JL Audio 500/5 Owner'S Manual Download Page 13

JL AUDIO

500/5

25

4)

If you would like to run a third amplifier in

“Slave” configuration, select the 

“Full-Range”

position on the

“Output Mode”

switch of the first

“Slave” amp.Then, connect an RCA cable from

the first “Slave” amplifier’s preamp outputs to the

second “Slave” amplifier. As you did with the first

“Slave” amp, set the second “Slave” amplifier’s

“Amp LP Filter”

to the 

“Off”

position.Then,

calibrate the third amplifier’s

“Input Range”

and

“Input Sens.”

controls in the same manner as you

did for the second amplifier.

Additional amplifiers may be added to this

“Master/Slave” configuration following the same

procedure as in step 4.

Once you match the input sensitivities of all

the amplifiers, you can use the “Master” amplifier’s

“Sub LP Filter”

,

“Infrasonic Filter”

and 

“LF Boost”

features to control the “Slave” amplifier(s).

The diagram below shows a Master/Slave

configuration with one “Master” 500/5 (top

amplifier) and two “Slave” 250/1 amplifiers.

Switches and controls that are defeated in the

“Slave” amplifiers are printed in gray.

NOTE:

These settings are intended 

as a “baseline” for tuning this system. Depending

on the vehicle, personal taste and the audio

components specific to your system, some

variation in the Subwoofer Channel Control

Section, Filter Sections and Input Sections may be

necessary for optimum performance.

JL AUDIO 

250/1

monoblock subwoofer amplifier

+12VDC

Ground

Remote

Amplifier Input Section

Input Sens.

Input Voltage

Low/High

Off/On

Left Ch.

Right Ch.

Amp LP Filter

Bass Control

Preamp Output Section

Mode/Slope

Subwoofer Output

Left Ch.

Right Ch.

Infrasonic Filter

Signal Sensing

MONO OUTPUT ONLY

Off/12dB/24dB

Off/30Hz

Full-Range/Low-Pass/High-Pass

0

+1

+3

+7

+10

+13

40

200

+15

45

55

85

65

120

Filter Freq. (Hz)

LF Boost (dB)

Output Mode

Front Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

Front Filter Section

Freq. Range

x1/x10

HP Filter Freq.(Hz)

Front Speaker Outputs 

Filter Slope

12dB/24dB

Filter Mode

Off/BP/HP

Rear Speaker Outputs (25Wx2)

Rear Input Section

Input Sens.

Input Voltage

Low/High

Left Ch.

Right Ch.

L-R Ambience

Off/On

ar Filter Section

Range

x10

eq. (Hz)

High-Pass Filter

Off/12dB/24dB

F/R Input Mode

2ch/4ch

Also sets 

low-pass 

cutoff for  
Front Ch. 

Bandpass 

filter (when 

selected)

Rear 

Inputs

Only

Front 

and

Rear

Connect 500/5 Input to Output from Source Unit

SLAVE (B):

The last Slave amplifier’s bass processing features are inactive.The

“Amp LP Filter”

and 

“Preamp Output”

are also inactive.

24

JL AUDIO

500/5

APPENDIX C:

Master/Slave Configurations

With the flexible on-board crossovers and

processing incorporated into the 500/5, it is

possible to connect additional JL Audio 250/1

amplifiers in a “Master/Slave” configuration, with

each amplifier driving its own speaker system but

controlled by the processing and filtering of the

500/5's subwoofer section.This is very useful if

additional subwoofer power is desired in a system.

To create a Master/Slave configuration,

configure the 500/5's subwoofer section as you

would normally do to drive one subwoofer

system, then do the following to connect

additional slave amplifiers:

1) 

In the Preamp Output Section of the 500/5

select the 

“Sub LP”

position on the 

“Signal From”

switch. This will send a parallel, mono-summed

signal from the 500/5's 

“Sub LP Filter”

section to

its preamp outputs.

2)

Connect an RCA cable from the 500/5's

preamp outputs to the main input of the first

“Slave” 250/1 amplifier. Set the “Slave” amplifier’s

“Amp LP Filter” 

to the 

“Off” 

position.This will

defeat the LP filter and the bass processing of this

“Slave Amplifier”.

3)

The input sensitivity of the two amplifiers

needs to be adjusted independently. Set the

subwoofer channel of the 500/5 and the slave

250/1 amplifier to the same target voltage using

the procedure outlined in Appendix B (page 22).

Do not increase the “Input Sens.” setting for

any amplifier channel in the system beyond the

maximum level established during the procedure

outlined in Appendix B (page 22). Doing so 

will result in audible distortion and possible

speaker damage.

JL AUDIO 

250/1

monoblock subwoofer amplifier

+12VDC

Ground

Remote

Amplifier Input Section

Input Sens.

Input Voltage

Low/High

Off/On

Left Ch.

Right Ch.

Amp LP Filter

Bass Control

Preamp Output Section

Mode/Slope

Subwoofer Output

Left Ch.

