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3

INTRODUCTION

Comprehensive master section, with:

•  Four 60mm submix mono faders
•  Separate Left and Right assign for each 

sub

•  60mm main mix stereo fader
•  TRS insert jacks for main mix
•  Balanced XLR stereo main outputs
•  Balanced XLR mono subwoofer output
•  12-segment stereo LED metering
•  Mackie’s (in)famous Rude Solo Light
•  9-band stereo graphic EQ (main mix)
•  EMAC™ 32-bit digital stereo effects with 

footswitch jack

•  2 aux sends with master level controls
•  2 effects sends with master level controls
•  Level controls for stereo effect returns
•  Break switch for ‘worry-free’ intermissions 
• RCA 

tape 

out

•  RCA tape in with stereo level control
•  Headphone output with level control
•  Utility out with level control
•  12V BNC lamp socket

ABOUT THIS MANUAL

Absolutely most important page:

Before you start engineering, please read 

the “Quick Start” section on page 5. It’s a list 
of steps that will familiarize you with the CFX 
mixer and help you set up a basic performance. 

About those blue numbers:

You’ll notice numbers in blue circles, like 

this: 

. Every feature on the CFX mixer has 

one of these numbers assigned to it. Whenever 
a feature is mentioned, described or illustrated, 
its number will be right next to it. 

Thank you for choosing a Mackie CFX MKII 

mixer! These compact live-sound mixers are 
designed to meet the sound reinforcement 
needs of almost any small to medium-sized 
club, meeting room, sanctuary, or outdoor gath-
ering. 

Here’s a quick glance at all the features 

you’ve acquired:

8, 12, or 16 mono channels, with:

•  Variable input gain 

(+5 to +50 dB mic, –15 to +30 dB line)

•  Phantom power (globally switched) 
•  Zero Level gain setting indicator LED
•  Switchable 100 Hz low-cut fi lter 
• TRS 

insert 

jack 

•  2 pre/post-fader aux sends
•  2 post-fader effects sends
• 3-band 

mid-sweep 

EQ

•  Pan, mute, and 1-2/3-4 busing 
• PFL 

solo 

• 60mm 

mono 

fader

2 stereo line channels, with:

•  Variable input gain (–20 to +20 dB)
•  2 pre/post-fader aux sends
•  2 post-fader effects sends
• 4-band 

EQ

•  Pan, mute, and 1-2/3-4 busing 
• PFL 

solo 

• 60mm 

stereo 

fader

Please write your serial number here for 

 future reference (i.e., insurance claims, tech 
support, return authorization, etc.):

  

Purchased at:

Date of purchase:

Part No. SW0585  Rev. C  04/09

©2004-2009 LOUD Technologies Inc.  All Rights Reserved. 

Summary of Contents for CFX MKII

Page 1: ...20 10 OO 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10...

Page 2: ...e of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieu...

Page 3: ...circles like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for cho...

Page 4: ...RATIONS 20 APPENDIX A Service Info 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 SpecificationsCFX12 CFX16 CFX20 MKII 21 CFX MKII SERIES LIMITED WARRANTY 22 BLOCK DIAGRAM 23 IMPORTANT S...

Page 5: ...rip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls cen tered 6 Channel strip ASSIGN 1 2 and MUTE s...

Page 6: ...comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ instead 6 Using channel EFX 2...

Page 7: ...eless Microphone Receivers Stereo EQ Stereo Power Amplifier Left Right Chapel Cassette or DAT Recorder CFX16 MKII Large Club Gig or Auditorium using a Subwoofer CFX20 MKII Church Sound Reinforcement w...

Page 8: ...INE IN INSERT MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate d...

Page 9: ...eo signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the...

Page 10: ...utputs is post fader only so they cannot be used as traditional stage monitor cues They re intended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more informat...

Page 11: ...ee the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a normally open foot switch to this connector to duplicate the function of the BYPASS switch...

Page 12: ...ranges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo signals For in...

Page 13: ...EVEL EFX 1 EFX 2 Pre vs Post Auxiliary Signal Flow Diagram MID 400Hz L R PAN 1 2 dB 10 LOW 12k HI HI MID 3k 80Hz LOW EQ U 15 15 U 15 15 U 15 15 U 15 15 ASSIGN 11 12 MUTE example boosting the LOW EQ kn...

Page 14: ...ependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the m...

Page 15: ...ults try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the oper ating level is the relative 0 dB VU o...

Page 16: ...mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this sw...

Page 17: ...EFFECTS PROCESSOR FOR THE IMPA TIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark Assuming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individual amo...

Page 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Page 19: ...ramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100 FLAN...

Page 20: ...ab that you put underneath the center screw that holds the AC outlet faceplate in place This center screw must be grounded You can check it by connecting the adapter to the outlet and then plugging in...

Page 21: ...Adjacent Inputs or Input to Output 90 dB 1 kHz Fader Off 90 dB 1 kHz Mute Switch and Break Switch Mute 80 dB 1 kHz Input Gain Control Range Mono Channels Mic In 5 dB to 50 dB Line In 15 to 30 dB Stere...

Page 22: ...LOUD authorized reseller or dealer The Product Warranty will not extend to anyone other than the original purchaser of the product hereinafter Customer you or your For products purchased outside the...

Page 23: ...FX 1 EFX 2 PRE POST PAN MAIN GAIN LEFT RIGHT SOLO 1 2 MUTE EFX RETURN 1 SUBWOOFER OUT 1 2 3 63 125 250500 1K 2K 4K 8K 16K TAPE OUT RIGHT BREAK MAIN LEVEL MAIN INSERT LEFT ASSIGN RIGHT ASSIGN SUB 1 OUT...

Page 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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