Lexicon
LXP-15 II Owner's Manual
5-2
Studio Presets
Preset
#
Name
Alg
Patch
Description
1
Large Hall
Dly/Rvb
none
Standard starting point for all great sounds. Use on voice or
instruments. Room size controls density and sustain. Reverb
time contours the release of the reverb.
2
Brite Hall
Dly/Rvb
none
Brighter version of Large Hall. This preset gives tracks a
brighter overall sound.
3
Dark Hall
Dly/Rvb
none
This preset combines elements of cave and church acous-
tics. Great for choral works or sound effects.
4
CompressHall
Dly/Rvb
InLevel
When signal is present, reverb depth is lessened, when
signal stops, reverb time and mix are increased. Nice on
vocals.
5
Vocal Hall
Dly/Rvb
none
Bigger space than Vocal Room with a richer initial envelope.
Think of this as a large recital hall at your favorite university.
6
Chamber
Dly/Rvb
none
Typical sound from a plastered harp-shaped reverb chamber
with a speaker at each end and a microphone in the middle.
One of our favorites!
7
Large Club
Dly/Rvb
none
Reflective and bright. An empty space which is modestly big.
Great for the whole mix or put it on individual tracks.
8
LargeDrkRoom
Dly/Rvb
none
Darker version of above club space with more diffusion.
General pop voice or bright sources which need a soft “space”
added to it.
9
Medium Room
Dly/Rvb
none
Room full of people (some absorption). Tighter sound be-
cause of the smaller size. Pop electronic drums or acoustic.
Great for dance stuff.
10
Medium &Short
Dly/Rvb
none
Thinner, less diffused, and more reflective space. Adds
acoustic brightness to sound sources.
11
Atrium
Dly/Rvb
none
Denser, more diffuse and more reflective. This space starts
to separate from the source audio. Dialog tracks, and acous-
tic guitars.
12
Tiled Room
Dly/Rvb
none
Bright and tight for all percussive sounds. Adjust reverb time
to work with the tempo of the music.
13
Small Room
Dly/Rvb
none
Close space with a healthy resonance. Good starting point for
Dialog ADR work. Use Hi Cut to create high frequency sound
absorption.
14
Vocal Room
Dly/Rvb
none
Good starting point for any vocal track. Use longer reverb
times for slow tempos, and shorter reverb times for quick
tempos.
15
Full Closet
Dly/Rvb
none
Production preset for the obvious.
16
Guitar Room
Dly/Rvb
LFO
For any guitar, acoustic or electric. Increase BassMpy to add
more “chunk” to the room.
Summary of Contents for LXP-15 II
Page 1: ...LXP 15 II Multi Effects Processor Owner s Manual...
Page 4: ...LXP 15 II Multi Effects Processor Owner s Manual...
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