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Problem: The sound quality changes…

• Repeat the steps in the previous troubleshooting section above before continuing to the

next steps.

• Disconnect the signal cable at the monitor’s input connector. With power on, place your

ear close to each driver (tweeter/woofer) and listen for noise (i.e., a slight hiss or hum). If
there’s  absolutely  no  sound  whatsoever,  it  could  be  that  one  or  more  of  the 
drivers  (woofer,  tweeter,  or  both)  is  at  fault.  It's  also  possible  that  the  problem  lies 
elsewhere in the electronics.

•  Play  some  non-distorted  source  material  at  a  low  volume.  Carefully  cover  the  tweeter 

(to  block  the  sound)  without  touching  the  diaphragm.  Is  the  woofer  producing  a  clean
sound? If there is not a clear tonal quality or any sound at all, then the woofer probably
needs to be replaced.

• Cover the woofer so you can hear mostly the tweeter. Is the tweeter producing a clear

sound? If there is not a clear tonal quality or any sound at all, then the tweeter probably
needs to be replaced.

•  Once  you  have  a  better  idea  of  what  may  be  at  fault,  please  contact  KRK  technical 

support.

Problem: The monitor hisses, hums, or makes other objectionable noises…

•  Ensure  that  the  power  cord  is  connected  snugly  into  the  IEC  socket  on  the  rear  of  the

monitor.

• Check the connections between the signal source and the monitor. The Exposé XLR input

connector is a completely balanced system. If you're connecting an unbalanced output to
the monitor, be certain that you're using Pin 2 for signal and have Pin 1 and Pin 3 tied
together at the source end.

• Refer to the Voltage Select Switch for the AC Mains information of this manual to ensure

that the AC mains is properly matched to the operating voltage requirements.

• All audio equipment should use the same ground point. Check all other devices using the

same  AC  output  in  the  building  like  dimmers,  neon  signs,  TV  screens,  and  computer 
monitors. These devices should not use the same circuit.

For updated troubleshooting information, please visit our website at www.krksys.com.

Please retain and read the warranty card information that was included in the shipping carton of
your monitor. Before shipping your unit back to KRK for service you must acquire an “RMA” from
KRK. Your unit will not be received by the company, nor will any work be done on your unit with-
out this very important number. KRK has set up a dedicated support line for Exposé owners.  The
number is 954 316-1KRK or 954 316-1575.

Shipping Instructions

•For the safest possible return to KRK, please use the shipping carton and packaging that your

KRK monitor originally shipped in.  

•KRK cannot be responsible for any damages incurred during the shipping process due to poor

packing.  Make sure to insure your shipment.  

•If your monitor is out of warranty and you would like a quotation prior to servicing your product,

please  call  for  an  “RMA”  number.  No  service  will  be  performed  on  your  unit  without  this 
number.

•Replacement  carton  and  packaging  can  be  purchased  from  KRK  Systems,  LLC.  for  $26.50

each. 

•For replacement part quotes call the number listed above.

14

Summary of Contents for Expose E8

Page 1: ...U S E R G U I D E E X P O S É E 8 B B I A M P L I F I E D S T U D I O M O N I T O R ...

Page 2: ...2 ...

Page 3: ...emanding audio requirements The result is a studio reference monitor that delivers defined low end articulate midrange and precise natural highs delivering unparalleled clarity and accuracy This manual is intended to familiarize you with the many features of your new Exposé monitors and their operation We encourage you to take a few minutes to familiarize yourself with this manual Thank you for ch...

Page 4: ...ack from some of the top engineers and producers KRK engineers have come to understand how a properly tuned monitor can become a valuable recording tool The Expose E8B has been designed to be linear and as ruler flat as is humanly possible so that what you hear represents the true nature of the audio material without coloration or enhancement You can be confident in the fact that your mixes will b...

