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LS-208 Overview and Operation Manual – Version 1.0 

COPYRIGHT 2018 LAUTEN AUDIO 

 

Description 

 

The LS-208 is a professional front-address large-diaphragm condenser microphone designed for studio, 

live, broadcast recording and sound reinforcement. The LS-208 combines the handling capabilities of a 

dynamic microphone with the recording qualities of a professional high-end studio condenser 

microphone.  

The LS-208 does not require pre-attenuation but can handle 135dB SPL due to its circuit design. Highly 

unique for a microphone of its type is its ability to capture a full 120db of dynamic range without the use 

of internal or external pre-attenuation. This gives engineers the ability to capture brilliant recordings of 

highly dynamic instruments and environments without sacrificing sound quality. 

The LS-208 also features excellent off-axis rejection. It will provide excellent rejection of off-axis voices, 

instruments, crowds, etc., making it great for live radio broadcast and podcasts, or for multi-instrument, 

live-studio and on-stage recording or sound reinforcement. 

The Independent, multi-stage, high and low-cut filters help engineers balance recordings at the 

microphone and aid in successfully capturing the performance reducing the need for mixing. The 2-stage 

low-cut aids in reducing low-end rumble, muddiness, and proximity effect. The 2-stage high-cut helps 

tame bright instruments and high frequencies.  

The LS-208 is fully accessorized and ships with the following. 

 

Spider-shock mount with threaded nut and adjustable elbow joint. 

 

Hard mount with threaded nut and adjustable elbow joint. 

 

Foam windscreen to protect transducer element from plosives, wind, and debris 

 

Hard case that fits all accessories and is built for the rigors of the road. 

Unlike any microphone of its kind on the market today, the LS-208 offers excellent off-axis rejection and 

dynamic-range capabilities combined with studio quality sound to achieve exceptional results in any 

recording environment. 

 

Key Features 

 

Full 120dB (135dB total) of dynamic range without the need of additional attenuation 

Wide frequency response and studio quality sound 

Excellent off-axis sound rejection 

Independent 2-stage low and high-cut frequency switches 

Internally shock mounted pressure gradient condenser element 

Both spider shock mount and hard mount included 

Foam windscreen for plosive and wind rejection 

Summary of Contents for LS-208

Page 1: ...LS 208 Overview and Operation Manual Version 1 0 COPYRIGHT 2018 LAUTEN AUDIO LS 208 Front Address Large Diaphragm Condenser Voice Instrument Microphone PRODUCT OVERVIEW OPERATION MANUAL ...

Page 2: ...B of SPL handling without the need for attenuation With its excellent off axis rejection it s excellent for focusing on the source and reducing bleed in multi source live environments Constructed from high quality components and outfitted with frequency shaping high and low cut filters the LS 208 comes with a spider shock mount great for broadcast a hard mount for tight spots a foam windscreen to ...

Page 3: ...ulti stage high and low cut filters help engineers balance recordings at the microphone and aid in successfully capturing the performance reducing the need for mixing The 2 stage low cut aids in reducing low end rumble muddiness and proximity effect The 2 stage high cut helps tame bright instruments and high frequencies The LS 208 is fully accessorized and ships with the following Spider shock mou...

Page 4: ...amp 4 After securely connecting the cables turn on the 48v phantom power and all the microphone to warm up for a couple minutes 5 If you are using the microphone for vocals or voice please ensure you use a high quality pop filter or the included foam windscreen 6 Gradually increase the input gain on your recording interface or preamp to test and achieve your desired microphone input levels 7 Congr...

Page 5: ... external 48v phantom power supply Connections Always use a high quality 3 pin XLR microphone cable with your microphone Connect the female end of the XLR cable to the microphone and the male end of the XLR cable to your recording interface Do not connect this microphone to any power source other than 48v phantom power Using 48v phantom power is the only way to ensure safe and reliable operation 1...

Page 6: ...ternal or external attenuation 15dB to 135dB Impedance 150 ohms SPL Handling 135dB 0 5 THD 1000Hz Self noise Level 15dB A Sensitivity 5mV Pa 46dBV 0 dB 1V Pa 1kHz Special Features Independent 50 120Hz low cut 8 10 kHz high cut filters Connector 3 pin XLR Power Requirement 48v Phantom power Weight Microphone only 1 05lbs 0 48kg w shock mount 1 75lbs 0 79kg w hard mount 1 30lbs 0 59kg w case and acc...

Page 7: ...hone grill or microphone Warranty This microphone comes with a 1 year limited warranty from date of sale from authorized dealer distributor Items limited to 90 days coverage include shock mounts shock mount bands hard mounts clips windscreens cases boxes cables microphone bags and vacuum tubes THERE ARE NO SERVICABLE PARTS INSIDE THE MICROPHONE Only authorized Lauten Audio technicians should perfo...

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