background image

3

MidiCC   support   in   the   Patch   Editor   will   allow   systems   that   can   only   output
MidiCC to control any synth that the Patch Editor supports.

The Patch Editor can have any standard MIDI channel (1-16) set independently for each synthesizer
selected and the MIDI channel for MidiCC control to the Patch Editor can also be set. These are
remembered when the Patch Editor is switched off. It is possible to send commands to the Patch
Editor on one midi channel and the Patch Editor will output to the synth on another. This could be
useful if the control codes to the Patch Editor could be interpreted differently by the synth being
controlled.

All incoming MIDI except for commands to the Patch Editor are passed through to the MIDI out port.
All output from the Patch Editor also uses this MIDI port and this output is interlaced with any
incoming MIDI data. This introduces a 1-3mS delay as the commands are interpreted and resent.
This must be done so as the incoming MIDI can be mixed with the MIDI generated by the Patch
Editor without breaking MIDI strings. The MIDI running status byte needs to be reinserted if the
incoming string has a running status byte that has been interrupted by the Patch Editor sending out
commands. MIDI real time signals (clocks etc) are put directly to the output for a minimal delay
which is normally about 100µS no matter what is happening within the Patch Editor. All incoming
MIDI is passed to the MIDI through port without delay. 

If a time critical MIDI unit is part of the chain then this should be run from the MIDI Through port to
reduce delays

.

If the Patch Editor midiCC command set is being used to translate to sysex be
aware the the Patch Editor may need to send much more date than it receives so
it is important that not too much data is sent too quickly or the Patch Editor
buffers will overflow resulting in corrupted midi. This will cause random errors
like stuck notes.

Power requirements are a single 9-12vDC supply at 500mA. 9v is preferred to stop the PE getting
too warm. The polarity is marked on the Patch Editor and it is protected against reversed power. It
was decided not to include a power unit with the Patch Editor as these are country specific and
easily purchased throughout the world. A universal voltage power pack can be provided if required
but it has a New Zealand plug format and will require adapter plugs for use in other countries.

Note: From serial number 001135 and higher the DC Plug polarity has been changed to the
more standard positive tip / negative shell.

www.kiwitechnics.com

Patch Editor v6.0

Summary of Contents for Patch Editor

Page 1: ...Patch Editor...

Page 2: ...Editor to the Roland JX 3P and the PG 800 interface due to the rather unusual interface formats but a standard MIDI cable is used for all other synthesizer types The Roland JX 3P and PG 800 cables ar...

Page 3: ...y the Patch Editor sending out commands MIDI real time signals clocks etc are put directly to the output for a minimal delay which is normally about 100 S no matter what is happening within the Patch...

Page 4: ...types support this The control will remain dark if unused Osc 1 and 2 Tune and Fine When available these will light and allow Osc 1 and 2 to be tuned within the range of 12 notes The fine tune contro...

Page 5: ...xternal level is displayed on the right side of the display Osc 2 XMod The XMod button 24 will select between the various Cross Modulation options available The types available will depend on the synt...

Page 6: ...ol 100 level System Reset The Patch Editor also has a memory erase feature built in which will put the non volatile memory back to a known state This is accessed by pressing the XMod Button 24 as the...

Page 7: ...1 PWM 8 Osc 1 PWM LPF Resonance 33 Active Osc 1 Level 9 Not Used Filter LFO Modulation 34 VCF LFO Sweep Depth Noise Level 10 Not Used Filter ENV Modulation 35 VCF Env Depth Osc 2 Range 15 Not Used Fil...

Page 8: ...LFO Modulation VCA Level 47 Active Osc 2 ENV Mod 21 DCO B ENV Modulation Osc 2 Mode 22 DCO B Envelope Selection 1 or 2 Osc 2 PWM 23 DCO B PWM Modulation Osc 2 XMod 24 Sync On Off Osc 2 Level 25 DCO A...

Page 9: ...ol Osc 2 Mode 22 Select DCO 2 EG Source EG1 or EG2 Osc 2 PWM 23 Not Used Osc 2 XMod Sync Off Sync On Metal Osc 2 Level 25 Not Used Roland JX 3P KiwiTechnics Upgrade Controls Page 2 Osc 1 Range 1 Arpeg...

