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LD-Systems

Page 4

TABLE OF CONTENTS

1. INTRODUCTION

2. FEATURES

3. GETTING 

STARTED

4. CONTROL 

ELEMENTS

5. INSTALLATION 

AND 

CONNECTION

6. BLOCK 

DIAGRAMM

7. 

TECHNICAL SPECIFICATIOS  

LD-Systems

Page 13

7. TECHNICAL SPECIFICATIONS

Frequency Response

Input Gain Conrol Range

Equalization

Mixer Rated Output

Mic Input to any Output (Trim at 0 dB)

+0, -1 dB

-3 dB

THD and SMPTE IMD

10 Hz to 150 kHz

Mic Input to Main Output

<0.005% @+4 dBu output

20 Hz to 20 kHz BW (150 Ohm source impedance)

Equivalent Input Noise (EIN)

     -129 dBu

Residual Output Noise

Mic In

60 dB@1 kHz, Gain@ maximum

Adjacent Inputs or Input to Output

-90 dB@1 kHz

0 dB to 50 dB

Main, Phones

-106 dBu

10 Hz to 200 kHz

Distortion

20 Hz to 20 kHz

Noise

CMRR

Crosstalk

High

+/-15 dB@12 kHz

Low

+/-15 dB@80 Hz

Maximum Rated Output

+22 dBu

Maximum Input Levels

Mic Input

+12 dBu, Gain @+10 dB

Line Input

+30 dBu, Gain @+10 dB

Tape Input 

+22 dBu

Input Impedance

2.6 k

, balanced

Ohms

Mic Input

Line Input

20 k

, balanced

Ohms

CD/Tape In

24 k

, unbalanced

Ohms

Output Impedance

Main

240 

, balanced; 120 

, unbalanced

Ohms

Ohms

Tape Output

1 kOhm

Phones Output

25 Ohms

VU Meters

Main Left and Right (4-segment)

Clip (+18), +6, 0, -20 (0 LED=0 dBu)

AC Power Requirements

External Power Supply Ourput

18.5 VAC¡2@150 mA (3-pin AC power connection

External Power Supply AC Input

U.S.

120 VAC, 60 Hz

Europe

240 VAC, 50 Hz

Japan

100 VAC, 50/60 Hz

Korea

220 VAC, 60 Hz

Physical

Dimensions (

     

H x 

x D)

41 x 133 x 203 mm 

Summary of Contents for LAX5

Page 1: ...d to Adam Hall All features and content might be changed without prior notice Photocopying translation or reproduction of any part of this manual without written permission is forbidden Copyright 2007...

Page 2: ...erating this unit for the first time All rights reserved to Adam Hall GmbH All features and content might be changed without prior notice Photocopying translation or reproduction of any part of this m...

Page 3: ...lt in fire Keep product away from naked flames Read these instructions Follow all instructions Keep these instructions Do not discard Heed all warnings Only use attachments accessories specified by th...

Page 4: ...1 kHz 0 dB to 50 dB Main Phones 106 dBu 10 Hz to 200 kHz Distortion 20 Hz to 20 kHz Noise CMRR Crosstalk High 15 dB 12 kHz Low 15 dB 80 Hz Maximum Rated Output 22 dBu Maximum Input Levels Mic Input 12...

Page 5: ...RS sockets A 2 Band EQ for the mono input 2 track in and outputs Balanced output with TRS sockets 3 GETTING STARTED 3 1 Please check the AC voltage available in your country before connecting your LAX...

Page 6: ...eeve Tip Sleeve Tip Sleeve Cent e r Cent e r Centre Screen Screen Screen 1 2 3 Tip Ring Sleeve 1 2 3 1 2 3 TIP SLEEVE TIP SLEEVE TIP RING SLEEVE TIP RING SLEEVE 1 2 3 2 1 3 2 1 3 Tip Ring Sleeve 1 2 3...

Page 7: ...e following examples on how to wire up your sys tem LD Systems Page 7 4 1 THE MONO CHANNEL You can connect balanced low impedance mirophones or a low level signal to the XLR socket On the 1 4 line jac...

Page 8: ...g device such as a tape deck in order to record the mix The signal is the same as that of the main mix 4 13 TAPE TO PHONES SWITCH Pressing this switch will route the CD TAPE INPUT signal to the headph...

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