Korg Toneworks AX3G Effect List Download Page 7

7

MOD (MODULATION) effects

Here you can select one of 10 modulation-type effects.

F0: CL CHO (CLASSIC CHORUS)

This models a chorus unit that has two modes (chorus and vibrato), and is best-known for being built into a
guitar amp.

Main

SPEED

Adjusts the modulation speed.

P1

DEPTH

Adjusts the modulation depth.

P2

MANUAL

Adjusts the center frequency of the sweep. If DEPTH is set to 10, MANUAL will not
function.

P3

MODE

Selects the output mode.

1:

Mono output.

2:

Stereo mode in which the effect is panned right, and the dry sound panned
left.

3:

Vibrato mode, in which only the effected sound is output. Setting MANUAL
to 10 will minimize the delay of the output.

F1: MT CHO (MULTI TAP CHORUS)

This is a chorus with independent taps for left/center/right, adding depth and spaciousness to your sound.

Main

SPEED

Adjusts the modulation speed.

P1

DEPTH

Adjusts the modulation depth.

P2

TIME

Adjusts the delay time.

P3

MIX

Adjusts the mix level of the effect.

F2: CL FLN (CLASSIC FLANGER)

A model of a truly classic analogue flanger that "unchained" a highly influential modern guitarist who many hail
as the "godfather of two handed tapping."

Main

SPEED

Adjusts the modulation speed.

P1

RESO

Adjusts the amount of resonance.

P2

DEPTH

Adjusts the modulation depth.

P3

MANUAL

Adjusts the center frequency of the sweep. If DEPTH is set to 10, MANUAL will not
function.

P4

MIX

Adjusts the mix amount of the effect.

F3: BI CHO (BI CHORUS)

This is a chorus model unique to the AX3G. It provides two chorus units, CHORUS 1 and CHORUS 2, and lets
you connect the two units not only in series or in parallel, but also to synchronize or de-synchronize the two
LFOs. It produces a variety of tones that cover a range from wonderfully spacious sounds to bizarre flanger-like
sounds with complex modulation.

Main

SPEED 1

Adjusts the modulation speed of CHORUS 1.

P1

SPEED 2

Adjusts the modulation speed of CHORUS 2. This will not function if MODE is set to
2 or 3.

P2

DEPTH

Adjusts the modulation depth of CHORUS 1/2.

P3

RESO

Adjusts the amount of resonance for CHORUS 1/2.

P4

MODE

Specifies the connection and LFO for CHORUS 1/2.

1:

CHORUS 1/2 are connected in series.

2:

CHORUS 1/2 are connected in parallel.

3:

CHORUS 1/2 are connected in parallel, and their LFOs are synchronized.

4:

CHORUS 1/2 are connected in parallel, and their LFOs are synchronized in
opposite phase (Stereo mode).

Summary of Contents for Toneworks AX3G

Page 1: ...Contents About effect and the parameter 2 PRE effects 2 DRIVE AMP models 4 DRIVE models 4 AMP models 5 CABINET models 6 MOD MODULATION effects 7 DELAY REVERB effects 9 DELAY effects 9 REVERB effects 10 Preset program list 11 ...

Page 2: ...nt of the virtual pickup Settings of 10 0 mix the sound in reverse phase P4 SENS Adjusts the sensitivity of the compressor F2 AC SIM ACOUSTIC SIMULATOR This uses the acoustic guitar modeling technology of the ToneWorks AX10A converting the sound of an electric guitar into the sound of an acoustic guitar Main TOP Adjusts the high frequency tone P1 BODY Adjusts the low frequency tone P2 TYPE Selects...

Page 3: ...to Vibrato mode U2 U VIBE set to Chorus mode or Models the popular four stage phaser bL Models the Danish phaser P4 MANUAL Adjusts the center frequency of the sweep MANUALhas no effect if DEPTH is set to 10 F6 CH FLN CHORUS FLANGER This is a chorus flanger unit with a standard circuit structure Main SPEED Adjusts the modulation speed P1 DEPTH Adjusts the modulation depth P2 RESO Adjusts the amount...

