background image

3

3.  Front Panel 

1

2

3

4

5

6

GAIN CONTROL

The GAIN control is available on both the left and the right channel. It adjusts the input drive of that audio 

channel. Unity gain is about the seventh marking, or 1 o'clock. (This is not an absolute, the user should 

adjust the gain controls when the Limiter is active, by reading the level on each meter.) Limiting usually 

requires some additional "make-up" gain to compare IN / BYPASS. 

REDUCTION CONTROL 

Each channel has a REDUCTION control. REDUCTION adjusts the amount of limiting or compression in that 

channel. This could also be called  "threshold". Turning this control clockwise increases the amount of 

limiting or compression. 

VU METER

There is a VU Meter for each channel in the ELOP+. It shows the amount of gain reduction in dB from the 0 

dB mark, when the switch (7) is not selected, set to REDUCTION. When the switch labeled (7), is selected to 

O/P and illuminated, the meter measures the output level in decibels. 

Note: VU meters and PEAK meters rarely agree, digital recorders usually use peak meters - Rely on those for 

a clean recording. VU meters are standard with analog tape machines and big consoles because they 

correspond well with perceived loudness.

HP SC CONTROL

The High Pass Side Chain filter is factory set to 80Hz. When this switch is engaged and illuminated, 

everything above 80Hz will drive the limiting or compression action. This is useful if you want the bass to 

come through with full impact and limit or compress everything else. Also if you don’t want the kick drum or 

bass line driving the whole compressor action, engage this switch. This filter frequency may be set to a 

slightly higher frequency of 150Hz by changing the internal HPSC filter select jumper W1 & W2 for each 

channel, located on the front panel PCB. (Consult Chapter 8, Servicing and refer to diagram 3)

IN / BYPASS CONTROL

This switch will disengage the active dynamic control section of the unit. If the switch is engaged and 

illuminated to the “IN” position the audio will pass through either the whole unit and all the front panel 

controls will function. When this switch is set to “BYPASS” the audio still flows through the tubes in the unit, 

but at Unity Gain. Use this switch to compare the processed sound with the original. 

COMPRESS / LIMIT CONTROL

This switch allows the ELOP+ to use two different compression ratios, offering either compression at 
approximately 3:1 when the switch is engaged and illuminated or limiting at approximately a 10:1 ratio

7

7

Diagram 1

IN

IN

1

2

3

4

4

5

5

6

6

7

9

8

1

2

3

Summary of Contents for ELOP+

Page 1: ...OWNER S MANUAL ELECTRO OPTICAL VACUUM TUBE LIMITER COMPRESSOR R...

Page 2: ...tes uses and can radiate radio frequency energy and if not installed and used in accordance with the instructions may cause harmful interference to radio communications However there is no guarantee t...

Page 3: ...ranty by Manley Laboratories Inc for any purpose or give rise to any liability of Manley Laboratories Inc 2015 COPYRIGHT Manley Laboratories Inc All rights reserved This manual and any associated artw...

Page 4: ...t described in the operating instructions All other servicing should be referred to qualified service personnel This unit has high voltages present even after the power has been switched off 8 DO NOT...

Page 5: ...nd well with perceived loudness HP SC CONTROL The High Pass Side Chain filter is factory set to 80Hz When this switch is engaged and illuminated everything above 80Hz will drive the limiting or compre...

Page 6: ...channel is compressed individually It becomes noticeable when a loud element that is panned to either edge of the stereo field raises the level of the program to the compressor s threshold causing its...

Page 7: ...NPUT TRANSFORMER BALANCED CH1 LEFT PIN 1 GROUND PIN 2 PIN 3 XLR OUTPUT IMPEDANCE BALANCED CH2 RIGHT PIN 1 GROUND PIN 2 PIN 3 XLR INPUT TRANSFORMER BALANCED CH2 RIGHT PIN 1 GROUND PIN 2 PIN 3 IEC MAINS...

Page 8: ...gh headroom However there are many poor examples of tube circuits in the field and many ways to butcher the quality We chose to use our favorite simple tube line amplifier circuit which we also use in...

Page 9: ...meter where the ratio becomes low again but this would be a severe setting that few engineers could use Distortion becomes audible at very deep limiting In a tech shop it is easy to drive the limiter...

Page 10: ...ere sometimes Obviously we pull out this trick when two tracks are stepping on each other and EQ isn t making enough room for clarity Trick 4 Drive the compressor from an AUX send and return it to a c...

Page 11: ...t it is not touching any metal You may have cured a non loop hum Some gear radiates a magnetic field and some gear especially if it has transformers might receive that hum The unit would have to physi...

Page 12: ...are straight and align with the receptacles of the tube base before pressing down firmly to locate the tube correctly GROUND LIFT JUMPER If necessary the Circuit Ground can be disconnected from the Ch...

Page 13: ...the actual gain reduction accurately You will probably need to increase the oscillator 10 dB to get Limiting Adjust REDUCTION controls to reduce the signal to 4dB Switch METERS to REDUCTION Adjust 2...

Page 14: ...path Bypasses limiter this is not a hardwire bypass Unity Gain Set Input Attenuator 1 00 o clock Maximum Gain 13 dB Common Mode Rejection Ratio CMRR 77dB BW 22Hz 22Khz 4dBu 1Khz sine Limiter Ratio 10...

Page 15: ...13 11 Recall Sheet ARTIST SONG INSTRUMENT TRACK MIC NOTES DATE ENGINEER ARTIST SONG INSTRUMENT TRACK MIC NOTES DATE ENGINEER IN IN IN IN...

Page 16: ...Rev 1 5 ZF 2017 Designed Handcrafted in the USA Manley Laboratories Inc 13880 Magnolia Avenue Chino CA 91710 USA T 1 909 627 4256 www manley com Z Z...

Reviews: