Leem HMM-16FX Owner'S Manual Download Page 7

5

HMM-16FX

Front Panels Controls

Front Panels

This indicator lights when the PFL switch is turned on.

(11). PFL SWITCH 

When these switch is depressed, the channel input 

signal can be routed to the PFL bus. 
This switch allows you to monitor the pre-fader chan-

nel input signal through headphone outputs and 

control room outputs.

(12).ASSIGN SWITCHES

Use these switches to send the channel’s signal to the 

Group1-2 , Group 3-4 and/or MAIN L/R buses. Setting 

the switch on (     ) causes the signal to be sent to the 

corresponding group buses.

(13). CHANNEL FADER 

This is the channel’s main level control. It determines 

the level of the signal that is sent from the channel to 

the master mixing, group outs and effect buses. It is 

the settings of the input channel faders that determine 

the mix, or the balance of sound levels between the 

instruments or other sources connected to the inputs. 

When a channel is not being used, its fader should be 

set at the minimum position to prevent the addition of 
unwanted noise to the main program signal. 

(5). AUX 1 AND AUX 2 CONTROLS 

This AUX1 knob controls the signal level that the chan-

nel sends to the AUX1 bus; the AUX2 knob controls 

the signal level to the AUX2 bus. 

If you are using stereo channels , the signals from the 

L and R channels are mixed and send to the AUX1 and 

AUX2 buses.

These controls are placed before the channel fader ,so 

they control the AUX outputs regardless of the setting 

of the channel fader.

(6). PRE/POST SWITCH 

This button determines whether the AUX2 signal is Pre 

or Post fader. Pre means not affected by the position 

of the channel fader. Post means is affected by the 

position of the channel fader.

Note that switch applies to AUX2 only. The signal to 

the AUX1 bus always passes through the channel 

fader first

(7). EFX  CONTROL.

This knobs control the level of the signals sent to EFX 

bus. The channel signals mixed by this bus have their 

overall level set by the EFX SEND Control to the EFX 

SEND jack on the front panel. The EFFECT bus signal 

is also fed into the internal digital signal processor 

(100PRESET DSP). 

Since this control is placed after the channel fader, 

the signal level will be affected by the channel fader’s 

setting.

(8). PAN /BAL CONTROL 
PAN (Mono Channel)

This control pans the channel signal across the master 

L and R buses, thus determining the perceived position 

of the sound from that channel in the output stereo 

sound field. If a PAN control is set all the way to the 

left,for example, the sound from that channel will be 

heard from the left speaker system only. 

If it is set all the way to the right, the sound will be 

heard from the right speaker system only.
Intermediate settings will cause the sound to appear at 

corresponding locations in the stereo sound field.

BALANCE (Stereo Channel)

This control adjusts the balance or the L/R position of 

the stereo input signal.

Turning the BALANCE control to the left of center 

moves the apparent source toward the MAIN MIX L 

bus, turning it to the right moves the source toward the 

MAIN MIX R bus.

(9). MUTE SWITCH 

 Set this switch on by pressing it in (     ), you will cut 

off all of its signal feed into the MIAN L/R GROUP1-

2/3-4,AUX2(POST),EFX buses. The switch lights up 

orange to indicate that it is on.

(10). PFL INDICATOR 

502-M1636FXB-2161_01.indd   5

2007/3/8   ¤U¤È 02:11:08

Summary of Contents for HMM-16FX

Page 1: ...Owner s Manual HMM 16FX Professional Stereo Group Mixing console 502 M1636FXB 2161_01 indd 1 2007 3 8 U 02 11 02 www leem co kr...

Page 2: ...WARNING 502 M1636FXB 2161_01 indd 2 2007 3 8 U 02 11 03...

Page 3: ...2 Features 3 Front Panel 4 Rear Panel 10 Point to Remember 11 Connections 11 Applications 13 Block Diagram 15 Speci cations 16 Service 18 Table of Contents Table of Contents 502 M1636FXB 2161_01 indd...

Page 4: ...100 8k 400 15 15 0 100 8k 400 15 15 0 12 12 0 15 15 0 12 12 0 15 15 0 12 12 0 15 15 0 12 12 0 0 10 5 AUX 1 0 10 5 PAN L R 75Hz MF 2 5kHz FREQ Hz MF 2 5kHz FREQ Hz MF 2 5kHz FREQ Hz MF 2 5kHz FREQ Hz M...

