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5

Operation Guide

Oper

a

tion Guide

3.  Connect the MONITOR A output jacks

on the 

rear panel of Big Knob to a pair of active studio 
monitors (or the inputs of an amplifi er that is 
powering a pair of passive studio monitors). 
These will be located at your mixing position. 
If you know whether the inputs to the active 
studio monitors (or amplifi er) accept a –10 dBV 
(consumer) or +4 dBu input level, set the trim 
control

above the MONITOR A output jacks 

to the appropriate position. Otherwise, leave it 
at the –10 dBV position for now. You can con-
nect additional speakers to the MONITOR B
and MONITOR C

output jacks so you can hear 

your mix through different types of speakers.

4.  If you have a separate studio for recording, 

connect the STUDIO OUTS

to a pair of active 

studio monitors (or the inputs of an amplifi er that 
is powering a pair of passive studio monitors). 
These will be located in studio for the talent. 
Set the trim control

above the STUDIO OUTS 

output jacks to the appropriate position, or leave 
it at the –10 dBV position if you’re not sure.

5.  If you have a headphone distribution amplifi er 

for monitoring while recording, connect the 
PHONES AMP

output jacks to the inputs 

of the headphone amp. Set the +4/–10 level 
switch

above the PHONES AMP output 

jacks to the appropriate position, or leave it at 
the –10 position (pushed in) if you’re not sure.

For Recording

6.  Connect the 2-TRACK A

outputs to the line-

level inputs of any recording device, like a DAT 
or cassette recorder. This allows you to record 
from your DAW to the recorder. Set the +4/–10 
level switch

above the 2-TRACK A output 

jacks to the appropriate position, or leave it at 
the –10 position (pushed in) if you’re not sure.

7.  Connect the line-level outputs from the DAT or 

cassette recorder to the 2-TRACK A

inputs.

8.  Connect the DAW

output jacks on the rear 

panel of Big Knob to the stereo inputs of your 
DAW’s audio interface. This allows you to 
record from the 2-TRACK recorder back to your 
DAW. Set the +4/–10 level switch

above the 

DAW output jacks to the appropriate position, 
or leave it at the –10 position (pushed in) if 
you’re not sure.

Set the Levels

1.  With everything off, turn on Big Knob’s POWER 

switch fi rst.

2.  Turn on all other external power amplifi ers, active 

speakers, and headphone amplifi ers.

3.  Start playback on your DAW and play some-

thing you’ve already recorded (or a demo track). 
You want to be able to listen to it over the moni-
tor speakers connected to Big Knob.

4.  Press the DAW MIX

button in the INPUT 

SOURCE SELECT section on the front panel. 
The LED above the DAW MIX button should 
light.

5.  Press the MONITOR A

button in the MONITOR 

SELECT section on the front panel. The LED 
above the MONITOR A button should light.

6.  If you know whether your DAW’s audio inter-

face output is at a –10 dBV level (consumer) or a 
+4 dBu level (pro), set the +4/–10 level switch

for the DAW MIX

inputs to the appropri-

ate position. If you don’t know, leave it out (in 
the +4 dBu position). We can change it later if 
we need to.

7.  Slowly turn up the trim control

for the DAW 

MIX input until you see the meters

on the 

front panel lighting and dancing happily. Adjust 
the control until the meters are lighting the “0” 
LED regularly. You want the “+8” LED to light 
only occasionally, and the “OL” LED to not light 
at all.

8.  If you can’t adjust the trim control far enough 

to get the signal level up to the 0 and +5 LEDs 
on the meter, turn the trim control all the way 
down, push in the +4/–10 level switch for the 
DAW MIX input, and slowly turn up the trim 
control again. Now the signal should be strong 
enough to get the 0 and +5 LEDs to light.

9.  Slowly turn up the Big Knob VOLUME

control. You should begin to hear playback from 
your DAW through your studio monitor speak-
ers. Adjust the VOLUME control to a comfort-
able listening level. If it seems like you have to 
turn up the VOLUME control all the way to hear 
the monitor speakers, turn down the VOLUME 
control and check to see if the trim control

POWER

ON

~100-240 VAC
50/60 Hz 25W

AC SELECT

220-240V

100-120V

DESIGNED BY MACKOIDS IN  WOODINVILE, WA, USA • "BIG KNOB" & "MACKIE" ARE TRADEMARKS OF LOUD TECHNOLOGIES INC. • COPYRIGHT ©2004

BAL/UNBAL

MONITOR

A

2-TRACK

A

2-TRACK

B

OUTPUTS

DAW

OUTPUT

PHONES

AMP

STUDIO

BAL/UNBAL

+

4

dB

-10

dB 

+

4

dB

-10

dB 

+

4

dB

-10

dB 

+

4

dB

-10

dB 

+

4

dB

-10

dB 

BAL/UNBAL

L

R

DAW 

PHONES

MIX INPUT

-10dB

+4dB

MONITOR

B

BAL/UNBAL

L

R

-10dB

+4dB

MONITOR

C

BAL/UNBAL

L

R

L

R

L

R

L

R

L

R

L

R

L

R

-10dB

+

4dB

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

BAL/UNBAL

-10dB

+

4dB

BAL/

UNBAL

BAL/

UNBAL

(MONO)

