Lab.gruppen PDX3000 Quick Start Manual Download Page 17

32

PDX3000

Quick Start Guide

33

6.  Applications

Refer

 

to

 

the

 

app

l

ication

 

documentation

 

avai

l

ab

l

e

 

for

 

down

l

oad

 

at

 l

abgruppen.com.

6.1  Bi-amping

Bi-amping

 

sp

l

its

 

a

 

mono

 

signa

into

 

upper

 

and

 l

ower

 

frequency

 

bands,

 

and

 

then

 

assigns

 

each

 

frequency

 

band

 

to

 

separate

 

speaker

 

cabinets

 

or

 

separate

 

drivers

 

within

 

a

 

cabinet.

 

A

 

subwoofer

 

typica

ll

y

 

takes

 

the

 l

ow

 

frequency

 

range.

 

By

 

sp

l

itting

 

the

 

signa

this

 

way,

 

the

 

speakers

 

work

 

more

 

effi

  

cient

l

y,

 

and

 

you

 

can

 

achieve

 

a

 

c

l

eaner

 

overa

ll 

sound.

Setting up hardware for bi-amping

1.

 

Run

 

a

 

4-po

l

e

 

speaker

 

cab

l

e

 

with

 

professiona

twist-

l

ocking

 

connectors

 

from

 

OU

T

PU

C

A

 

to

 

the

 

subwoofer

 

(the

 

subwoofer

 

receives

 

its

 l

ow-frequency

 

signa

from

 

Channe

B

 

using

 

po

l

es

 

2

and

 

2-,

 

whi

l

e

 

the

 

midd

l

e

 

and

 

upper

 

frequency

 

ranges

 

use

 

Channe

A

 

via

 

po

l

es

 

1

and

 

1-).

2.

 

Set

 

the

 

subwoofer

 

into

 

B

I

AMP

I

NG

 

mode.

3.

 

Run

 

a

 

2-po

l

e

 

speaker

 

cab

l

e

 

with

 

professiona

twist-

l

ocking

 

connectors

 

from

 

the

 

subwoofer

 

to

 

the

 

other

 

speaker.

Programming DSP parameters for bi-amping using the front panel

1.

 

Choose

 

the

 

B

I

AMP2

 

setting

 

on

 

the

 

Amp

 

Mode

 

screen.

2.

 

Go

 

to

 

the

 X

OV

E

R

 

screen

 

using

 

the

 

UP/DOWN

 

buttons

 

to

 

set

 

appropriate

 

high/

l

ow

 

crossover

 

frequencies.

3.

  I

n

 

Channe

A

#

1,

 

choose

 

your

 

high-pass

 

fi

l

ter

 

type

 

(

H

Ptype:

 

BU

T

6,

 

BU

T

12,

 

B

E

S12,

 

etc.)

 

and

 

set

 

the

 

cutoff

 

frequency

 

(

H

Pfreq)

 

to

 

approximate

l

y

 

100

 H

z.

 

Deactivate

 

the

 l

ow-pass

 

fi

l

ter

 

(LPtype:

 

O

FF

)

 

on

 

this

 

channe

and

 

set

 

the

 

gain

 l

eve

(Gain)

 

to

 

suit

 

your

 

system.

4.

  I

n

 

Channe

B

#

1,

 

choose

 

your

 l

ow-pass

 

fi

l

ter

 

type

 

(LPtype:

 

BU

T

6,

 

BU

T

12,

 

B

E

S12,

 

etc.)

 

and

 

set

 

the

 

cutoff

 

frequency

 

(LPfreq)

 

to

 

approximate

l

y

 

100

 H

z.

 

Deactivate

 

the

 

high-pass

 

fi

l

ter

 

(

H

Ptype:

 

O

FF

)

 

on

 

this

 

channe

and

 

set

 

the

 

gain

 l

eve

(Gain)

 

to

 

suit

 

your

 

system.

Programming PDX Controller Software for bi-amping

1.

 

Se

l

ect

 

the

 

Configuration

 

tab.

2.

 

Choose

 

the

 

B

I

AMP2

 

signa

path

 

in

 

the

 

Configuration

 

tab.

 

A

 

confirmation

 

window

 

wi

ll 

pop

 

up.

3.

 

C

l

ick

 “Y

es

” 

on

 

the

 

Amp

 

Mode

 

confirmation

 

window.

4.

 

Se

l

ect

 

the

 F

i

l

ter/Crossover

 

tab.

5.

 

Se

l

ect

 

the

 X

-Over

 

button

 

be

l

ow

 

the

 F

requency

 

Curve

 

disp

l

ay.

 

A

 

confirmation

 

window

 

wi

ll 

up

 

up

 

asking

 

if

 

you

 

wish

 

to

 

set

 

a

 

Defau

l

t

 

Crossover.

