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5

Owner’s Manual

Owner’

s Manual

Quick Start

We realize that you can’t wait to hook up your MR 

Studio Monitors and try them out. Nevertheless, please 
take the time to read this page NOW, and the rest can 
wait until you’re good and ready.

1.  Turn the input level control on the back of the cabinet 

down (fully counterclockwise) before turning on the 
monitor for the first time.

2.  Set the power switch on the back panel off. This will 

prevent you from accidentally connecting a hot signal 
source to the monitor and getting a rude surprise.

3.  Leave the acoustic space and high freq filter switches  

at their normal positions. 

4.  Connect the line-level monitor signal from your mixer, 

preamp, or other signal source to the input jack  
on the MR Studio Monitor (1⁄4", XLR, or RCA).

5.  Connect the supplied AC power cord to the IEC socket 

on the back of the monitor. Plug the other end into  
an AC outlet properly configured with the voltage    
corresponding to the markings next to the IEC socket.

6.  Start your signal source (8-track player, turntable,  

CD player, DAW, or whatever), but leave the master 
volume control on the mixer or preamp down. 

7.  Turn on the power switch on the MR. The LED on  

the front panel will illuminate.

8.  Slowly turn up the input level control on the back  

of the monitor to its fully clockwise position. 

9.  Adjust the master volume on the mixer or preamp to  

a comfortably loud listening level. If the MR gets loud 
really fast, turn down the input level control to its cen-
ter position (12 o’clock) to provide more volume control 
on the mixer or preamp.

Enjoy the silky smooth highs and authoritative,    

commanding lows of the MR. Then read the rest of this 
manual.

An Extremely Important Note 

on MR Bass Response and Your 

Control Room

MRs achieve the best bass  response in a  
room that’s optimized for bass  reproduction.  
A lot of factors can conspire to thwart the  

MR’s extended low frequency – including room shape,  
room volume and  acoustical treatment. 

This is not a cop-out or an apology. It’s plain old 

physics in action. Luckily we’ve armed you with some 
compensating controls that you can use to optimize the 
frequency response of the speakers in your particular 
room. Consider the following:

Low-Frequency Response

When you put your MRs in a corner or up against 

walls, their bass characteristics change. The apparent 
loudness of the low frequencies increases when the 
monitors are placed close to a wall, and even more  
so when they are placed in a corner.

If you have placed the monitors against the walls  

and would like to lower the bass, try setting the  
acoustic space switch to the –2 dB [Half Space]  
position. If the monitors are in the corners, try the  
–4 dB [Quarter Space] position.

High-Frequency Response

The MRs are designed to provide a smooth  

frequency response throughout the mid and high  
range. Nevertheless, you may decide that you need  
a little more or a little less high frequencies in your 
monitors while you are mixing. The high freq filter 
switch provides a gentle boost or cut to the tweeter. 
Remember that boosting the high frequencies in the 
monitors can result in a duller mix, while reducing  
the high frequencies can result in a brighter overall mix.

Additional Tidbits of Wisdom

•  Never listen to loud music for prolonged periods.  

Please see the Safety Instructions on page 2 for  
information on hearing protection.

•   When you shut down your equipment, turn off the MR 

studio monitors first to prevent thumps and  
other noises generated by any upstream equipment from 
coming out the speakers. When powering up, turn on  
the monitors last.

•   Save the shipping box! You may need it someday.
•  Save your sales receipt in a safe place. It’s your    

warranty!

Summary of Contents for MR524

Page 1: ...OWNER S MANUAL Powered Studio Monitors...

Page 2: ...found to comply with the limits for a Class B digital device pursuant to part 15 of the FCC Rules These limits are designed to provide reasonable protection against harmful interference in a resident...

Page 3: ...design built to last and look great in any studio o Custom designed internal bracing adds stiffness for reduced distortion and enhanced low frequency response Flexible inputs for simple connection to...

Page 4: ...n podcasts or other streaming audio Voiceovers too Video post production Edit suites for small productions such as commercials budget films or multimedia for internet broadcast etc Home theater and ot...

Page 5: ...Room MRs achieve the best bass response in a room that s optimized for bass reproduction A lot of factors can conspire to thwart the MR s extended low frequency including room shape room volume and ac...

Page 6: ...y so let s take a quick look at a fairly typical setup In this example whatever sources you desire are plugged into the Big Knob Studio s inputs Next the main L R outputs from a Big Knob Studio are co...

Page 7: ...Connectors This is where the signal is connected to the monitor and adjustments are made to the frequency response of the speakers to match the monitor s location and the room s environment 1 Power Co...

Page 8: ...ly designed with respect to the volume of the cabinet and the characteristics of the woofer to produce low frequency extension Front Panel Description 8 Front Panel LED This LED will illuminate solid...

Page 9: ...to the MR studio monitors to safeguard the speakers and amplifiers from inadvertent damage CAUTION The protection circuits are designed to prevent damage to the speakers under reasonable and sensible...

Page 10: ...ed near AC cables power transformers or other EMI sources including wall warts and line lumps These sources usually produce hum Is there a light dimmer or other triac based device on the same AC circu...

Page 11: ...or distributors If you do not have access to our website please call our Tech Support department at 1 800 898 3211 normal business hours Pacific Time to explain the problem They will tell you where t...

Page 12: ...6 in 320 mm Weight 23 0 lb 10 4 kg Damping Adiabatic batting MR524 624 824 Disclaimer LOUD Technologies Inc is always striving to improve our products by incorporating new and improved materials comp...

Page 13: ...Manual MR524Dimensions MR624Dimensions MR824Dimensions 15 7 400 mm 10 1 256 mm 12 6 320 mm WEIGHT 23 0 lb 10 4 kg 12 9 328 mm 8 3 210 mm 11 2 284 mm WEIGHT 16 5 lb 7 5 kg 11 1 281 mm WEIGHT 10 2 lb 4...

Page 14: ...ledged 2017 LOUD Technologies Inc All Rights Reserved MRBlockDiagram 2 dB 0 2 3 1 2 dB HIGH FREQ XLR BALANCED LINE INPUT RCA UNBALANCED LINE INPUT 1 4 BALANCED UNBALANCED LINE INPUT INPUT LEVEL CROSSO...

Page 15: ...service representative will at its option either repair or replace any such nonconforming product provided that Customer gives notice of the noncompliance within the Warranty Period to the Company at...

Page 16: ...16220 Wood Red Road NE Woodinville WA 98072 USA Phone 425 487 4333 Toll free 800 898 3211 Fax 425 487 4337 www mackie com...

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