Page 10: ...s LPF Cutoff 32 Active Osc 1 PWM 8 PWM Rate LPF Resonance 33 Active Osc 1 Level 9 Not Used Filter LFO Mod 34 Not Used Use MG Destination Noise Level 10 Not Used Filter ENV Mod 35 VCF ENV Level split 6...

Page 11: ...Osc 2 PWM 23 Not Used Osc 2 XMod LFO Mode Normal Plus Osc 2 Level 25 Sub Level KiwiTechnics Kiwi 106 Upgrade Controls Page 2 Osc 1 Range 1 Arpeggiator Mode Up Down U D Random As Played LFO 2 Wave 26...

Page 12: ...Osc 1 LFO Env modulation LPF Cutoff 32 Active Osc 1 PWM 8 Not Used LPF Resonance 33 Active Osc 1 Level 9 Osc 1 2 Mix Filter LFO Modulation 34 Active Noise Level 10 Not Used Filter ENV Modulation 35 Ac...

Page 13: ...waveforms simultaneously up to 6 notes with 2 oscillators each all in real time it is fairly impressive A more conventional filter and VCA is used which uses the NJM2069 combo chip for each of the 6 v...

Page 14: ...nv Slope Osc 2 PW 17 Not Used Filter Decay Filter Env Sustain Osc 2 Tune 18 Osc Bend Amount Filter Sustain Filter Env Release Osc 2 Fine Tune 19 Not Used VCF Mode VCF Bend Mode Off On Osc 2 LFO Mod 20...

Page 15: ...ot Used Osc 2 Mode 22 OSC Auto Bend Polarity Osc 2 PWM 23 Not Used Osc 2 XMod 24 Sync On Off Osc 2 Level 25 Not Used Korg DSS 1 Page 2 Controls Osc 1 Range 1 Not Used LFO1 Wave 26 Not Used Osc 1 Wave...

Page 16: ...XMod 24 Not Used Osc 2 Level 25 Not Used Korg DSM 1 Page 2 Controls Osc 1 Range 1 Not Used LFO Wave 26 VCF MG Wave Sine Tri Square Osc 1 Wave 2 Not Used LFO Delay 27 VCF MG Delay Osc 1 PW 3 Not Used...

Page 17: ...ity Chorus FX Mode 30 Effect 2 On Off Osc 1 ENV Mod 6 Not Used HPF 31 Not Used Osc 1 Mode 7 Voice Mode Single Double Drum VDF Cutoff 32 Active Osc 1 PWM 8 Not Used LPF Resonance 33 Not Used Osc 1 Leve...

Page 18: ...d 24 Sync On Off Osc 2 Level 25 Not Used Oberheim Matrix 6 Page 2 Controls Osc 1 Range 1 OSC 1 Click On Off LFO Wave 26 LFO 2 Tri Up Saw Down Saw Sqr Random Noise Sample Mod Osc 1 Wave 2 Tracking Inpu...

Page 19: ...i Filter ADSR EG1 37 40 Active Osc 2 PW 17 DCO 2 Initial Pulse Width Amount Filter Mode 41 Not Used Osc 2 Tune 18 DCO 2 Tune Semitones VCA ADSR EG2 42 45 Active Osc 2 Fine Tune 19 DCO 2 Detune Cents V...

Page 20: ...Used VCA Release T4 Time Osc 2 XMod 24 Not Used VCA Mode 46 Not Used Osc 2 Level 25 Not Used VCA Level 47 Not Used Roland Juno 1 Juno 2 HS 10 Notes The Juno 1 Juno 2 HS 10 synthesizers have one oscill...

Page 21: ...ow Env 2 Off 1 2 3 Osc 1 ENV Mod 6 Not Used HPF 31 Not Used Osc 1 Mode 7 DCO 1 2 Dynamics Mode Off 1 2 3 LPF Cutoff 32 Active Osc 1 PWM 8 Not Used LPF Resonance 33 Active Osc 1 Level 9 Not Used Filter...

Page 22: ...pe Gate Osc 2 LFO Mod 20 Not Used VCA Level 47 Active Osc 2 ENV Mod 21 Not Used Osc 2 Mode 22 Not Used Osc 2 PWM 23 Not Used Osc 2 XMod 24 Not Used Osc 2 Level 25 Sub Osc Level Roland Juno 106 Notes T...