6.

 

C

l

ick

 “Y

es

” 

in

 

the

 

confirmation

 

window.

 T

he

 X

-Over

 

button

 

wi

ll 

i

ll

uminate,

 

and

 

defau

l

t

 

crossover

 

settings

 

wi

ll 

appear

 

in

 

the

 F

requency

 

Curve

 

and

 

Contro

View.

7

.

 

Choose

 

a

 

fi

l

ter

 

type

 

from

 

either

 

the

 

Low

 

Pass

 

2

 

or

 H

igh

 

Pass

 

3

 T

ype

 

pu

ll

down

 

menus

 

(the

 

software

 

defau

l

ts

 

to

 

a

 

Butterworth

 

fi

l

ter).

 

Any

 

changes

 

to

 

the

 

Low

 

Pass

 

2

 

or

 H

igh

 

Pass

 

3

 

settings

 

wi

ll 

a

l

so

 

automatica

ll

y

 

appear

 

in

 

both

 

fi

l

ter’s

 

Contro

View

 

settings.

8.

 

Choose

 

a

 

fi

l

ter

 

s

l

ope

 

setting

 

from

 

the

 

S

l

ope

 

pu

ll

down

 

menu

 

under

 

either

 

Low

 

Pass

 

2

 

or

 H

igh

 

Pass

 

3

 

(the

 

software

 

defau

l

ts

 

to

 

a

 

Butterworth

 

fi

l

ter).

 

Again,

 

matching

 

parameters

 

wi

ll 

automatica

ll

y

 

appear

 

in

 

both

 

fi

l

ter’s

 

Contro

View

 

settings.

9.

 

Set

 

the

 

crossover

 

frequency

 

by

 

using

 

any

 

of

 

these

 

three

 

methods:

a)

 

Rotate

 

the

 

Low

 

Pass

 

2

 

or

 H

igh

 

Pass

 

3

 

virtua

l F

req

 

knobs

 

in

 

the

 

Contro

View.

 T

he

 

crossover

 

frequency

 

disp

l

ayed

 

in

 

the

 F

req

 

box

 

be

l

ow

 

the

 

virtua

knob

 

wi

ll 

change

 

simu

l

taneous

l

y

 

for

 

both

 

fi

l

ters.

b)

 

Se

l

ect

 

the

 

text

 

box

 

be

l

ow

 

either

 F

req

 

virtua

knob,

 

and

 

type

 

your

 

desired

 

frequency

 

direct

l

y

 

into

 

the

 

text

 

box.

c)

 

Go

 

to

 

the

 F

requency

 

Curve

 

disp

l

ay,

 

c

l

ick

 

on

 

the

 

frequency

 l

ine

 

marked

 “

2,

” 

and

 

drag

 

the

 

frequency

 l

ine

 

to

 

the

 

desired

 

area

 

of

 

the

 F

requency

 

Curve.

 

Parameter

 

settings

 

and

 

virtua

knobs

 

in

 

the

 

Contro

View

 

wi

ll 

automatica

ll

y

 

move

 

and

 

change

 

as

 

you

 

drag

 

the

 

crossover

 

frequency

 

through

 

the

 F

requency

 

Curve

 

window.

10.

  I

f

 

necessary,

 

adjust

 

the

 

Gain

 

settings

 

for

 

Channe

A

 

and

 

Channe

B

 

by

 

rotating

 

the

 

respective

 

Gain

 

virtua

knobs.

Dynamic EQ Control View

T

he

 

Contro

View

 

of

 

the

 

Dynamic

 E

Q

 

tab

 

contains

 

virtua

knob

 

contro

l

s

 

for

 

Gain,

 T

hresho

l

d,

 F

requency,

 

Q

 

(bandpass

 

fi

 l

ter

 

on

l

y).

 E

xact

 

parameter

 

va

l

ues

 

appear

 

in

 

boxes

 

be

l

ow

 

each

 

virtua

knob.

 T

hese

 

parameters

 

may

 

be

 

a

l

tered

 

by

 

either

 

adjusting

 

the

 

virtua

knobs

 

or

 

by

 

entering

 

va

l

ues

 

direct

l

y

 

in

 

the

 

parameter

 

boxes.

