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analogue solutions

  Leipzig 

e&oe (c)  1-1-08

                                 

12 

LED indicators

Each oscillator has it's own 'frequency' LED. This is taken from the VCO's pitch, but 

of course divided down enough octaves so you can see it fl ash!

VCF

The voltage controlled fi lter low pass fi lter (VC LPF) is used to 

alter the tone of the signal coming from the mixer output (VCOs/Noise 
) and is the heart of what gives an analogue synth its character.

CUT OFF

This sets the cut-off frequency, the point at which the LPF will 

start to fi lter-out harmonics.

 EMPHASIS

Emphasis (Resonance, Q or Feedback) is a feature of adding 

feedback to the fi lter circuit. The output of the fi lter is fed back into 
the fi lter input. Emphasis sets the level of feedback. As the control is 
increased to higher levels the fi lter will self-oscillate. The oscillation 
frequency is set by the cut-off control.

Use Emphasis to alter the tone of the fi lter effect. It can be used 

to create 'squiggy' sounds and 'pulse hits'.

KEY TRACK

The pitch CV (CV1) also controls the fi lter-cut off. The KEYTRA-

CL control alters how much this happens. Key Track is sometimes 
also known as Key Follow. This is used when you want a brighter 
sound as you play a higher pitch, since an increasing pitch means 
higher CV1, which in turn increases the cut-off frequency (assuming 
the KEY TRACK control is up). This brightening of sound is how real 
sound behaves. 'Real' instruments usually sound brighter in their 
higher registers.

KEY TRACK can also be used to 'play' the resonance, but set-

ting EMPHASIS to self-oscillate.

ENV1 MOD

This control alters how much the cut-off is modulated by enve-

lope generator 1. Balance this control with the CUT OFF control.

Filtering External Sound Sources

External sound sources, such as vocals, guitars, mixer sends, samplers, etc. can be 

sent through the fi lter for extra treatment. Note, mic's and guitars may need pre-amp'ing; 
use if the signal is too quiet.

Simply plug the sound source into the rear panel EXT1 socket.
Turn the mixer control EXT/NOISE to EXT, and up to a suitable level.
You may wish to return the VCO1 and VCO2 mixer controls to their centre positions 

so the VCOs cannot be heard.

Summary of Contents for TRUE analogue synthesizer

Page 1: ...analogue solutions Leipzig e oe c 1 1 08 1 Leipzig...

Page 2: ...INSTRUCTIONS 8 CIRCUITS IN DETAILS 9 VCO 2 9 NOISE GENERATOR 10 MIXER 11 VCF 12 Filtering External Sound Sources 12 ENVELOPE GENERATORS 13 EG1 2 ASR 13 VCA 14 LFO 14 MODULATION 15 MIDI to CV CONVERTE...

Page 3: ...analogue solutions Leipzig e oe c 1 1 08 3...

Page 4: ...analogue solutions Leipzig e oe c 1 1 08 4...

Page 5: ...Mod Source Amount controls Saw out Pulse out VCO2 Tune Glide Sync PWM Mod Source Amount controls Saw out Pulse out VCF Low pass filter Cut off Emphasis Key Track ENV1 Mod Mod Source Amount controls M...

Page 6: ...gue solutions Leipzig e oe c 1 1 08 6 Push button 1 LEDs 6 Jack sockets 6 35mm mono 3 MIDI Sockets 2 Rugged steel contruction Dimensions Height x 5U Weight xKg Power x Accessories Manual Mains adaptor...

Page 7: ...High grade double sided lead free circuit board All power and signal input outputs have EM filters to remove external noise and im prove immunity High Quality DAC for MIDI to CV conversion 16bit Very...

Page 8: ...unit should be left to reach the ambient temperature Keep unit away from heat sources such as radiators ovens heaters etc Never allow the unit to get wet Do not operate it near water like pools sinks...

Page 9: ...ceive treatment from the VCF to turn their basic tones into pleasant sounds TUNE Two independent TUNE controls for the oscillators Controls the course pitch of the VCO Range is about 2 octaves GLIDE T...

Page 10: ...technically just enjoy the effect Turn to the left for LFO triangle wave modulation Turn to the right for Envelope 2 modulation Centre is zero no modulation For VCO1 it is best to first put the Pulse...

Page 11: ...Use to beef up the sound Turning the control clockwise in increasing amounts sends a 2 octave VCO2 square wave signal to the mixer Turning the control anti clockwise in increasing amounts sends a 1 o...

Page 12: ...itch CV CV1 also controls the filter cut off The KEYTRA CL control alters how much this happens Key Track is sometimes also known as Key Follow This is used when you want a brighter sound as you play...

Page 13: ...e genera tors Use to modulate various parameters of the synthesiser ATTACK Controls the Attack time This is the rate at which the envelope signal will take to reach full level when the MIDI note key p...

Page 14: ...k or decay time THRU When THRU on or bypass is selected the VCA is left permanently on at full level Use this setting if you wish to use the Filter as an effects processor to process external audio fe...

Page 15: ...the sig nals selected by their respective SOURCE switched TheAMOUNT control alters the level of modulation The modulation sources available are VCO1 LFO triangle LFO Square EG1 VCO2 square VCO2 LFO t...

Page 16: ...Square is in Program mode The MIDI to CV converter produces three kinds of signal CV1 This is a pitch CV and is hard wired to control both VCO pitches CV2 This is a modulation CV that is wired into th...

Page 17: ...analogue solutions Leipzig e oe c 1 1 08 17 REAR PANEL...

Page 18: ...ket is copied to the Thru socket This is so you can control additional devices from your MIDI controller without the need of a MIDI thru box The Thru socket will not function when in Poly mode EXT1 si...

Page 19: ...feed external signals into Leipzig use the rear panel EXT1 socket Maybe hardwire if from your desk s effect send It is recommended to keep your MIDI and CV audio cables as short as possible to keep th...

Page 20: ...rature and or moistur or to wear resulting from normal use We will normally carry out most the labour or repairs free of charge for an extended period of an additional 4 years from purchase date but t...

Page 21: ...oe c 1 1 08 21 Leipzig user manual Analogue Solutions web www analoguesolutions com web www analoguesolutions co uk email semblance analoguesolutions com tel fax 44 0 1384 35 36 94 post 56 kingsley r...

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