Korg Toneworks AX3G Effect List Download Page 8

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F4: DUO PH (DUO PHASE)

This is an amazing phaser that provides two six-stage phasers; PHASER 1 and PHASER 2. They can be con-
nected in series (to make a pseudo-twelve-stage phaser!) or in parallel, and you can also synchronize or de-
synchronize the two LFOs.

Main

SPEED 1

Adjusts the modulation speed of PHASER 1.

P1

SPEED 2

Adjusts the modulation speed of PHASER 2. This will not function if MODE is set to
2, 4, or 5.

P2

DEPTH

Adjusts the modulation depth of PHASER 1/2.

P3

RESO

Adjusts the amount of resonance for PHASER 1/2.

P4

MODE

Specifies the connection and LFO for PHASER 1/2.

1:

PHASER 1/2 are connected in series.

2:

PHASER 1/2 are connected in series and their LFOs are synchronized to cre-
ate a pseudo-twelve-stage phaser.

3:

PHASER 1/2 are connected in parallel.

4:

PHASER 1/2 are connected in parallel, and their LFOs are synchronized (Ste-
reo mode).

5:

PHASER 1/2 are connected in parallel, and their LFOs are synchronized in
opposite phase (Stereo mode).

F5: TREM (TEXTREM)

This models the popular tremolo circuit that's built into the BLACK 2x12 model. The SPREAD setting lets you
produce a panning effect that spreads to left and right.

Main

SPEED

Adjusts the tremolo speed.

P1

DEPTH

Adjusts the tremolo depth.

P2

SPREAD

Adjusts the left/right spaciousness.

P3

LEVEL

Compensates the output level.

F6: ROTARY

This models a stereo rotary speaker.

Main

SPEED

Adjusts the rotational speed of the speaker.

P1

DEPTH

Adjusts the modulation depth.

F7: PITCH (PITCH SHIFTER)

This is a pitch shifter with a range of two octaves up or down, rivaling sophisticated rack-mounted signal proces-
sors.

Main

PITCH

Adjusts the pitch in semitone steps.

P1

EFFECT

Adjusts the level of the effect.

P2

DIRECT

Adjusts the level of the direct sound.

P3

FINE

Adjusts the pitch in one-cent units.

P4

TRACKING

Adjusts the tracking of the pitch shifter (i.e., how closely it will follow). Shorter set-
tings are effective if the PITCH setting is close to 0, and longer settings are effective if
the PITCH setting is close to +/-12. While listening to the pitch-shifted sound, adjust
this so that playing is easier.

F8: RND FILT (RANDOM STEP FILTER)

This filter randomly changes the peak frequency.

Main

SPEED

Adjusts the modulation speed.

P1

MIX

Adjusts the mix level of the effect.

P2

RESO

Adjusts the amount of resonance.

P3

MANUAL

Adjusts the center frequency.

P4

DEPTH

Adjusts the modulation depth.

Summary of Contents for Toneworks AX3G

Page 1: ...Contents About effect and the parameter 2 PRE effects 2 DRIVE AMP models 4 DRIVE models 4 AMP models 5 CABINET models 6 MOD MODULATION effects 7 DELAY REVERB effects 9 DELAY effects 9 REVERB effects 10 Preset program list 11 ...

Page 2: ...nt of the virtual pickup Settings of 10 0 mix the sound in reverse phase P4 SENS Adjusts the sensitivity of the compressor F2 AC SIM ACOUSTIC SIMULATOR This uses the acoustic guitar modeling technology of the ToneWorks AX10A converting the sound of an electric guitar into the sound of an acoustic guitar Main TOP Adjusts the high frequency tone P1 BODY Adjusts the low frequency tone P2 TYPE Selects...

