14
d.2 Pro DJ Production Console
d.2 Pr
o DJ Pr
oduc
tion C
ons
ole
Control Section
32. MAIN LEVEL
This knob adjusts the
main output level at the
main out XLRs [9] (and
to the RCA main outs
[11] when the live/re-
cord switch [12] is out).
(Remember, when the live
record switch is pushed in,
the RCA main outs are not
affected by the main level
control.)
33. BOOTH LEVEL
This knob adjusts the
output level at the booth
outputs [8].
34. STEREO/MONO
With this switch up, the booth outputs [8] provide a
stereo left and right output of the main mix. Push the
switch in to combine the left and right signals to mono if
you only have one booth monitor speaker.
35. FX SEND LEVEL
This knob controls the amount of signal being sent
to FX send outputs [6]. Adjust this knob to provide an
appropriate input signal level to your external effects
processor (or whatever you have connected to the FX
sends). It ranges from off to +13 dB at maximum.
Note:
The FX sends are affected by the transform
switches [41], so if you mute a pgm channel with the
transform switch, the FX send for that pgm channel is
muted as well.
36. FX RETURN LEVEL
This adjusts the signal level coming from your exter-
nal effects processor via the FX return jacks [7]. Use
it to adjust the processed signal going to the main mix
bus. It ranges from off to +13 dB at maximum.
37. FIREWIRE FX RETURN
Press this in if the FX return comes from your com-
puter via FireWire. For example, a processed (wet)
audio signal to add to the main mix.
L
R
MAIN
B
A
OL
0
2
4
7
10
20
30
OL
0
2
4
7
10
20
30
OL
0
2
4
7
10
20
30
PGM
2
REVERSE
contact-free
cross-fader
infinium
PGM
1
LOW
MID
HIGH
PHONES
BOOTH
MAIN
SOURCE
EQ
FX
PAN
BAL
LOW
MID
HIGH
LINE/
PHONO
CD
EQ
SIG
OL
MIC
CONTROL
2
PGM
LEVEL
PGM
MAIN
STEREO
MONO
+50
+3
R
L
U
+15
-15
U
+15
-15
U
+15
-15
SOURCE
EQ
BAL
LOW
MID
HIGH
LINE/
PHONO
CD
1
PGM
R
L
R
L
KILL
+10
KILL
+10
KILL
+10
KILL
+10
KILL
+10
KILL
+10
OFF
ON
LEVEL
U
MAX
LEVEL
U
MAX
RETURN
SEND
LEVEL
MAX
LEVEL
MAX
LEVEL
MAX
MAX
MAX
PGM SOURCE
111
2
REVERSE
REVERSE
48V
15
10
6
3
15
10
6
3
15
10
6
3
FX
ON
FX
OFF
OFF
OFF
OFF
OFF
OFF
OFF
TRANSFORM
(CENTER = MUTE)
(CENTER = MUTE)
TRANSFORM
Leave it pressed out if the wet return signals come
into the FX return jacks [7] from an external processor.
38. PHONES LEVEL
This controls the volume of the phones output from
off to maximum gain.
Turn it to off before connecting and putting
on headphones. Increase it slowly to a safe
listening level. See headphone jack [50] on
page 17.
39. PGM/MAIN
Use this switch to select the source for the head-
phones signal. When the switch is up (pgm position),
the signal is tapped just after the bal control [31] on
the pgm channels. You can use the pgm source cross-
fader [40] to fade between pgm 1 and pgm 2.
When the switch is down (main position), the signal
is tapped from the main mix bus, just before the main
level control [32].
40. PGM SOURCE
When the pgm/main switch [39] is up (in the pgm
position), you can use this crossfader to listen to pgm 1
and pgm 2 in the headphones. When the crossfader is all
the way to the left, pgm 1 is heard in the headphones.
When the crossfader is all the way to the right, pgm 2
is heard in the headphones. When the knob is in the
center, the headphones get an even mix of pgm 1 and 2.
Note:
When the pgm/main switch is down (main posi-
tion), this control has no effect on the phones output.
