
32
PDX3000
Quick Start Guide
33
6. Applications
Refer
to
the
app
l
ication
documentation
avai
l
ab
l
e
for
down
l
oad
at
l
abgruppen.com.
6.1 Bi-amping
Bi-amping
sp
l
its
a
mono
signa
l
into
upper
and
l
ower
frequency
bands,
and
then
assigns
each
frequency
band
to
separate
speaker
cabinets
or
separate
drivers
within
a
cabinet.
A
subwoofer
typica
ll
y
takes
the
l
ow
frequency
range.
By
sp
l
itting
the
signa
l
this
way,
the
speakers
work
more
effi
cient
l
y,
and
you
can
achieve
a
c
l
eaner
overa
ll
sound.
Setting up hardware for bi-amping
1.
Run
a
4-po
l
e
speaker
cab
l
e
with
professiona
l
twist-
l
ocking
connectors
from
OU
T
PU
T
C
H
A
to
the
subwoofer
(the
subwoofer
receives
its
l
ow-frequency
signa
l
from
Channe
l
B
using
po
l
es
2
+
and
2-,
whi
l
e
the
midd
l
e
and
upper
frequency
ranges
use
Channe
l
A
via
po
l
es
1
+
and
1-).
2.
Set
the
subwoofer
into
B
I
AMP
I
NG
mode.
3.
Run
a
2-po
l
e
speaker
cab
l
e
with
professiona
l
twist-
l
ocking
connectors
from
the
subwoofer
to
the
other
speaker.
Programming DSP parameters for bi-amping using the front panel
1.
Choose
the
B
I
AMP2
setting
on
the
Amp
Mode
screen.
2.
Go
to
the
X
OV
E
R
screen
using
the
UP/DOWN
buttons
to
set
appropriate
high/
l
ow
crossover
frequencies.
3.
I
n
Channe
l
A
#
1,
choose
your
high-pass
fi
l
ter
type
(
H
Ptype:
BU
T
6,
BU
T
12,
B
E
S12,
etc.)
and
set
the
cutoff
frequency
(
H
Pfreq)
to
approximate
l
y
100
H
z.
Deactivate
the
l
ow-pass
fi
l
ter
(LPtype:
O
FF
)
on
this
channe
l
and
set
the
gain
l
eve
l
(Gain)
to
suit
your
system.
4.
I
n
Channe
l
B
#
1,
choose
your
l
ow-pass
fi
l
ter
type
(LPtype:
BU
T
6,
BU
T
12,
B
E
S12,
etc.)
and
set
the
cutoff
frequency
(LPfreq)
to
approximate
l
y
100
H
z.
Deactivate
the
high-pass
fi
l
ter
(
H
Ptype:
O
FF
)
on
this
channe
l
and
set
the
gain
l
eve
l
(Gain)
to
suit
your
system.
Programming PDX Controller Software for bi-amping
1.
Se
l
ect
the
Configuration
tab.
2.
Choose
the
B
I
AMP2
signa
l
path
in
the
Configuration
tab.
A
confirmation
window
wi
ll
pop
up.
3.
C
l
ick
“Y
es
”
on
the
Amp
Mode
confirmation
window.
4.
Se
l
ect
the
F
i
l
ter/Crossover
tab.
5.
Se
l
ect
the
X
-Over
button
be
l
ow
the
F
requency
Curve
disp
l
ay.
A
confirmation
window
wi
ll
up
up
asking
if
you
wish
to
set
a
Defau
l
t
Crossover.
6.
C
l
ick
“Y
es
”
in
the
confirmation
window.
T
he
X
-Over
button
wi
ll
i
ll
uminate,
and
defau
l
t
crossover
settings
wi
ll
appear
in
the
F
requency
Curve
and
Contro
l
View.
7
.
Choose
a
fi
l
ter
type
from
either
the
Low
Pass
2
or
H
igh
Pass
3
T
ype
pu
ll
down
menus
(the
software
defau
l
ts
to
a
Butterworth
fi
l
ter).
Any
changes
to
the
Low
Pass
2
or
H
igh
Pass
3
settings
wi
ll
a
l
so
automatica
ll
y
appear
in
both
fi
l
ter’s
Contro
l
View
settings.
8.
Choose
a
fi
l
ter
s
l
ope
setting
from
the
S
l
ope
pu
ll
down
menu
under
either
Low
Pass
2
or
H
igh
Pass
3
(the
software
defau
l
ts
to
a
Butterworth
fi
l
ter).
Again,
matching
parameters
wi
ll
automatica
ll
y
appear
in
both
fi
l
ter’s
Contro
l
View
settings.
9.
Set
the
crossover
frequency
by
using
any
of
these
three
methods:
a)
Rotate
the
Low
Pass
2
or
H
igh
Pass
3
virtua
l F
req
knobs
in
the
Contro
l
View.
