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23

M

AIN OUT

LEFT

M

AIN OUT

RIGHT

S

TEREO EFX

RETURN 1 RIGHT

S

TEREO EFX

RETURN 1 LEFT

SOL

O CONTR

OL

(A
CTIVE L

OW)

R

UDE SOL

O

LIGHT

SOL

O

OFF

SOL

O

ON

UTILIT

Y OUT LEFT

EFX SEND 2

EFX SEND 2

EFX

SELECT

S

TEREO EFX

RETURN 2

RIGHT

S

TEREO EFX

RETURN 2 LEFT

EFX T

M

AIN 

M

IX

A

UX SEND 1

A

UX SEND 2

EFX T

O A

UX 1

EFX T

O A

UX 2

TO LEFT 

M

AIN

TO RIGHT 

M

AIN

PFL

SIGNAL

TO PHONES

PFL

UTILIT

Y

LEVEL

PHONES LEVEL

PHONES

UTILIT

Y OUT RIGHT

PFL

SIGNAL

TO LEFT

M

ETER

22

10

7

4

2

0

2

4

7

10

20

30

100 H

z

HPF

M

ID FREQ

HI

80

12K

LO

1-2

3-4

AU
X 1

AU
X 2

EFX 1

EFX 2

PRE-P0S

T

PA
N

FA
D

E

R

GAIN

LINE IN

S

TEREO

CH
ANNELS

M

IC/LINE IN

M

ONO CH

ANNELS

LOW CUT

INSER

T

LEVEL

SET

SOL

O

3-4

M

ID

HI

80

800

12K

LO

M

ID

3K

M

ID

HI

80

800

12K

LO

M

ID

3K

AU
X 1

AU
X 2

EFX 1

EFX 2

PRE/P

OS
T

PA
N

M

AIN

GAIN

LEFT

RIGHT

SOL

O

1-2

M

UTE

EFX RETURN 1

SUBWOOFER

OUT

1

2

3

63

12

5

2

5

0

5

00
1K

2K

4K

8K

16K

TAPE OUT

RIGHT

BREAK

M

AIN

LEVEL

M

AIN INSER

T

LEFT

ASSIGN

RIGHT

ASSIGN

SUB 1 OUT

63

12

5

2

5

0

5

00
1K

2K

4K

8K

16K

TAPE OUT

LEFT

BREAK

TA
P

E

LEVEL

M

AIN

LEVEL

M

AIN INSER

T

TAPE IN

LEFT

TAPE IN

RIGHT

EFX 2

EFX 1

SOLO

SOLO
CONTROL

AUX 2

AUX 1

SUB 1

SUB 2

SUB 3

SUB 4

LEFT

M

AIN

RIGHT

M

AIN

EFX SEND 1

A

UX SEND 2

A

UX SEND 1

EFX SEND 1

FR
O

M

 EFX

TO
 

M

AIN 

M

IX

7

5

 H

z

LPF

M

UTE

PH
ANT

O

M

 P

OWER

+48 VDC

M

A

CKIE

CFX 

M

KII SERIES

BL
OCK DIA

GRA

M

(#122104CJ

M

/DF)

+

5

VDC

2

3

1

1

2

3

1

2

3

DA

M

PING/DEP

TH

TI

M

E/RA

TE

EFX WIDE

EFX BYP

ASS

EFX BYP

ASS

EFX

FOO

T

SWIT

CH

+

5

VDC

G

LO

B

A

L

P

H

A

N

TO

M

P

O

W

E

R

WOODINVILLE

EXIT

BO
THELL                

M

ONR

OE

E

M

AC

DSP

EFX LEVEL SET

L

R

SOL

O CONTR

OL

(A
CTIVE L

OW)

SOL

O

OFF

SOL

O

ON

SUB 2 OUT

LEFT

ASSIGN

RIGHT

ASSIGN

LEFT

ASSIGN

RIGHT

ASSIGN

LEFT

ASSIGN

RIGHT

ASSIGN

SUB 4 OUT

SUB 3 OUT

Block Diagram

Summary of Contents for CFX MKII

Page 1: ...20 10 OO 40 50 5 5 U 60 10 SOLO PFL dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10 dB 30 20 10 OO 40 50 5 5 U 60 10...

Page 2: ...e of uninsulated dangerous voltage within the product s enclosure that may be of sufficient magnitude to constitute a risk of electric shock to persons Le symbole clair avec point de fl che l int rieu...

Page 3: ...circles like this Every feature on the CFX mixer has one of these numbers assigned to it Whenever a feature is mentioned described or illustrated its number will be right next to it Thank you for cho...

Page 4: ...RATIONS 20 APPENDIX A Service Info 20 Troubleshooting 20 Repair 21 APPENDIX B Technical Info 21 SpecificationsCFX12 CFX16 CFX20 MKII 21 CFX MKII SERIES LIMITED WARRANTY 22 BLOCK DIAGRAM 23 IMPORTANT S...

