9
ch.
device
input
insert
assignment
1
kick
mic
gate
submix 1
2
snare
mic
gate
submix 1
3
hi hat
mic
submix 1
4
tom 1
mic
gate
submix 1
5
tom 2
mic
gate
submix 1
6
tom 3
mic
submix 1
7
drum overhead mic L
mic
submix 1
8
drum overhead mic R
mic
compressor
submix 1
ch.
device
input
insert
assignment
9
bass mic
mic
submix 2
10
bass direct
line
submix
2
11
guitar mic
mic
compressor
submix 3
12
guitar direct
line
compressor
submix
3
13
Acoustic guitar
mic
submix
3
14
piano low
mic
L/R bus
15
piano high
mic
L/R bus
ch.
device
input
insert
assignment
16
keyboard submix L
line
L/R bus
17
keyboard submix R
line
L/R bus
18
vocal mic 1
mic
Submix 4
19
vocal mic 2
mic
Submix 4
20
vocal mic 3
mic
Submix 4
21–22
*
stereo reverb
L/R
mix
23–24
†
stereo delay
Submix 4
PHONES
MAIN OUTS
MAIN OUTS
AUX RETURNS
SUB INSERTS
TAPE IN
STEREO CHANNELS
TAPE OUT
SUB OUTS
MAIN INSERTS
TALKBACK
2L
R
L
1234
LRLR
12
LR
LR
LR
22
LR
24
21
23
LRLR
34
56
L
R
R
LR
MONO
1
12
12
34
34
5678
AUX SENDS
CNTRL RM O
U
T
Zone Speaker
Sonic Maximizer
Stereo Digital Delay
Harmonizer
Stereo
Compressor
Stereo Reverb #2
Stereo Reverb #1
Stereo
EQ
Graphic EQ
Power Am
plifier
Power Am
plifier
Power Am
plifier
Graphic EQ
Tape Deck
2-track Recorder
NOTE: For input level control,
use Control Room Outs
instead of Tape Outs.
Stage Monitor
SRM450 Active Monitors
Stage Monitor
Band in a Club
CH
1
CH
2
FU
LL
S
Y
M
M
E
TR
Y
D
U
A
L
DI
FF
ER
EN
TI
A
L
H
IG
H
C
U
R
RE
N
T
DE
SI
G
N
CH
1
CH
2
FU
LL
SYM
M
ET
RY
DU
A
L
D
IF
FE
RE
NTIAL
H
IG
H
C
U
RR
EN
T
D
ES
IG
N
CH
1
CH
2
FU
LL
S
Y
M
M
E
TR
Y
D
U
A
L
DI
FF
ERE
N
TI
A
L
H
IG
H
C
U
R
RE
N
T
DE
SI
G
N
* 29–30 on the 32•4-VLZ PRO † 31–32 on the 32•4-VLZ PRO
APPLICATION DIAGRAMS