T
he
crossover
frequency
disp
l
ayed
in
the
F
req
box
be
l
ow
the
virtua
l
knob
wi
ll
change
simu
l
taneous
l
y
for
both
fi
l
ters.
b)
Se
l
ect
the
text
box
be
l
ow
either
F
req
virtua
l
knob,
and
type
your
desired
frequency
direct
l
y
into
the
text
box.
c)
Go
to
the
F
requency
Curve
disp
l
ay,
c
l
ick
on
the
frequency
l
ine
marked
“
2,
”
and
drag
the
frequency
l
ine
to
the
desired
area
of
the
F
requency
Curve.
Parameter
settings
and
virtua
l
knobs
in
the
Contro
l
View
wi
ll
automatica
ll
y
move
and
change
as
you
drag
the
crossover
frequency
through
the
F
requency
Curve
window.
10.
I
f
necessary,
adjust
the
Gain
settings
for
Channe
l
A
and
Channe
l
B
by
rotating
the
respective
Gain
virtua
l
knobs.
Dynamic EQ Control View
T
he
Contro
l
View
of
the
Dynamic
E
Q
tab
contains
virtua
l
knob
contro
l
s
for
Gain,
T
hresho
l
d,
F
requency,
Q
(bandpass
fi
l
ter
on
l
y).
E
xact
parameter
va
l
ues
appear
in
boxes
be
l
ow
each
virtua
l
knob.
T
hese
parameters
may
be
a
l
tered
by
either
adjusting
the
virtua
l
knobs
or
by
entering
va
l
ues
direct
l
y
in
the
parameter
boxes.
Pu
ll
-down
T
ype
menus
for
each
dynamic
E
Q
band
contain
these
additiona
l
options:
• •
BP
(bandpass
fi
l
ter)
• •
LP6
(
l
o-pass
fi
l
ter,
with
a
6
dB/Octave
s
l
ope)
• •
LP12
(
l
o-pass
fi
l
ter,
with
a
12
dB/Octave
s
l
ope)
• •
H
P6
(hi-pass
fi
l
ter,
with
a
6
dB/Octave
s
l
ope)
• •
H
P12
(hi-pass
fi
l
ter,
with
a
12
dB/Octave
s
l
ope)
T
he
Ratio
pu
ll
down
menu
off
ers
four
options:
• •
1:2.0
• •
1:3.0
• •
1:5.0
• •
1:10
Gain vs. Ratio
Positive
gain
settings
resu
l
t
in
a
frequency
boost
at
l
ow
signa
l l
eve
l
s
and
a
near
l
y
fl
at
E
Q
response
at
high
l
eve
l
s.
Negative
gain
settings
yie
l
d
opposite
resu
l
ts:
at
l
ow
signa
l l
eve
l
s,
the
E
Q
response
is
near
l
y
fl
at,
whi
l
e
higher
signa
l l
eve
l
s
receive
increasing
amounts
of
cut
from
the
equa
l
izer.
T
he
higher
the
Ratio
setting,
the
more
the
equa
l
izer
wi
ll
cut
or
boost
the
signa
l
at
diff
erent
signa
l l
eve
l
s.
Programming a dynamic EQ
1.
Choose
an
E
Q
type
from
the
T
ype
pu
ll
down
menu.
2.
Set
the
dynamic
E
Q’s
band
frequency
by
rotating
the
F
requency
virtua
l
knob.
T
he
programmed
frequency
can
represent
either
the
center
frequency
for
band-pass
(BP)
mode,
or
the
thresho
l
d
frequency
for
l
ow-
(LP)
and
high-pass
modes
(
H
P).
3.
F
or
band-pass
BP
mode,
contro
l
the
width
of
the
band-pass
curve
by
rotating
the
Qua
l
ity
virtua
l
knob
parameter.
H
igh
Qua
l
va
l
ues
produce
a
narrow,
steep
curve,
whi
l
e
l
ow
Qua
l
va
l
ues
create
a
wide
curve
with
a
gent
l
e
s
l
ope.
4.
Set
the
dynamic
E
Q’s
band
cut
or
boost
by
rotating
the
Gain
virtua
l
knob.
5.
Set
the
signa
l
thresho
l
d
by
rotating
the
T
hresho
l
d
knob.
6.
Program
your
desired
ratio
by
se
l
ecting
from
the
Ratio
pu
ll
down
menu.
Simi
l
ar
to
a
compressor,
higher
ratio
va
l
ues
yie
l
d
a
more
intense
equa
l
ization
effect.
7
.
Adjust
the
attack
(Attack)
and
re
l
ease
(Re
l
ease)
va
l
ues
by
rotating
each
parameters
respective
virtua
l
knob.