Pu

ll

-down

 T

ype

 

menus

 

for

 

each

 

dynamic

 E

Q

 

band

 

contain

 

these

 

additiona

options:

• • 

BP

 

(bandpass

 

fi

l

ter)

• • 

LP6

 

(

l

o-pass

 

fi

l

ter,

 

with

 

a

 

6

 

dB/Octave

 

s

l

ope)

• • 

LP12

 

(

l

o-pass

 

fi

l

ter,

 

with

 

a

 

12

 

dB/Octave

 

s

l

ope)

• • 

H

P6

 

(hi-pass

 

fi

l

ter,

 

with

 

a

 

6

 

dB/Octave

 

s

l

ope)

• • 

H

P12

 

(hi-pass

 

fi

l

ter,

 

with

 

a

 

12

 

dB/Octave

 

s

l

ope)

T

he

 

Ratio

 

pu

ll

down

 

menu

 

off

 

ers

 

four

 

options:

• • 

1:2.0

• • 

1:3.0

• • 

1:5.0

• • 

1:10

Gain vs. Ratio

Positive

 

gain

 

settings

 

resu

l

t

 

in

 

a

 

frequency

 

boost

 

at

 l

ow

 

signa

l l

eve

l

s

 

and

 

a

 

near

l

y

 

fl

 

at

 E

Q

 

response

 

at

 

high

 l

eve

l

s.

 

Negative

 

gain

 

settings

 

yie

l

d

 

opposite

 

resu

l

ts:

 

at

 l

ow

 

signa

l l

eve

l

s,

 

the

 E

Q

 

response

 

is

 

near

l

y

 

fl

 

at,

 

whi

l

e

 

higher

 

signa

l l

eve

l

s

 

receive

 

increasing

 

amounts

 

of

 

cut

 

from

 

the

 

equa

l

izer.

  T

he

 

higher

 

the

 

Ratio

 

setting,

 

the

 

more

 

the

 

equa

l

izer

 

wi

ll 

cut

 

or

 

boost

 

the

 

signa

at

 

diff

 

erent

 

signa

l l

eve

l

s.

Programming a dynamic EQ

1.

 

Choose

 

an

 E

Q

 

type

 

from

 

the

 T

ype

 

pu

ll

down

 

menu.

2.

 

Set

 

the

 

dynamic

 E

Q’s

 

band

 

frequency

 

by

 

rotating

 

the

 F

requency

 

virtua

knob.

 T

he

 

programmed

 

frequency

 

can

 

represent

 

either

 

the

 

center

 

frequency

 

for

 

band-pass

 

(BP)

 

mode,

 

or

 

the

 

thresho

l

d

 

frequency

 

for

 l

ow-

 

(LP)

 

and

 

high-pass

 

modes

 

(

H

P).

3.

  F

or

 

band-pass

 

BP

 

mode,

 

contro

the

 

width

 

of

 

the

 

band-pass

 

curve

 

by

 

rotating

 

the

 

Qua

l

ity

 

virtua

knob

 

parameter.

 H

igh

 

Qua

va

l

ues

 

produce

 

a

 

narrow,

 

steep

 

curve,

 

whi

l

e

 l

ow

 

Qua

va

l

ues

 

create

 

a

 

wide

 

curve

 

with

 

a

 

gent

l

e

 

s

l

ope.

4.

 

Set

 

the

 

dynamic

 E

Q’s

 

band

 

cut

 

or

 

boost

 

by

 

rotating

 

the

 

Gain

 

virtua

knob.

5.

 

Set

 

the

 

signa

thresho

l

d

 

by

 

rotating

 

the

 T

hresho

l

d

 

knob.

6.

 

Program

 

your

 

desired

 

ratio

 

by

 

se

l

ecting

 

from

 

the

 

Ratio

 

pu

ll

down

 

menu.

 

Simi

l

ar

 

to

 

a

 

compressor,

 

higher

 

ratio

 

va

l

ues

 

yie

l

d

 

a

 

more

 

intense

 

equa

l

ization

 

effect.

7

.

 

Adjust

 

the

 

attack

 

(Attack)

 

and

 

re

l

ease

 

(Re

l

ease)

 

va

l

ues

 

by

 

rotating

 

each

 

parameters

 

respective

 

virtua

knob.

Summary of Contents for PDX3000

Page 1: ...Quick Start Guide PDX3000 3000 Watt Two Channel Amplifier with DSP Control A54 00002 35423...

Page 2: ...onectores TSde6 3mmodebayonetaprefijados Cualquierotra instalaci nomodificaci ndebeserrealizada nicamente porunt cnicocualificado Estes mbolo siemprequeaparece leadviertedelapresenciadevoltaje peligro...

Page 3: ...rconna trelestermesetconditionsdegarantie applicables ainsiquelesinformationssuppl mentaires etd taill essurlaGarantieLimit edeMusicTribe consultezlesiteInternetmusictribe com warranty Consignes de s...

Page 4: ...estrutura trip suporte oumesa especificadospelo fabricanteouvendidos comodispositivo Quandoutilizarum carrinho tenhacuidadoao moveroconjuntocarrinho dispositivoparaevitardanos provocadospelaterpida o...

