 50 watts Chart 2 showing SPL with Tweeter Off Light Blue 1 watt Purple 10 watts Blue 25 watts Orange 50 watts Markbass Classic 108 with grill...

Page 11: ...panel care must be exercised as the fan which is secured to the back panel plugs into the chassis using a thin wires and a small plastic connector There is very little slack in the wires to position...

Page 12: ...speeds as necessary to keep the amp cool This keeps the fan noise to a minimum such as when the higher fan speed is not necessary Additionally the microprocessor monitors critical functions such as po...

Page 13: ...e function The mute affects the speaker outputs as well as the DI output However the tuner effects send and effects return are not affected by the mute function The effects loop in the Classic 300 is...

Page 14: ...asis network at the effects send The overall response is theoretically a flat frequency response to a device in the effects loop However the pre emphasis de emphasis has the advantage of potentially l...

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