Page 5: ...rip GAIN AUX EFX and Fader down 3 STEREO GRAPHIC EQ sliders centered 4 MASTER AUX and EFX SENDS and EFX RETURNS down 5 Channel strip EQ and PAN controls cen tered 6 Channel strip ASSIGN 1 2 and MUTE s...

Page 6: ...comfortable listening level 5 If the overall mix has an equalization problem make adjustments to the STEREO GRAPHIC EQ If an individual channel is the problem use its EQ instead 6 Using channel EFX 2...

Page 7: ...eless Microphone Receivers Stereo EQ Stereo Power Amplifier Left Right Chapel Cassette or DAT Recorder CFX16 MKII Large Club Gig or Auditorium using a Subwoofer CFX20 MKII Church Sound Reinforcement w...

Page 8: ...INE IN INSERT MIC 2 MIC 3 MIC 4 MIC 5 MIC 6 MIC 7 MIC 8 At the risk of stating the obvious this is where you plug everything in microphones line level instruments effects headphones and the ultimate d...

Page 9: ...eo signal enters the real world The XLR balanced outputs will add 6 dB when connected to balanced inputs thereby elevating signal from the noise floor by that amount The TRS balanced outputs offer the...

Page 10: ...utputs is post fader only so they cannot be used as traditional stage monitor cues They re intended to patch into effects device inputs hence the name EFX See EFX 1 EXT and EFX 2 INT for more informat...

Page 11: ...ee the Safety Instructions on page 2 for information on hearing protection EFX FOOT SWITCH You can connect a normally open foot switch to this connector to duplicate the function of the BYPASS switch...

Page 12: ...ranges from off through unity the center detent position on up to 15 dB of extra gain fully clockwise The line level stereo channels AUX knobs control a mono sum of the channel s stereo signals For in...

Page 13: ...EVEL EFX 1 EFX 2 Pre vs Post Auxiliary Signal Flow Diagram MID 400Hz L R PAN 1 2 dB 10 LOW 12k HI HI MID 3k 80Hz LOW EQ U 15 15 U 15 15 U 15 15 U 15 15 ASSIGN 11 12 MUTE example boosting the LOW EQ kn...

Page 14: ...ependently of the rest of the mix SUB Faders SUB ASSIGN and MAIN MIX Fader will explain this further FADER Although the most self explanatory item on a mixer we ll explain it anyway The fader is the m...

Page 15: ...ults try to keep your peaks between 0 and 7 You may already be familiar with 4 4 dBu 1 23V and 10 10 dBV 0 32V operating levels Basically what determines the oper ating level is the relative 0 dB VU o...

Page 16: ...mixer via its TRS jacks and SUB ASSIGN sends it to the MAIN MIX Fader LEFT RIGHT SUB ASSIGN As discussed in ASSIGN the only way to get channel outputs to the main mix is via the sub mixes and this sw...

Page 17: ...EFFECTS PROCESSOR FOR THE IMPA TIENT Set EFX 2 SEND and TO MAIN MIX at the center U mark Assuming you have your basic mix up and run ning turn up the EFX 2 INT per channel This feeds in individual amo...

Page 18: ...ng pre delay and late reflections Tails are very warm with some additional high end reflections imitating the stone walls of a cathedral A very dramatic effect that works well with wind instruments su...

Page 19: ...ramatic effect to vocals particularly group harmonies and choirs The channel s EFX 2 INT should be set halfway or higher Rate is adjust able from 0 5 Hz to 30 Hz Depth is adjustable from 0 to 100 FLAN...

Page 20: ...ab that you put underneath the center screw that holds the AC outlet faceplate in place This center screw must be grounded You can check it by connecting the adapter to the outlet and then plugging in...

Page 21: ...Adjacent Inputs or Input to Output 90 dB 1 kHz Fader Off 90 dB 1 kHz Mute Switch and Break Switch Mute 80 dB 1 kHz Input Gain Control Range Mono Channels Mic In 5 dB to 50 dB Line In 15 to 30 dB Stere...

Page 22: ...LOUD authorized reseller or dealer The Product Warranty will not extend to anyone other than the original purchaser of the product hereinafter Customer you or your For products purchased outside the...

Page 23: ...FX 1 EFX 2 PRE POST PAN MAIN GAIN LEFT RIGHT SOLO 1 2 MUTE EFX RETURN 1 SUBWOOFER OUT 1 2 3 63 125 250500 1K 2K 4K 8K 16K TAPE OUT RIGHT BREAK MAIN LEVEL MAIN INSERT LEFT ASSIGN RIGHT ASSIGN SUB 1 OUT...

Page 24: ...Road NE Woodinville WA 98072 USA United States and Canada 800 898 3211 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E mail s...

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