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frequency. Negative values cut the treble signal above the specified frequency. Since the
filters are in the delay feedback loop, the cut or boost is cumulative on each pass the
sound makes through the loop.
Treb Freq
The center frequency of the treble shelving filter in intervals of one semitone.
Midn Gain
The amount of boost or cut in dB that the parametric filter should apply to the specified
signal band. Every increase of 6 dB approximately doubles the amplitude of the signal.
Positive values boost the signal at the specified frequency. Negative values cut the signal
at the specified frequency. Since the filters are in the delay feedback loop, the cut or boost
is cumulative on each pass the sound makes through the loop.
Midn Freq
The center frequency of the parametric EQ in intervals of one semitone. The boost or cut
will be a maximum at this frequency.
Midn Width
The bandwidth of the parametric EQ may be adjusted. You specify the bandwidth in
octaves. Small values result in a very narrow (high-Q) filter response. Large values result
in a very broad response.
LpLFODepth
The feedback (loop) delay tap will have its position modulated by an LFO (internal to the
FX processor) if the LpLFODepth parameter is non-zero. A moving tap on a delay line will
result in a pitch shift, and LpLFODepth sets the maximum pitch shift (up and down) in
cents.
LpLFOPhase
Specifies the phase angle of the feedback (loop) LFO relative to the output tap LFOs and
the system (or MIDI) tempo clock, if turned on (see Tempo). For example, if one LFO is set
to
0°
and another is set to
180°
, then when one LFO delay tap is at its shortest, the other
will be at its longest. If the system (or MIDI) tempo clock is turned on (
only), the LFOs are synchronized to the clock with absolute phase.
TnLFODepth
The output delay taps (1 and 2) will have their positions modulated by an LFO (internal to
the FX processor) if the TnLFODepth parameter is non-zero. A moving tap on a delay line
will result in a pitch shift, and TnLFODepth sets the maximum pitch shift (up and down)
in cents.
TnLFOPhase
Specifies the phase angle of the output LFO tap (1 or 2) relative to the other output LFO
tap, the feedback (loop) LFO tap, and the system (or MIDI) tempo clock, if turned on (see
Tempo). For example, if one LFO is set to
0°
and another is set to
180°
, then when one LFO
delay tap is at its shortest, the other will be at its longest. If the system (or MIDI) tempo
clock is turned on (
only), the LFOs are synchronized to the clock with
absolute phase.
Tapn Delay
The delay length of the output tap 1 or 2. For
, the tap length is specified in
seconds. In
, the tap length is specified as a fraction or multiple of the
tempo, in “beats.” The length of a delay tap in seconds can be calculated from beats as
T = (beats/tempo)
❃
60.
Tapn Level
The level of the output tap 1 or 2 expressed as a percent.
Tapn Pan
The output taps 1 and 2 are mono sources that can be panned to the left or right output
channels. A pan setting of
-100%
is fully left while
100%
is fully right.
Comp Atk
The time for the compressor to start to cut in when there is an increase in signal level
(attack) above the threshold.
Comp Rel
The time for the compressor to stop compressing when there is a reduction in signal level
(release) from a signal level above the threshold.