Right Ch.

Infrasonic Filter

Signal Sensing

MONO OUTPUT ONLY

Off/12dB/24dB

Off/30Hz

Full-Range/Low-Pass/High-Pass

0

+1

+3

+7

+10

+13

40

200

+15

45

55

85

65

120

Filter Freq. (Hz)

LF Boost (dB)

Output Mode

JL AUDIO 

500/5

five-channel system amplifier

+12VDC

Ground

Remote

Rea

Freq. R

x1/x

Filter Fre

Subwoofer Output (250Wx1)

Sub LP/F+R Inputs/Front 

Subwoofer Channel Control Section

Input Sens.

Input Voltage

Low/High

Independent Sub Input

Sub LP Filter

Off/12dB/24dB

Preamp Output Section

Signal From

Filter Freq. (Hz)

Remote Bass 

Port

Off/30Hz

LF Boost (dB)

Input From:

Ind./F+R/Front

Infrasonic Filter

Left

Right

Left Ch.

Right Ch.

+1

+13

+3

+7

+10

Connect 500/5 Preamp Output to 250/1 (Slave A) Input

Connect 250/1 (Slave A) Preamp Output to 250/1 (Slave B) Input

MASTER:

SLAVE (A):

The Master amplifier’s bass processing features are
active and affect all three amplifiers equally.

This Slave amplifier’s bass processing features are inactive,
but the Full-Range (pass-through) feature of its 

“Preamp

Output”

feeds the input of the next Slave amplifier.

Summary of Contents for 500/5

Page 1: ...equipment to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its...

Page 2: ...lector pg 8 Selects Front Filter Cutoff Frequency pg 8 Input Sensitivity Control pg 6 Left and Right Input Jacks pg 6 Left and Right Input Jacks pg 6 Rear Speaker Outputs pg 11 Front Speaker Outputs p...

Page 3: ...00 5 5 PRODUCT DESCRIPTION The JL Audio 500 5 is a five channel system amplifier utilizing patented Absolute Symmetry Class AB technology for its front and rear channels and patented Class D technolog...

Page 4: ...ition switched circuit The 500 5 s Remote turn on connector is designed to accept 18 AWG 8 AWG wire 12 AWG is more than adequate for this purpose To connect the remote turn on wire to the amplifier fi...

Page 5: ...ugh mode for the preamp output delivering a sum of the signals being fed to the Front Input Section and Rear Input Section of the amplifier If the input signal is full range the preamp output Sub LP F...

Page 6: ...ker connectors only the Left and Right remain unused Then connect a mono signal to both left and right RCA inputs for ction ut Sens ght Ch Front Speaker Outputs IMPORTANT IMPORTANT IMPORTANT JL AUDIO...

Page 7: ...erating normally 2 Thermal Red lights to indicate that the amplifier has exceeded its safe operating temperature putting the amplifier into a self protection mode which reduces the power output of the...

Page 8: ...te This configuration can also be set up so that the subwoofer level tracks with the front channel level and only the rear channels are faded To configure the system in this manner go to the Subwoofer...

Page 9: ...for speaker level inputs Select Low for preamp level inputs or High for speaker level inputs Select 2ch Input Mode Amp Output to Rear Satellite Speakers Amp Output to Front Satellite Speakers Select...

Page 10: ...ee way operation This allows the independent powering of tweeters midwoofers and subwoofer s in the system and gives extensive control over level matching and crossover parameters Left and right tweet...

Page 11: ...33 143 34 157 35 184 36 200 193 37 198 38 198 39 198 Full clockwise 198 20 JL AUDIO 500 5 APPENDIX A Precise Frequency Selection Chart CHART A 1 FILTER FREQ FRONT REAR CH FILTERS Detent Panel Actual N...

Page 12: ...is very predictable This makes setting the gain structure via the input sensitivity controls very simple Following the directions below will allow the user to adjust the input sensitivity of the ampl...

Page 13: ...rocessing incorporated into the 500 5 it is possible to connect additional JL Audio 250 1 amplifiers in a Master Slave configuration with each amplifier driving its own speaker system but controlled b...

Page 14: ...MY AMPLIFIER Please refer to Appendix B page 22 to set the input sensitivity for maximum low distortion output MY AMPLIFIER DOESN TTURN ON Check to make sure there is 12V at the Remote connection of...

Page 15: ...hannel 20 Hz 20 kHz Signal to Noise Ratio 108 5 dB referred to rated power A weighted 20 Hz 20 kHz noise bandwidth Frequency Response 5 Hz 30 kHz 0 1 dB Damping Factor 200 4 per ch 50 Hz 100 2 per ch...

Page 16: ...req Range x1 x10 HP Filter Freq Hz Front Speaker Outputs Filter Slope 12dB 24dB Filter Mode Off BP HP 30 JL AUDIO 500 5 JL AUDIO 500 5 five channel system amplifier 12VDC Ground Remote Sub LP F R Inpu...

Page 17: ...s therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO p...

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