S P E C I F I C A T I O N S *
Frequency Response:
Mic Input to any Output (Trim at 0 dB) ..................+0, –1 dB, 20 Hz to 20 kHz
Line/CD Input to any Output .....................................+/- 0.5 dB, 20 Hz to 20 kHz
Phono Input to any Output ........................................+/- 1 dB of RIAA EQ curve
Distortion (THD and IMD):
THD @ Main Output, 20 Hz to 20 kHz
Mic Input @ 30 dB Gain ................................................Less than 0.0075%
Line/CD Input @ 0 dB Gain ..........................................Less than 0.0075%
Phono Input .....................................................................Less than 0.01 %
THD @ Phones Output, 20 Hz to 20 kHz
Line Input @ 0 dB Gain .................................................Less than 0.03%
SMPTE IMD @ +4dBu Output
Mic Input @ 30 dB Gain ................................................Less than 0.008%
Line/CD Input @ 0 dB Gain ..........................................Less than 0.008%
Common Mode Rejection Ratio (CMRR):
Mic Input (Gain = maximum) .....................................Greater than 60 dB @ 1 kHz
Crosstalk:
Adjacent Inputs or Input to Main Output ..............Less than -85 dB @ 1 kHz
Noise Characteristics:
Equivalent Input Noise (E.I.N.), 20 Hz to 20 kHz
Mic Input (150
Ω
source impedance) .....................Less than -123 dBu
Phono Input (500
Ω
/500 mH source imp.) ............Less than 0.3 µV
CD/Line Input (150
Ω
source impedance) ............Less than -110 dBu
Dynamic Range (Main Out) ........................................Greater than 100 dB
Maximum Input Levels:
Rated at 1% THD
Mic Input (Gain @ minimum) .....................................+9 dBu
CD and Line Inputs (PGM Gain = 0 db) ...................+22 dBu
FX Input ..............................................................................+22 dBu
Phono Input .....................................................................78mV @ 1kHz
Input/Output Characteristics:
Input Gain Control Range
Mic Input ...........................................................................+3 dB to +50 dB
PGM Input .........................................................................OFF to +13 dB
FX Return ...........................................................................OFF to +13 dB
Input Impedance:
Mic Input: ..........................................................................2.4 k
Ω
, balanced
CD/ Line Input .................................................................20 k
Ω
, balanced
FX Return ...........................................................................20 k
Ω
, balanced
Phono Input .....................................................................47.5 k
Ω
shunted with 200 pF
Maximum Output Levels:
XLR Main Output ............................................................+22 dBu
RCA Main Output ...........................................................+22 dBu
Booth Output ...................................................................+22 dBu
FX Send ..............................................................................+22 dBu
Phones ................................................................................15 volts rms into 8
Ω
(28 watts)
Output Impedance:
Main XLR/RCA Output ..................................................150
Ω
Booth Output ...................................................................150
Ω
FX Send ..............................................................................150
Ω
Phones ................................................................................25
Ω
Equalization:
Mic Channel
Low ......................................................................................±15 dB @ 80 Hz
Mid .......................................................................................±15 dB @ 2.5 kHz
High .....................................................................................±15 dB @ 12 kHz
PGM Channel
Low ......................................................................................+10/–inf dB @ 300 Hz
Mid .......................................................................................+10/–inf dB @ 1 kHz
High .....................................................................................+10/–inf dB @ 4 kHz
VU Meters:
12-segment pre-fader PGM meters
12-segment pre-fader Main Mix meters
OL (+20), +10, +7, +4, +2, 0, –2, –4, -7, –10, –20, -30
0 LED = +4 dBu
Mic Input Signal Present LED (Sensitivity) .............-20 dBu
AC Power Requirements:
Power Consumption .....................................................20 watts
Universal AC Power Supply .........................................100 VAC – 240 VAC, 50-60 Hz
Physical Dimensions and Weight:
Height .................................................................................15.49” / 393.4mm (including
knobs and connectors)
Width ..................................................................................10” / 254mm
Depth ..................................................................................4.62” / 117.3mm (including
knobs and connectors)
Weight ................................................................................11lb / 5kg (with FireWire card)
The d.2 mounting slots are compatible with the Odyssey Battle Bridge. This
consists of two L brackets which bolt to the d.2 and allow you to fit it securely
between two turntable cases. See www.odysseygear.com for more details.
Options:
d.2 FireWire I/O Card
© 2005 LOUD TECHNOLOGIES INC. ALL RIGHTS RESERVED. “MACKIE.” AND THE “RUNNING MAN” FIGURE ARE
REGISTERED TRADEMARKS OF LOUD TECHNOLOGIES INC. ALL OTHER TRADEMARKS ARE PROPERTY OF THEIR
RESPECTIVE OWNERS.
*
ALL SPECIFICATIONS SUBJECT TO CHANGE WITHOUT NOTICE.
