8
rx 200
•
red (CLIP)
= show a too high signal level, near to the
overload of the mixer output stage and of the built-in
amplifier inputs.
11. ON
LED indicating when the mixer is switched on.
12. +48V
LED indicating when the +48V phantom power is
switched on.
13. PRESETS
Built-in DSP’s PRESET selector: allows to select the
desired effect among 16 PRESETS: several kinds of
reverbs, stereo delay, chorus and 2-effect combinations
( delay, chorus). The main parameters
of each effect are listed in the
RX 200 PRESET LIST
table (page 15).
14. MUTE
Effect on/off switch.
NOTE: if you want to use the AUX1/DFX send for an
external effect or a monitor, you should switch OFF the
built-in DSP using the MUTE button.
15. PEAK/MUTE LED
This LED shows 2 conditions:
•
lighted
= shows the effect is MUTED.
•
flashing
= shows a too high signal level, near to the
overload of the mixer output stage. In this case, reduce
the level of the signal sent to the internal effect acting
on the input channel’s AUX1/DFX controls.
16. AUX/DFX RETURN
Potentiometer for controlling the level of the built-in DSP
or the level of the AUX RETURN stereo input to the
mixer’s main outputs.
7. REAR panel (pic 5)
1. POWERED OUTPUTS
These are the outputs of the built-in power amplifier:
connect these outputs to the speakers.
IMPORTANT: be sure the impedance of the speaker
used is not less than 4 ohms, otherwise the amplifier
will protect himself. Make certain to always use only
power cables for speakers and not signal cables
(screened cables used for instruments and
microphones).
2. AIR VENTS
Air vents for the mixer’s cooling.
WARNING!!!
IN ORDER FOR THE MIXER TO WORK CORRECTLY,
IT’S VERY IMPORTANT TO KEEP THE AIR VENTS
ALWAYS FREE AND ABLE TO PROVIDE A PROPER
AIR CIRCULATION.
2. BAL
Centre-dented control of the balance of the signal on
the main outputs.
NOTE: the remaining features of the STEREO channel
are the same as in the MONO channel.
6. MASTER section (pic 3 - 4)
1. AUX 1 OUT
Unbalanced JACK connector: feed out the sum of the
signals arriving from the relative AUX sends of the input
channels.
2. AUX RETURNS L(mono)-Right
Unbalanced JACK connectors: these are the connectors
of the auxiliary stereo input. This input can be used for
the return signal from outboard effects or for connecting
any instrument or equipment with a line output.
3. MIX OUT
Two balanced XLR-M connectors (+4 dB): these
connectors send out the main program from the MIX
L&R and they can be used, for example, to connect
additional amplified speakers or monitors.
4. 2-TRACK input
Two RCA connectors: receive external signals from
STEREO tape recorders, CD player, DAT, etc.
5. 2-TRACK output
Two RCA connectors: send out the signal taken from
MIX and normally intended for STEREO recording.
6. PHONES OUT
STEREO JACK headphone output connector: only
stereo headphones with a minimum impedance of 32
Ohms should be connected to this output.
7. MAIN MIX LEVEL
Potentiometer for control of the general volume
8. PHONES LEVEL
Potentiometer for controlling the level of the
HEADPHONES output. Normally the MAIN MIX signal
is heard from this output.
9. TAPE IN
Potentiometer for controlling the level of the 2-track
input.
10. LEVEL
4-LED BARGRAPHS for the visualization of the signal
assigned to the MAIN MIX outputs.
The LEDs are of three different colors:
•
green
= show the normal operative level of the signal
(from -24 to -12 dB);
•
yellow
= show the nominal operative level of the
signal (0 dB);