Page 4: ...unit named after a half human half horse creature appearing in Greek fables d2 FAT DIST FAT DISTORTION Cabinet C2 TWEED 4x10 This models a pedal named after one of the most disliked rodents to ever walk the planet The result is a smooth distortion rich in harmonics d3 OR DIST ORANGE DISTORTION Cabinet C3 BLACK 2x10 This models a classic distortion unit manufactured in Japan and packaged in an oran...

Page 5: ...iglass front and four inputs A5 UK 80 Cabinet C7 UK H30 4x12 This models a UK made 100 watt single channel head with master volume manufactured in 1983 A6 UK MDN UK MODERN Cabinet C8 UK T75 4x12 This models the high gain channel of a modern 100 watt amp A7 US MDN US MODERN Cabinet C9 US V30 4x12 This models the high gain channel of a 100 watt high gain metal plated beast of an amp made in Californ...

Page 6: ...ceramic magnetic speakers that accompanied the amp on which the BLACK 2x12 amp model is based used widely for country or blues C5 AC15TBX This is an open back combo cabinet containing one of the famed 12 inch VOX Blue Alnico speakers manufac tured by Celestion in Ipswich England C6 AC30TBX This open back cabinet contains two 12 inch VOX Blue Alnico speakers wired in series at 16 ohms for even more...

Page 7: ... many hail as the godfather of two handed tapping Main SPEED Adjusts the modulation speed P1 RESO Adjusts the amount of resonance P2 DEPTH Adjusts the modulation depth P3 MANUAL Adjusts the center frequency of the sweep If DEPTH is set to 10 MANUAL will not function P4 MIX Adjusts the mix amount of the effect F3 BI CHO BI CHORUS This is a chorus model unique to the AX3G It provides two chorus unit...

Page 8: ... you produce a panning effect that spreads to left and right Main SPEED Adjusts the tremolo speed P1 DEPTH Adjusts the tremolo depth P2 SPREAD Adjusts the left right spaciousness P3 LEVEL Compensates the output level F6 ROTARY This models a stereo rotary speaker Main SPEED Adjusts the rotational speed of the speaker P1 DEPTH Adjusts the modulation depth F7 PITCH PITCH SHIFTER This is a pitch shift...

Page 9: ...ree playback heads The echo from each head has its own feedback loop letting you create warm and complex multitap echo effects Main MIX Adjusts the mix amount of the delay P1 TIME Sets the delay time P2 FEEDBACK Adjusts the amount of feedback P3 TONE Adjusts the tone of the delay F2 MOD DLY MODULATION DELAY This models Korg s first digital delay the SDD 3000 You can also use this to produce chorus...

Page 10: ... characterized by a rapid attack and is suitable for percussive playing F8 ROOM This models the reverberation of a typical room with numerous early reflections F9 HALL This models the reverberation of a concert hall with numerous echoes Main MIX Adjusts the mix amount of the reverb P1 TIME Sets the reverb time The relation between this setting and the actual length of rever beration will differ de...

Page 11: ...S MDN off off F0 ECHO 60 RND FILT SF AMP off A1 BLK 2x12 off F8 RND FILT F2 MOD DLY 61 FILTRON SF AMP off d0 TUBE OD off F9 FILTRON off 62 ROTARY SF AMP off off off F6 ROTARY F6 SPRING 63 UK 80S Lead AMP off A5 UK 80 off F2 CL FLN F6 SPRING 64 VULGAR D Lead AMP off A7 US MDN C9 US V30 4x12 F1 MT CHO F9 HALL 65 CLEAN Clean AMP off A1 BLK 2x12 off off F5 SLAP 66 CRUNCH Crunch AMP off A3 AC30TB off o...

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