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KALI AUDIO LP-6/LP-8 2nd Wave Studio Monitors User’s Guide 

6

Features

Low Noise Port Tube

The port tube on the LP-Series was designed to deliver all the benefits of a front-firing 

port tube, without any drawbacks associated with noise.

On most port tubes, air leaves at different speeds from different points of the opening, 

creating noisy turbulence. This turbulence can be heard as “chuffing,” or an audible air 

sound coming from the monitor. This sound will add to the noise floor and obscure the 

details of the low end.

The port tube on LP-Series was designed to ensure that all of the air leaves the port tube 

at the same ve-locity. This helps add to the low end response of the speaker, while keep-

ing the bass clean, tight, and devoid of extra noise.

3-D Imaging Waveguide

The 3-D Imaging Waveguide allows you to hear a 3-D soundstage from a stereo pair of 

speakers. By matching the shape of the waveguide to the interactions of the HF and LF 

drivers, this waveguide pro-duces a coherent stereo image that is wider, taller, and deep-

er than the space where the speakers are placed.

The LP-Series accomplishes this by ensuring that the speaker’s reflected sound matches 

its direct sound. Every time you hear a loudspeaker, you’re hearing both the direct sound 

from the speaker, and reflections from the the room.

When those reflections are congruent with the direct sound from the speaker, listeners 

perceive a better sound overall, and are able to make out very subtle details like where 

microphones are placed in a room.

High Performance Woofer

The LP-Series uses a woofer with an exceptionally large voice coil and magnet. This allows 

for greater linearity, resulting in exceptional dynamic range and clarity, as well as extend-

ed low end response. All of this is delivered with minimal distortion.

DSP

The LP-6 and LP-8 are equipped with digital signal processing (DSP.) The DSP on the 

LP-Series controls the loudspeaker’s tuning, the limiter function, the crossover, the 

boundary EQs, and user definable HF and LF trim.

About Your Studio Monitor

Summary of Contents for Project Lone Pine v2 Series

Page 1: ...KALI AUDIO LP 6 LP 8 2nd Wave Studio Monitors User s Guide 1 Project Lone Pine Professional Studio Monitors LP 6 LP 8 v2 User s Guide...

Page 2: ...tors User s Guide 2 Table of Contents IMPORTANT SAFETY INFORMATION 3 ABOUT YOUR STUDIO MONITOR 5 FULL SPECIFICATIONS 8 INPUTS AND CONTROLS 9 DIP SWITCHES 12 CLIMATE CONSIDERATIONS 15 FIRST TIME SETUP...

Page 3: ...and a third grounding prong The wide blade or the third prong are provided for your safety If the provided plug does not fit into your outlet consult an electrician for replacement of the obsolete ou...

Page 4: ...en dropped 22 High sound pressure in excess of 85 dB can cause hearing damage and or loss Do not expose yourself to high sound pressure levels The lightning bolt with arrowhead symbol within an equila...

Page 5: ...for our first product line Features Output The LP 6 Professional Studio Monitor is designed to have a continuous output of 85 dB at 2 9 meters with 20 dB of headroom In practical terms this means tha...

Page 6: ...ractions of the HF and LF drivers this waveguide pro duces a coherent stereo image that is wider taller and deep er than the space where the speakers are placed The LP Series accomplishes this by ensu...

Page 7: ...Wave platform and to check whether the monitor you have is the original version or 2nd Wave visit KaliAudio com secondwave Boundary Compensation EQs Kali s team came up with boundary compensation EQ s...

Page 8: ...nge 3 dB 47 Hz 21 kHz 45 Hz 21 kHz Recommended Listening Distance 5 2 5 Meters 5 3 5 Meters Max SPL Peak 1M 115 dB 117 dB System THD 3 from 80 Hz to 1 7 kHz 2 above 1 7 kHz 90dB SPL 1m 2 5 from 80 Hz...

Page 9: ...KALI AUDIO LP 6 LP 8 2nd Wave Studio Monitors User s Guide 9 Inputs and Controls...

Page 10: ...ut 10 dBV Sensitivity The RCA input is for use with consumer devices like record players laptops smart phones and media players Commonly the playback device will either have an RCA or a 3 5mm Aux outp...

Page 11: ...symmetrical room it may be necessary to have one monitor louder than the other to achieve balance 2 If your playback device does not have an independent volume control it will be necessary to adjust t...

Page 12: ...ols power to the RCA For this reason the explanations of the different dip switch settings will only reference the set of switches currently applicable Switches 1 3 Boundary Compensation EQs Position...

Page 13: ...s Switch 1 DOWN Switch 2 DOWN Switch 3 UP Position 6 On a Desk Close to a Wall The speaker is on a desk or table and is within 5 meters 20 inches of a wall without being butted right against one Switc...

Page 14: ...uency trim will add or subtract 2 dB from the High Frequency response of the speaker This can be done as a matter of personal taste or if the room you re mixing in requires additional adjustment beyon...

Page 15: ...rom your playback device at a low volume Slowly turn the volume knob clockwise to the center detente 0 dB position Make sure you hear what you re playing Set the boundary EQ for your application Refer...

Page 16: ...on and is prone to picking up noise as sig nal travels through the cable This is especially true if you are using very long RCA cables b If no be sure that the dip switch 8 is moved DOWN to the OFF po...

Page 17: ...g the date of purchase The retailer may ask you to provide specific details about the nature of the defect What is not covered The following cases are NOT covered by this warranty Damage from shipping...

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