Page 5: ...netic interference with video monitors IMPORTANT NOTICE These monitors are heavy Please use care in handling them and ensure that the enclosure is placed on a suitable surface capable of supporting the weight NEVER TOuCh ThE TwEETER ON yOuR E8B MONITORS AS ThIS CAN DAMAgE ThE TwEETER MATERIAlS BEyOND REPAIR Amplification As a 2 way design loudspeaker the Exposé E8B utilizes two discrete 120 watt R...

Page 6: ... adjustment range is from 30 dB to 6 dB The default setting is 6 dB which should suffice for most applications Normally adjustments would only be made if you are using your monitors in a surround environment and you need to balance levels or if your monitor sends are too hot and not adjustable If an adjustment becomes necessary it is recommended to use measuring equip ment such as a tone or filter...

Page 7: ...ns that your E8B loudspeaker will operate within The loudspeaker will operate at 100V 120V North America 230V and 240V Europe If you operate in a 230V environment please use the 240V setting This switch is tied to the adjacent fuse compartment If you are operating in a 100V or 120V environment please use a fuse rated at 6 amperes For operation in a 230V or 240V environment please use a fuse with a...

Page 8: ...e the low frequencies Generally speaking if you move the monitor two to three feet away from walls and corners you ll hear less low frequency interaction excluding any interaction with the mixing console But when ideal positioning isn t practical low frequency control is the solution As an example let s say you have two different studios in your facility In one room the monitors are close to the w...

Page 9: ...uration the Left and Right monitors are each placed at a 60º angle equidistant from the listening position Mid Field Configuration This configuration is essentially the same as the Close Field setup see Figure 2 The Mid Field configuration is normally used with larger monitors or when the monitors are too large or heavy for the meter bridge as is likely the case with the Exposé E8B This set up has...

Page 10: ...ght Surround rear channels should be placed 110 degrees from the Center channel Their location should also be equidistant from the listening position The subwoofer Low Frequency Effects channel is most effective when situated directly below the Center channel as shown in Figure 4 If this is not possible place the subwoofer just to the right or left side and below the Center channel Ensure that the...

Page 11: ...sound setup adds two speakers to the sides of the mix position and is most similar to the actual surround sound configuration of cinema with the difference being that cinemas commonly add additional side surrounds to compensate for the length of the theater Figure 5 11 ...

Page 12: ...quidistance from the mix position directly to the sides Finally the Left and Right rear surround speakers are placed behind the mix position at equidistance to the mix position The 7 1 channel surround sound environment is one of total immersion and is the best choice for mix environments where sound needs to be detectable side to side along with front to rear Once the monitors have been placed yo...

Page 13: ...ckwise 6 dB The signal source e g mixing console work station CD player etc is turned up to a level that can properly send a signal to the monitors If one of the monitors is working exchange the audio input cable from the nonworking monitor to the working unit This will determine whether it s really the monitor a faulty cable or some other glitch in the audio chain If the monitor is still not resp...

Page 14: ...be certain that you re using Pin 2 for signal and have Pin 1 and Pin 3 tied together at the source end Refer to the Voltage Select Switch for the AC Mains information of this manual to ensure that the AC mains is properly matched to the operating voltage requirements All audio equipment should use the same ground point Check all other devices using the same AC output in the building like dimmers n...

Page 15: ...HTXHQF 1 RZ UHTXHQF 120W QSXW PSHGDQFH 2KPV 2KP EDODQFHG HYHO GMXVW 2dB 1 5dB 1dB 0 5dB 0dB 0 5dB 1 0dB LF 6KHOI 2dB 1 5dB 1dB 0 5dB 0dB 0 5dB 1 0dB HYHO GMXVW 3dB 45Hz 3dB 50Hz 3dB 65Hz 6 VWHP 9ROXPH G G XWR 0XWH 1 QGLFDWRUV 3RZHU QGLFDWRU RQWURO 1 QSXW RQQHFWRUV 5 1 1 5 DODQFHG 5 URXQG LIW 1 3RZHU QSXW 6HOHFWDEOH 9 9 9 9 QFORVXUH RQVWUXFWLRQ PP 0 LQLVK ODFN 7H WXUHG 3DLQW 3RUW RQÀJXUDWLRQ URQW À...

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