RIAA

SOURCES

2-TRACK

B

(MONO)

-10dB

+

4dB 

-10dB

+

4dB 

-10dB

+

4dB 

DAW

MIX

PHONO

GROUND

TALK BACK

FOOT

SWITCH

L

R

BAL/

UNBAL

(MONO)

L

R

L

R

L

R

-10dB

+

10dB

-10dB

+

10dB

-10dB

+

10dB

-10dB

+

10dB

2-TRACK

A

U

U

U

U

Summary of Contents for BIGK NOB

Page 1: ...POWER POWER MUTE DIM MONO TO PHONES STUDIO TO 2 TRACKS LEVEL LEVEL 1 O O MAX O O MAX 2 O O MAX O O MAX TALKBACK STUDIO OUTS INPUT SOURCE SELECT PHONES STUDIO OUTS SOURCE DAW MIX 2 TRACK A 2 TRACK B PH...

Page 2: ...ety and Health Administration OSHA has specified the permissible noise level exposures shown in the following chart According to OSHA any exposure in excess of these permissible limits could result in...

Page 3: ...ing 13 Repair 14 AppendixB Connections 15 XLRConnectors 15 1 4 TRSPhonePlugsandJacks 15 1 4 TSPhonePlugsandJacks 15 RCAPlugsandJacks 15 FootswitchPlugandJack 15 AppendixC TechnicalInfo 16 BigKnobSpeci...

Page 4: ...8 24 INPUT PHONES 0 4dBu VOLUME MAX O O GettingStarted The following steps will help you set up your Big Knob and get the levels adjusted correctly Once you have made the connections and adjustments...

Page 5: ...ctive speakers and headphone amplifiers 3 Start playback on your DAW and play some thing you ve already recorded or a demo track You want to be able to listen to it over the moni tor speakers connecte...

Page 6: ...e STUDIO OUTS jacks is in the 10 dB position counterclockwise If it is turn the control up to the 4 dB position and then turn up the LEVEL control Now it should get louder faster 12 If you have a head...

Page 7: ...ACK inputs creating a circular loop that results in a terrible howl You must remember to turn off the 2 TRACK INPUT SOURCE SELECT button when recording to your 2 track recorder DAW MIX Turns on the si...

Page 8: ...f the PHONES STUDIO OUT SOURCE switch described below PHONES 1 and 2 Level Control These rotary knobs control the volume of the stereo signal at the PHONES 1 and 2 headphone connec tors The same signa...

Page 9: ...TRACK B output connectors DAW output connectors TO PHONES STUDIO Pressing this momentary button illuminates the red LED above the button activates the internal talk back MIC and sends its signal to t...

Page 10: ...you to precisely fine tune the incoming level of the DAW MIX input so it matches the signal level of other incoming 2 track sources PHONO These stereo RCA unbalanced inputs are fed by the outputs of a...

Page 11: ...ecessary to precisely match the levels among the MONITOR A B and C outputs MONITOR B OUTPUTS Works as described above for the Monitor A path MONITOR B Trim Control Works as described above for the Mon...

Page 12: ...to an amplifier and passive monitors in the studio per formance space This allows the performers to hear playback without having to use headphones and allows the control room engineer to communicate...

Page 13: ...them one by one When the noise goes away you ll know which input source is causing the problem Sometimes it helps to plug all the audio equip ment into the same AC circuit so they share a common groun...

Page 14: ...nsible for any damage that occurs due to non factory packaging 5 Include a legible note stating your name ship ping address no P O boxes daytime phone number RA number and a detailed description of th...

Page 15: ...d Tip Hot FootswitchPlugandJack The TALKBACK FOOTSWITCH jack accepts a 1 4 TS plug Shorting the tip and sleeve together activates the talkback circuit This is equivalent to pressing the TO 2 TRACKS an...

Page 16: ...Muted Level Off 90 dB 1 kHz Trim Control Range Input Trim Controls Center Detented 10 dB Output Trim Controls 14 dB to 0 dB Dim Switch 0 dB 20 dB Rated Input Voltage Line Inputs 4 dB Level Setting 4 d...

Page 17: ...s and are hereby acknowledged 2004 LOUD Technologies Inc All Rights Reserved INPUT SOURCE S PHONES MIX INPUT OFF ON POWER POWER MUTE DIM MONO MIC TO PHONES STUDIO TO 2 TRACKS LEVEL LEVEL 1 O O MAX O O...

Page 18: ...NPUT L R L MONO RIAA RIAA TRIM TRIM VDC VDC OFF ON TRIM VDC OFF ON TRIM VOLUME VDC DIM 0 dB 20 dB VDC OFF ON OFF ON R L MONO R L MONO R 4 10 dBV 4 10 dBV 4 10 dBV 10 10 10 10 10 10 10 10 VDC VDC VDC O...

Page 19: ...d in the Service section of this manual 5 Contact the Authorized Mackie Service Center to arrange service or bring the Mackie product to them F LOUD Technologies and Authorized Mackie Service Centers...

Page 20: ...16220 Wood Red Road NE Woodinville WA 98072 USA US and Canada 800 258 6883 Europe Asia Central and South America 425 487 4333 Middle East and Africa 31 20 654 4000 Fax 425 487 4337 www mackie com E m...

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