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Mod-Demod

To ease the patching of modDemod effects, Signal 2 IN is normalled to Signal 1 OUT, thus connecting the two 

circuits in series. Carrier/ CV 1 IN is normalled to Carrier CV 2 IN, so that in patching the desired Carrier Signal to 

Carrier/ CV 2 IN, the modulation and demodulation processes share a single Carrier Signal. Patch Signal to be 

processed to Signal 1 IN. Patch Carrier to Carrier/ CV 2 IN. Take output from Signal 2 OUT. The variation from circuit to 

circuit will introduce demodulation errors that sound as distortions. Using the Strength controls, it is possible to 

introduce more errors and to greatly reduce the integrity of the resulting signal. A nice variation on this patch uses a 

pair of independent Carrier VCOs, which are tuned to same frequency, but not synced. Variations in waveshape and 

Phase inaccuracies between the two VCOs will introduce more demodulation errors and distortions.

Octave UP

To ease the patching of octave UP effects. Carrier/ CV 2 IN is normalled to Signal 2 IN. Patch your signal to be 

processed to Signal 2 IN. Patch the Signal 2 OUT into Signal 1 IN, take the output from SUM OUT. Use the Strength 

controls to adjust timbre and blend of octaves. 

DPO Supersaw

This patch uses voltage controlled inversion to derive a sawtooth wave from the DPO’s Final Output. Mixing it with 

the VCOA Sawtooth produces a slightly unconventional, but nonetheless classic, supersaw.

 

Turn off all modulation to Final output parameters and the MOD BUS. Adjust FOLD panel control to ~9:00 so the 

output is full amplitude but with no folds yet. Adjust ANGLE panel control to 12:00, listening for the fullest sound 

available. Adjust SHAPE panel control full CW (100%) to “glitched triangle”.

 

DPO Final OUT -> ModDemix Ch1 Input

DPO Square -> ModDemix Ch1 Carrier/Mod Input

ModDemix Ch1 OUTput -> Mixer

DPO Sawtooth -> Mixer

 

Mix and detune the two sawtooths to taste. The sawtooth derived from the FINAL output will be one octave above 

its original pitch, and it will also contain a slight “spike” at its peaks and troughs (because of its origins as a “glitched” 

triangle, as well as varying slightly in amplitude every other period (because of the DC offset in the DPO’s square 

wave). Combined with the unusual sawtooth shape on VCOA, which has a stronger-than-usual fundamental, this 

patch produces a supersaw with character!

  

Summary of Contents for modDemix

Page 1: ...modDemix...

Page 2: ...any defective products will be repaired or replaced at the option of Make Noise on a return to Make Noise basis with the customer paying the transit cost to Make Noise Please contact Make Noise for R...

Page 3: ...Visit http www doepfer de a100_man a100t_e htm for the details of this format To install find 6HP of space in your euro rack synthesizer system plug the 16pin power cable into the euro rack style pow...

Page 4: ...rocessed Normalled to Signal 1 OUT 5 Signal 2 OUT 6 SUM OUT mix of Signal 1 OUT Signal 2 OUT AUX IN v 7 Carrier CV 1 Strength attenuator for Carrier CV IN 8 AUXiliary INput to Summing stage chain mult...

Page 5: ...on adjusting the strength of the Carrier will alter the integrity of the resulting modulated and or demodulated signal thus affecting the timbre as well as the amplitude When using the modDemix in mos...

Page 6: ...hose sidebands you hear the Carrier Musically speaking this sound is quite useful when a complex timbre is desired but not at the loss of a strong root note Balanced Modulation aka Ring Modulation aka...

Page 7: ...tch the Signal 2 OUT into Signal 1 IN take the output from SUM OUT Use the Strength controls to adjust timbre and blend of octaves DPO Supersaw This patch uses voltage controlled inversion to derive a...

Page 8: ...nal is from Ch1 or 4 of the same MATHS use the variable rather than Unity Output to avoid having the original signal show up in the SUM again Using a multiple patch the original Control Signal to ModD...

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