Page 5: ...zer for stereo input channels 15dB control on HF LF 12dB control on MID HF MID LF PFL FUNCTION OF ALL CHs The PFL function allows you to monitor any input channels through headphone outputs and con tr...

Page 6: ...control so that the peak indicator lights occasionally This control adjusts the channel s MIC input sensitivity between 50dB and 6dB and the line input sensitivity between 30dB and 14dB The mono stere...

Page 7: ...eans not affected by the position of the channel fader Post means is affected by the position of the channel fader Note that switch applies to AUX2 only The signal to the AUX1 bus always passes throug...

Page 8: ...this switch is on the mixer sends the signals processed by the GROUP faders onto the MAIN L R bus The Group 1 3 signal go to MAIN L and the Group 2 4 signal go to MAIN R 11 MAIN L R MASTER FADERS Adj...

Page 9: ...if you do not need phantom power When tuning the switch on be sure that only condenser MICs are connected to the XLR input jacks Devices other than condenser MICs may be dam aged if connected to the...

Page 10: ...balanced line level signals Examples of line level signals include most electronic keyboards synthesiz ers turn tables with appropriate pre amps tape decks and the line outputs from other mixers 2 CHA...

Page 11: ...put jack of an MTR external mixer or other such device 10 MAIN L R OUTPUT JACKS These jacks are 1 4 TRS phone type balanced output jack These jacks deliver stereo output of the mixer signal You use th...

Page 12: ...NOTE 2 POWER SWITCH Use this switch to power the mixer ON or OFF Balanced XLR output jack for second choice 3 MAIN L R OUTPUT JACK Use only included adaptor for HMM 16FX Use of a different adaptor ma...

Page 13: ...ystem is clean all attempts to improve hum noise levels will be futile In extreme cases there will be no alternative but to provide a completely separate and independ ent technical earth to replace th...

Page 14: ...HIGH Black LOW Shield GND Floating or Balanced low impedance most professional equipment line in and line out microphones Unbalanced low impedance some professional equipment and microphones Unbalance...

Page 15: ...SKIP FWD MIN MAX PLAY PAUSE LEVEL STOP REW Before connecting to microphones and instruments be sure that all devices are turned off Also be sure that all of the mixer s channel fader and master contr...

Page 16: ...PHONE LINE INSERT 5 MIC LINE INSERT 6 MIC LINE INSERT 7 MIC LINE INSERT 8 MIC LINE INSERT 1 MIC OUT IN LINE INSERT 2 MIC LINE INSERT 3 MIC LINE INSERT 4 MIC Guitar Main Speakers External Power Amp Syn...

Page 17: ...15 HMM 16FX Block diagrams Block Diagrams 502 M1636FXB 2161_01 indd 15 2007 3 8 U 02 11 19...

Page 18: ...4dB ST IN TO GROUP1 2 3 4 16dBAUX RETURN IN TO MIX L R 12dBAUX RETURN IN TOAUX1 AUX2 20dB TAPE IN TO MAIN L R Crosstalk at 1kHz 70dB between input channels 70dB between input output channels Gain Cont...

Page 19: ...ck TRS T Hot R Cold S GND Stereo Input Mic 3k 600 44dB XLR Female Type Bal anced Stereo Input 5k 600 20dB Unbalanced Phone Jack Mono Channel Insert Input 10k 600 0dB Phone Jack TRS T Out R In S GND Ta...

Page 20: ...y provider Service Variations Products supplied through legitimate sources are compatible with local AC power requirements Options No optional items are available for this product Variations and Optio...

Page 21: ...19 HMM 16FX 502 M1636FXB 2161_01 indd 19 2007 3 8 U 02 11 19...

Page 22: ...20 HMM 16FX 502 M1636FXB 2161_01 indd 20 2007 3 8 U 02 11 19...

Page 23: ...21 HMM 16FX 502 M1636FXB 2161_01 indd 21 2007 3 8 U 02 11 19...

Page 24: ...502 M1636FXB 2161_01 indd 22 2007 3 8 U 02 11 19 www leem co kr...

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