Page 5: ...9 10 11 12 13 14 15 16 17 2000 Music Tribe Midas Klark Teknik Lab Gruppen Lake Tannoy Turbosound TC Electronic TC Helicon Behringer Bugera Auratone Coolaudio Music Tribe Global Brands Ltd Music Tribe...

Page 6: ...applied to avoid distortion at the selected voltage limit threshold and to avoid hitting the rail if it has sagged below the configured threshold Limiting also may be applied when maximum output curr...

Page 7: ...crease the gain to the target volume 13 POWER SOURCE locking connector accepts the included IEC power cord 14 VENTILATION FAN speed adjusts automatically depending on temperature to ensure trouble fre...

Page 8: ...4 3 1 SETUP 1 4 Load Preset The top level Load Preset screen displays the current Preset name up to 10 characters and Preset number 1 20 Subsidiary screens offer options for loading saving and naming...

Page 9: ...LCD screen s contrast level The Contrast parameter ranges from 1 30 with 30 representing maximum contrast Rotate the SELECT encoder knob to adjust the Contrast setting Saving a preset 1 Make sure the...

Page 10: ...n displays the composite equalization curve across the frequency spectrum Programming equalizers 1 Choose individual equalizers by rotating the SELECT encoder knob As you rotate the SELECT encoder kno...

Page 11: ...ELECTencoderwhenfinishedtoreturntothetop levelLIMITscreen 6 Set the filter s overall signal gain Gain by rotating the SELECT encoder knob 7 Set the link parameter LinkAB to ON or OFF by rotating the S...

Page 12: ...lifier PC Presets The PC Presets section allows you to store PDX DSP presets on your computer instead of the PDX amp s internal memory The Load function allows you to upload presets from the computer...

Page 13: ...Configuration The Configuration tab displays two main sets of software controls Mode controls the amplifier configuration Choose between Dual Mono Stereo Bi Amp 1 and Bi Amp2 configurations Each conf...

Page 14: ...t values as you rotate the virtual knob b Type a limiter value directly into one of the text boxes below the Peak Limiter virtual knob dBFS or Vp The Peak Limiter virtual knob will rotate to a positio...

Page 15: ...milar to the Filter Crossover tab Control View allows parameter tweaks via virtual controls as well as pull down menus for EQ type parametric low shelving and high shelving Frequency Curve displays th...

Page 16: ...and down frequency line in the Frequency Curve Parametric EQ Control View The Control View of the Parametric EQ tab contains virtual knob controls for Gain Frequency Q parametric EQ only Exact paramet...

Page 17: ...th filter s Control View settings 9 Set the crossover frequency by using any of these three methods a Rotate the Low Pass 2 or High Pass 3 virtual Freq knobs in the Control View The crossover frequenc...

Page 18: ...ON NL4 1 2 2 1 PASSIVE Input Full Range PASSIVE Input Full Range speakON NL4 Passive Input Full Range Passive Input Full Range Input Sub Input Sub Amplifier Channel 2 Passive Output Passive Output 1 2...

Page 19: ...nal Schematic Pre set NuQ112FR_STEREO PDX3000 M32R Passive HPF HF NL4 Input Link 1 1 2 2 1 1 2 2 NL4 Input Link LPF LF speakON NL4 1 2 2 1 PASSIVE Input Full Range PASSIVE Input Full Range 2 pole cabl...

Page 20: ...i Amp HF NL4 Input Link 1 1 2 2 1 1 2 2 NL4 Input Link LF speakON NL4 BI AMP Input Low BI AMP Input Low BI AMP Input High BI AMP Input High 1 2 2 1 Amplifier Channel 1 Amplifier Channel 2 Pre set TFM1...

Page 21: ...el Connector Internal Schematic Passive HPF HF NL4 Input Link 1 1 2 2 1 1 2 2 NL4 Input Link LPF LF speakON NL4 1 2 2 1 PASSIVE Input Full Range PASSIVE Input Full Range Pre set TFM112M_DUAL MONO PDX3...

Page 22: ...full range speaker switched to bi amp while using a 4 pole cable may cause damage to the compression driver The full range speaker must be switched to passive mode Using 2 pole cables between the sub...

Page 23: ...l into an unbalanced signal Outputs Your PDX amplifier requires speakON twist locking professional speaker connectors These professional speaker connectors were developed specially for driving high po...

Page 24: ...tion 1 8 rated power 0 1 System Controls Front Power switch Gain controls channels A and B DSP section rotary push encoder Buttons for Process Setup Up Down Exit Remote Via USB for PDX Controller soft...

Page 25: ...ot occur in a particular installation If this equipment does cause harmful interference to radio or television reception which can be determined by turning the equipment off and on the user is encoura...

Page 26: ...50 PDX3000 Quick Start Guide 51...

Page 27: ......

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