Page 3: ...to Vibrato mode U2 U VIBE set to Chorus mode or Models the popular four stage phaser bL Models the Danish phaser P4 MANUAL Adjusts the center frequency of the sweep MANUALhas no effect if DEPTH is set to 10 F6 CH FLN CHORUS FLANGER This is a chorus flanger unit with a standard circuit structure Main SPEED Adjusts the modulation speed P1 DEPTH Adjusts the modulation depth P2 RESO Adjusts the amount...

Page 4: ...unit named after a half human half horse creature appearing in Greek fables d2 FAT DIST FAT DISTORTION Cabinet C2 TWEED 4x10 This models a pedal named after one of the most disliked rodents to ever walk the planet The result is a smooth distortion rich in harmonics d3 OR DIST ORANGE DISTORTION Cabinet C3 BLACK 2x10 This models a classic distortion unit manufactured in Japan and packaged in an oran...

Page 5: ...iglass front and four inputs A5 UK 80 Cabinet C7 UK H30 4x12 This models a UK made 100 watt single channel head with master volume manufactured in 1983 A6 UK MDN UK MODERN Cabinet C8 UK T75 4x12 This models the high gain channel of a modern 100 watt amp A7 US MDN US MODERN Cabinet C9 US V30 4x12 This models the high gain channel of a 100 watt high gain metal plated beast of an amp made in Californ...

Page 6: ...ceramic magnetic speakers that accompanied the amp on which the BLACK 2x12 amp model is based used widely for country or blues C5 AC15TBX This is an open back combo cabinet containing one of the famed 12 inch VOX Blue Alnico speakers manufac tured by Celestion in Ipswich England C6 AC30TBX This open back cabinet contains two 12 inch VOX Blue Alnico speakers wired in series at 16 ohms for even more...

Page 7: ... many hail as the godfather of two handed tapping Main SPEED Adjusts the modulation speed P1 RESO Adjusts the amount of resonance P2 DEPTH Adjusts the modulation depth P3 MANUAL Adjusts the center frequency of the sweep If DEPTH is set to 10 MANUAL will not function P4 MIX Adjusts the mix amount of the effect F3 BI CHO BI CHORUS This is a chorus model unique to the AX3G It provides two chorus unit...

Page 8: ... you produce a panning effect that spreads to left and right Main SPEED Adjusts the tremolo speed P1 DEPTH Adjusts the tremolo depth P2 SPREAD Adjusts the left right spaciousness P3 LEVEL Compensates the output level F6 ROTARY This models a stereo rotary speaker Main SPEED Adjusts the rotational speed of the speaker P1 DEPTH Adjusts the modulation depth F7 PITCH PITCH SHIFTER This is a pitch shift...

Page 9: ...ree playback heads The echo from each head has its own feedback loop letting you create warm and complex multitap echo effects Main MIX Adjusts the mix amount of the delay P1 TIME Sets the delay time P2 FEEDBACK Adjusts the amount of feedback P3 TONE Adjusts the tone of the delay F2 MOD DLY MODULATION DELAY This models Korg s first digital delay the SDD 3000 You can also use this to produce chorus...

Page 10: ... characterized by a rapid attack and is suitable for percussive playing F8 ROOM This models the reverberation of a typical room with numerous early reflections F9 HALL This models the reverberation of a concert hall with numerous echoes Main MIX Adjusts the mix amount of the reverb P1 TIME Sets the reverb time The relation between this setting and the actual length of rever beration will differ de...

Page 11: ...S MDN off off F0 ECHO 60 RND FILT SF AMP off A1 BLK 2x12 off F8 RND FILT F2 MOD DLY 61 FILTRON SF AMP off d0 TUBE OD off F9 FILTRON off 62 ROTARY SF AMP off off off F6 ROTARY F6 SPRING 63 UK 80S Lead AMP off A5 UK 80 off F2 CL FLN F6 SPRING 64 VULGAR D Lead AMP off A7 US MDN C9 US V30 4x12 F1 MT CHO F9 HALL 65 CLEAN Clean AMP off A1 BLK 2x12 off off F5 SLAP 66 CRUNCH Crunch AMP off A3 AC30TB off o...

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