115
Program operating mode
Page 10 - Filter LFO2
Intensity to B
Specify
the
depth
and
direction
of
the
modulation
that
LFO1
will
have
on
the
cutoff
frequency
of
filter
B
(see
‐
99…+99
Parameter
value.
Joystick –Y to A
By
moving
the
joystick
in
the
Y
direction
(toward
your
‐
self),
you
can
control
the
depth
at
which
LFO1
modu
‐
lates
the
cutoff
frequency
of
filter
A.
This
parameter
specifies
the
depth
and
direction
of
the
control.
Higher
settings
of
this
parameter
will
produce
greater
increases
in
the
effect
of
LFO1
on
the
filter
when
the
joystick
is
moved
toward
yourself.
‐
99…+99
Parameter
value.
Joystick –Y to B
By
moving
the
joystick
in
the
Y
direction
(toward
your
‐
self),
you
can
control
the
depth
at
which
LFO1
modu
‐
lates
the
cutoff
frequency
of
filter
B.
This
parameter
specifies
the
depth
and
direction
of
the
control
(see
Filter LFO1 modulation
AMS (Alternate Modulation Source)
Select
a
source
that
will
control
the
depth
and
direction
of
cutoff
frequency
change
for
both
filters
A
and
B.
See
Intensity to A
Specifies
the
depth
and
direction
of
the
effect
that
“AMS”
will
have
on
filter
A.
For
example
if
“AMS”
is
Joystick
+Y,
higher
settings
of
this
parameter
will
allow
greater
change
to
be
applied
to
LFO1
when
you
push
the
joystick.
‐
99…+99
Parameter
value.
Intensity to B
Specifies
the
depth
and
direction
of
the
effect
that
“AMS”
will
have
on
filter
B
(see
A”).
PAGE 10 - FILTER LFO2
Adjusts
the
depth
of
the
cyclic
modulation
applied
by
LFO2
(set
on
to
the
cutoff
frequency
of
filters
A
and
B.
For
more
information
on
the
parame
‐
ters
see
114.
PAGE 11 - FILTER EG
Here
you
can
make
settings
for
the
EG
that
will
pro
‐
duce
time
‐
varying
changes
in
the
cutoff
frequency
of
filters
A
and
B
for
the
selected
oscillator.
The
depth
of
the
effect
that
these
settings
will
have
on
the
filter
cut
‐
off
frequency
is
determined
by
the
“Velocity”
and
“Intensity”
parameters.
Selected
Use
this
parameter
to
select
an
oscillator
to
put
in
edit.
Alternatively,
you
can
select
oscillators
using
the
F
‐
1–F
‐
4
buttons.
Filter envelope
Start/Attack/Break/Sustain/Release Level
These
are
the
envelope
segment
levels.
The
result
will
depend
on
the
filter
that
was
selected
in
For
example,
with
the
Low
Pass
Resonance
filter,
positive
(+)
values
of
EG
Intensity
will
cause
the
tone
to
be
brightened
by
positive
(+)
levels,
and
darkened
by
negative
(–)
levels.
‐
99…+99
Level
value.
Start Level
This
parameter
specifies
the
change
in
cutoff
frequency
at
the
time
of
note
‐
on.
Attack Level
This
parameter
specifies
the
change
in
cutoff
frequency
after
the
attack
time
has
elapsed.
Break Point Level
This
parameter
specifies
the
change
in
cutoff
frequency
after
the
decay
time
has
elapsed.
Sustain Level
This
parameter
specifies
the
change
in
cutoff
frequency
that
will
be
maintained
from
after
the
slope
time
has
elapsed
until
note
‐
off
occurs.
Release Level
This
parameter
specifies
the
change
in
cutoff
frequency
that
will
occur
when
the
release
time
has
elapsed.
Attack/Decay/Slope/Release Time
These
parameters
specify
the
time
over
which
the
filter
change
will
occur.
0…99
Time
value.
Change in cutoff
Low setting
High setting
Note-on
Note-off
Attack
Time
Start
Level
Decay
Time
Release
Time
Release
Level
Attack Level
The specified
cutoff
frequency
Sustain Level
Time
Break
Point
Level
Slope
Time
Summary of Contents for microARRANGER
Page 1: ...Owner s Manual E 1...
Page 9: ...INTRODUCTION...
Page 25: ...BASIC GUIDE...
Page 41: ...REFERENCE GUIDE...
Page 145: ...APPENDIX...
Page 244: ...2011 KORG INC 4015 2 Yanokuchi Inagi city Tokyo 206 0812 Japan...
