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Subwoofer Setup

Begin by determining the best location for your subwoofer. If possible, the optimum set-up
would look like the set-up in Figure 3; however, this setup may not be practical or possible
in your room. Once you have set up your monitors, listen to some program material that
you  know  contains  low  frequency  information.  Different  locations  may  create  a  phase 
misalignment. Most subwoofers have a phase switch on them. Flip the phase switch. The
bass  response  volume  will  either  increase  or  decrease  in  volume.  Whichever  setting 
provides  the  loudest  response  at  your  seating  position  is  in  phase.  After  you  have  the 
proper phase setting, you will need to adjust the output level of the subwoofer to a level that
provides a smooth blend of the bass volume with that of your monitors.

Figure 3

5.1 Channel Surround Sound Setup

Begin by placing the Left and Right front channels 30 degrees from the Center channel and
equidistant to the listening position (Figure 4). The Left Surround (rear) and Right Surround
(rear)  channels  should  be  placed  110  degrees  from  the  Center  channel.  Their  location
should  also  be  equidistant  from  the  listening  position.  The  subwoofer  (Low  Frequency
Effects)  channel  is  most  effective  when  situated  directly  below  the  Center  channel 
(as shown in Figure 4). If this is not possible, place the subwoofer just to the right or left
side and below the Center channel. Ensure that the woofers are above the height of the 
console. 

Once the monitors have been placed, you’ll need to adjust the System Level Adjust pots 
for  each  monitor  so  that  all  channels  have  exactly  the  same  SPL  output  at  the  listening 
position. Although this can be done simply by listening to each channel one at a time and
adjusting  for  relative  levels,  we  recommend  using  an  SPL  meter  and  filtered  noise  (pink
noise) to test each channel independently. Simply take a reading from each monitor, and
then adjust all the monitors to match your lowest SPL reading. Your system levels should
now be balanced for multi-channel surround.

The most significant point to remember is that each room presents its own set of acoustic
variables. You'll want to experiment to arrive at the best possible sound for your room.

10

Summary of Contents for Expose E8

Page 1: ...U S E R G U I D E E X P O S É E 8 B B I A M P L I F I E D S T U D I O M O N I T O R ...

Page 2: ...2 ...

Page 3: ...emanding audio requirements The result is a studio reference monitor that delivers defined low end articulate midrange and precise natural highs delivering unparalleled clarity and accuracy This manual is intended to familiarize you with the many features of your new Exposé monitors and their operation We encourage you to take a few minutes to familiarize yourself with this manual Thank you for ch...

Page 4: ...ack from some of the top engineers and producers KRK engineers have come to understand how a properly tuned monitor can become a valuable recording tool The Expose E8B has been designed to be linear and as ruler flat as is humanly possible so that what you hear represents the true nature of the audio material without coloration or enhancement You can be confident in the fact that your mixes will b...

Page 5: ...netic interference with video monitors IMPORTANT NOTICE These monitors are heavy Please use care in handling them and ensure that the enclosure is placed on a suitable surface capable of supporting the weight NEVER TOuCh ThE TwEETER ON yOuR E8B MONITORS AS ThIS CAN DAMAgE ThE TwEETER MATERIAlS BEyOND REPAIR Amplification As a 2 way design loudspeaker the Exposé E8B utilizes two discrete 120 watt R...

Page 6: ... adjustment range is from 30 dB to 6 dB The default setting is 6 dB which should suffice for most applications Normally adjustments would only be made if you are using your monitors in a surround environment and you need to balance levels or if your monitor sends are too hot and not adjustable If an adjustment becomes necessary it is recommended to use measuring equip ment such as a tone or filter...

Page 7: ...ns that your E8B loudspeaker will operate within The loudspeaker will operate at 100V 120V North America 230V and 240V Europe If you operate in a 230V environment please use the 240V setting This switch is tied to the adjacent fuse compartment If you are operating in a 100V or 120V environment please use a fuse rated at 6 amperes For operation in a 230V or 240V environment please use a fuse with a...

Page 8: ...e the low frequencies Generally speaking if you move the monitor two to three feet away from walls and corners you ll hear less low frequency interaction excluding any interaction with the mixing console But when ideal positioning isn t practical low frequency control is the solution As an example let s say you have two different studios in your facility In one room the monitors are close to the w...

Page 9: ...uration the Left and Right monitors are each placed at a 60º angle equidistant from the listening position Mid Field Configuration This configuration is essentially the same as the Close Field setup see Figure 2 The Mid Field configuration is normally used with larger monitors or when the monitors are too large or heavy for the meter bridge as is likely the case with the Exposé E8B This set up has...

Page 10: ...ght Surround rear channels should be placed 110 degrees from the Center channel Their location should also be equidistant from the listening position The subwoofer Low Frequency Effects channel is most effective when situated directly below the Center channel as shown in Figure 4 If this is not possible place the subwoofer just to the right or left side and below the Center channel Ensure that the...

Page 11: ...sound setup adds two speakers to the sides of the mix position and is most similar to the actual surround sound configuration of cinema with the difference being that cinemas commonly add additional side surrounds to compensate for the length of the theater Figure 5 11 ...

Page 12: ...quidistance from the mix position directly to the sides Finally the Left and Right rear surround speakers are placed behind the mix position at equidistance to the mix position The 7 1 channel surround sound environment is one of total immersion and is the best choice for mix environments where sound needs to be detectable side to side along with front to rear Once the monitors have been placed yo...

Page 13: ...ckwise 6 dB The signal source e g mixing console work station CD player etc is turned up to a level that can properly send a signal to the monitors If one of the monitors is working exchange the audio input cable from the nonworking monitor to the working unit This will determine whether it s really the monitor a faulty cable or some other glitch in the audio chain If the monitor is still not resp...

Page 14: ...be certain that you re using Pin 2 for signal and have Pin 1 and Pin 3 tied together at the source end Refer to the Voltage Select Switch for the AC Mains information of this manual to ensure that the AC mains is properly matched to the operating voltage requirements All audio equipment should use the same ground point Check all other devices using the same AC output in the building like dimmers n...

Page 15: ...HTXHQF 1 RZ UHTXHQF 120W QSXW PSHGDQFH 2KPV 2KP EDODQFHG HYHO GMXVW 2dB 1 5dB 1dB 0 5dB 0dB 0 5dB 1 0dB LF 6KHOI 2dB 1 5dB 1dB 0 5dB 0dB 0 5dB 1 0dB HYHO GMXVW 3dB 45Hz 3dB 50Hz 3dB 65Hz 6 VWHP 9ROXPH G G XWR 0XWH 1 QGLFDWRUV 3RZHU QGLFDWRU RQWURO 1 QSXW RQQHFWRUV 5 1 1 5 DODQFHG 5 URXQG LIW 1 3RZHU QSXW 6HOHFWDEOH 9 9 9 9 QFORVXUH RQVWUXFWLRQ PP 0 LQLVK ODFN 7H WXUHG 3DLQW 3RUW RQÀJXUDWLRQ URQW À...

Page 16: ......

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