COMBI P2: EQ/Option 2–1: EQ Trim T01–08, 2–2: EQ Trim T09–16
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COMBI P2: EQ/Option
2–1: EQ Trim T01–08,
2–2: EQ Trim T09–16
Here you can set the signal level that enters the EQ of
timbres 1–8 and 9–16.
2–1(2)a: Combination Name, Tempo
Bank, Combination Number & Name
These are the bank, number, and name of the current
Combination.
For more information, please see “0–1(2)a: Combination
Select” on page 120.
(Tempo)
[040.00...300.00, EXT]
For more information, please see “
2–1(2)b: Timbre Info
Selected Timbre Info:
This area displays information about the timbre selected for
editing – T: timbre number/program bank/number/name,
Ch:
MIDI channel number.
Timbre Number:
This indicates the timbre number. The various parameters
below each timbre number make settings for the
corresponding timbre.
Timbre Category:
This shows the abbreviated category name of the Program
assigned to the Timbre.
2–1(2)c: Trim
Timbre 01 (Timbre Number):
Auto Load Prog EQ
[Off, On]
When you first load a Program into a Timbre, this parameter
determines whether or not the Program’s EQ settings will be
loaded as well.
Once the Program has been loaded, you can change any or
all of the EQ settings as desired. All such edits are stored in
the Combination, without affecting the original Program.
Regardless of this setting, subsequent edits to the Program’s
EQ in Program mode will not affect the Combination.
On
: the Program’s EQ settings will be loaded automatically
along with the Program. This is the default setting.
Off
: the Program’s EQ settings won’t be loaded. Use this if
you’ve set up the EQ in a specific way, and then want it to
stay unchanged while you try out different Programs.
Bypass
[On, Off]
If this is On (checked), all of the EQ will be disabled,
including “Input Trim.” Bypass can be convenient for
comparing the results of the EQ with the original signal.
Input Trim
[00…99]
This controls the volume level going into the EQ. Note that
this parameter uses a linear scale; 50 is equivalent to –6 dB,
25 is the same as –12 dB, and so on.
High settings of the Low, Mid, and High Gain controls can
cause substantial increases in the overall level. You can
compensate for this by turning down the input trim.
Timbre 02...08, 09...16 (Timbre Number):
Here you can make settings for timbres 2–8 and 9–16. They
are the same as for timbre 1. For more information, please
see “Timbre 01 (Timbre Number):,” above.
▼
2–1(2): Menu Command
• 0: Write Combination
• 2: Exclusive Solo
• 3: Copy from Program
For more information, please see “Combination: Menu
Command” on page 185.
2–1a
2–1c
2–1
Menu
2–1b
Select Timbre Info
Timbre Number
Timbre Category
Summary of Contents for M3
Page 1: ...4 E ...
Page 306: ...Sequencer mode 296 ...
Page 364: ...Sampling mode 354 ...
Page 430: ...Media mode 420 ...
Page 534: ...Effect Guide 524 ...
Page 646: ...Appendices 636 ...