Page 23: ...s Portamento Time Filter Mode 41 Select VCF Dynamics Osc 2 Tune 18 Upper Lower Split Point VCA Release 45 Envelope 2 Key Follow Osc 2 Fine Tune 19 Not Used VCA Mode 46 Select VCA Dynamics Osc 2 LFO Mo...

Page 24: ...ot Used Osc 1 Wave 2 Group B Effect Sequence 6 types LFO Delay 27 Not Used Osc 1 PW 3 Not Used LFO Speed 28 Not Used Osc 1 Tune 4 Not Used Chorus FX Rate 29 Not Used Osc 1 LFO Mod 5 Not Used Chorus FX...

Page 25: ...e 2 Not Used LFO Delay 27 LFO 2 Delay Osc 1 PW 3 Wave Form High 128 255 LFO Speed 28 LFO 2 Rate Osc 1 Tune 4 Not Used Chorus FX Rate 29 LFO 2 Fade Osc 1 LFO Mod 5 Pitch LFO 2 Mod Chorus FX Mode 30 LFO...

Page 26: ...orus FX Rate 29 Unison Detune Osc 1 LFO Mod 5 Not Used Chorus FX Mode 30 Bender Range VCO 2 Off Normal Wide Osc 1 ENV Mod 6 Not Used HPF 31 Assign Mode Hold Off On Midi Osc 1 Mode 7 Not Used LPF Cutof...

Page 27: ...Used Osc 2 Mode 22 Not Used Osc 2 PWM 23 Cross Mod Amount Osc 2 XMod 24 Osc 2 Sync Control Normal 3 types Osc 2 Level 25 Oscillator 2 Level Osc 1 Range 1 Not Used LFO1 Wave 26 LFO 2 Wave 6 types Osc 1...

Page 28: ...45 Active Osc 2 Fine Tune 19 Fine Tune VCA Mode 46 Not Used Osc 2 LFO Mod 20 LFO Program Amount VCA Level 47 Active Osc 2 ENV Mod 21 Env Modulation Osc 2 Mode 22 Pulse LFO Modulation On Off Osc 2 PWM...

Page 29: ...f On Osc 2 LFO Mod 20 CV 2 Amount VCA Level 47 Active Osc 2 ENV Mod 21 Not Used Osc 2 Mode 22 DCO 2 Keytrack Off On Osc 2 PWM 23 DCO 2 Pulse Width Mod Osc 2 XMod 24 DCO 2 Sync Off On Osc 2 Level 25 DC...

Page 30: ...D S R Osc 2 Fine Tune 19 DCO 2 Fine Detune VCA Mode 46 Not Used Osc 2 LFO Mod 20 DCO 1 FM Level VCA Level 47 Total volume Osc 2 ENV Mod 21 Not Used Osc 2 Mode 22 DCO 2 Mod Source Off 14 sources Osc 2...

Page 31: ...Used Osc 2 LFO Mod 20 DCO 2 Modifier 1 Level VCA Level 47 Total volume Osc 2 ENV Mod 21 DCO 2 Modifier 2 Level Osc 2 Mode 22 DCO 2 Modifier 1 Source Select 17 types Osc 2 PWM 23 DCO 2 Modifier 2 Sour...

Page 32: ...red Ensoniq ESQ 1 The Ensoniq ESQ 1 synthesizer does not support midi control well The ESQ 1 requires simulated button presses via midi to make changes which is very slow and not suitable for real tim...

Page 33: ...s 16 wave forms valid data 0 f Osc 1 Pulse Width 10 16 nn nn 00 7f 0 127 Osc 1 Tune 11 17 nn nn 00 7f 0 127 Osc 1 LFO Mod 12 18 nn nn 00 7f 0 127 Osc 1 ENV Mod 13 19 nn nn 00 7f 0 127 Osc 1 PWM Mode E...

Page 34: ...bers After these entries have been modified the PE must have a valid entry for each synth table currently 0 28 Any table numbers are above the maximum number the sysex dump will be ignored Duplicates...

Reviews: