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Crossover Setup for Bi-Amplified System 

with one 450/4:

Once the input sections have been configured

appropriately, go to the 

“CH 1&2 Filter Section”.

Select 

“x1”

on the 

“Freq. Range”

switch,

“LP”

(low-

pass) on the 

“Filter Type”

switch and 

“12dB”

or

“24dB”

on the 

“Filter Mode/Slope”

switch and an

appropriate 

“Filter Freq.”

(80-90 Hz is a good

starting point). You may also choose to activate the

“Infrasonic Filter”

and/or 

“Bass EQ”

features in the

“CH 1&2 Bass Control”

section. Please keep in

mind that activation of the 

“Bass EQ”

may require

lowering the CH 1&2 

“Input Sens.”

to maintain clean

maximum output.

Next, turn your attention to the 

“CH 3&4 Input

Section”

and select 

“x1”

on the 

“Freq. Range”

switch,

“HP”

(high-pass) on the 

“Filter Type”

switch

and 

“12dB”

or 

“24dB”

on the 

“Filter Mode/Slope”

switch and an appropriate 

“Filter Freq.”

(again, 80-

90 Hz is a good starting point).

After proper adjustment of the CH 1&2 and CH

3&4 

“Input Range” 

and 

“Input Sens.”

controls using

the method shown in Appendix B (page 20), you

can fine tune filter frequencies and slopes and

attenuate either pair of channels to achieve proper

balance. For precise filter frequency information refer

to Appendix A (page 20).

BI-AMPLIFIED SYSTEM WITH ONE 450/4 IN

FOUR-CHANNEL MODE AND A SEPARATE

SUBWOOFER AMPLIFIER

This configuration requires that the separate

subwoofer amplifier has a built-in low-pass filter. All

JL Audio subwoofer amplifiers have this feature.

In this configuration, CH 1&2 of the 450/4 will

drive front component speakers (stereo 150W x 2)

with high-pass filtering. CH 3&4 will drive rear

component speakers in stereo (75W x 2) with high-

pass filtering.

The separate amplifier will drive the subwoofer

system with low-pass filtering (select a filter

frequency of 80-90 Hz to start).The inputs of the

subwoofer amplifier may or may not be connected

to the preamp outputs of the 450/4, depending on

which connection option you choose.

Input connection options for a bi-amplifier system

with one 450/4 and a separate subwoofer amplifier

are as follows:

A) No User Adjustability

Required:

a basic source unit or processor with left

and right stereo outputs.

Input Connections:

a single pair of stereo source

unit outputs is connected to the CH 1&2 inputs of

the 450/4 (select 

“2ch”

on the 

“Input Mode”

switch in the 

“CH 1&2 Input Section”

). Connect

the subwoofer amplifier inputs to the preamp

outputs of the 450/4 (Select 

“1&2”

on the 

“Signal

From”

switch in the 

“Preamp Output Section”

).

Result:

the relative level of the LF and front and rear

HF channels will be fixed by the 450/4’s 

“Input

Sens.” 

settings and will not be user adjustable from

the front of the vehicle.

B) Fade Subwoofer Level vs. HF Level

Required:

a source unit or processor with front and

rear pairs of stereo outputs.

Input Connections:

one stereo pair of source unit

JL AUDIO

450/4

13

SYSTEM CONFIGURATIONS

The 450/4 is a very flexible amplifier, well-suited

for a multitude of system configurations. In this

section, the most likely configurations are explained

in detail.

Once you have selected your desired

configuration, you can use the amplifier panel

drawings on the bottom of the following 

pages to mark the required switch positions for

easy reference.

BI-AMPLIFIED SYSTEMS

Bi-amplified systems are defined as systems in

which separate amplifier channels drive low-

frequency (LF) and high-frequency (HF) speakers and

are separately filtered to send appropriate frequency

ranges to each speaker system.

The most common application of bi-amplification

in mobile audio is to drive a subwoofer system from

one or more amplifiers or channels and component

speakers from separate amplifiers or channels.

The 450/4 can be configured to drive a bi-

amplified system by itself or with a separate

subwoofer amplifier.

BI-AMPLIFIED SYSTEM WITH ONE 450/4

In this configuration, CH 1&2 of the 450/4 will

drive subwoofers (stereo 150W x 2 or bridged

300W x 1) with low-pass filtering. CH 3&4 will drive

component speakers in stereo (75W x 2) with high-

pass filtering.

Input connection options for a bi-amplified system

with one 450/4 are as follows:

A) No User Adjustability

Required:

a basic source unit or processor with left

and right stereo outputs.

Input Connections:

a single pair of stereo source

unit outputs connected to the CH 1&2 inputs of

the 450/4 (select 

“2ch”

on the 

“Input Mode”

switch in the 

“CH 1&2 Input Section”

).

Result:

the relative level of the LF and HF

channels will be fixed by the 450/4’s 

“Input Sens.”

settings and will not be user adjustable from the

front of the vehicle.

B) Fade Subwoofer Level vs. HF Level

Required:

a source unit or processor with front and

rear pairs of outputs.

Input Connections:

the first stereo pair of source

unit outputs is connected to the CH 1&2 inputs of

the 450/4.The second stereo pair of source unit

outputs is connected to the CH 3&4 inputs (select

“4ch”

on the 

“Input Mode”

switch in the 

“CH 1&2

Input Section”

).

Result:

in this mode, the user has the ability to fade

or control the level of the LF channels relative to

the HF channels via the source unit’s fader control

without exceeding the maximum clean output level

set by each amplifier section’s 

“Input Sens.”

controls.

C) Subwoofer Level Control Only

Required:

a source unit or processor with left, right

and subwoofer outputs.

Input Connections:

the main stereo pair of source

unit outputs is connected to the CH 3&4 inputs of

the 450/4.The source unit’s dedicated subwoofer

output is connected to the CH 1&2 inputs (select

“4ch”

on the 

“Input Mode”

switch in the 

“CH 1&2

Input Section”

).

Result:

in this mode, the user has the ability to

control the absolute level of the LF channels relative

to the HF channels.

Set the CH 1&2 

“Input Sens.”

with the source

unit’s subwoofer level control set at 3/4 of full

output. See Appendix B (page 20) for details.

I M P O RTA N T

!

12

JL AUDIO

450/4

Summary of Contents for 450/4

Page 1: ... equipment to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its installation requirements and setup procedures If you have any questions regarding the instructions in this manual or any aspect of your amplifier s operation please contact your authorized JL Audio...

Page 2: ... equipment air bags seat belt systems ABS brake systems etc You should also take the time to securely mount the amplifier using the supplied screws so that it does not come loose in the event of a collision or a sudden jolt to the vehicle 20 lbs of aluminum traveling at 60 MPH will hurt you Stupid Mistakes to Avoid Check before drilling any holes in your vehicle to make sure that you will not be d...

Page 3: ... pair for any impedance between 1 5 and 4 ohms per channel The staggered power distribution of the 1 2 and 3 4 channel pairs 150W x 2 for CH 1 2 and 75 x 2 for CH 3 4 allows for a wide variety of application options The 450 4 can be operated in the following modes 1 As a full system amplifier in bi amp mode with CH 1 2 driving subwoofers in low pass mode 150W x 1 or 300W x 1 and CH 3 4 driving mai...

Page 4: ...4 s Remote turn on connector is designed to accept 18 AWG 8 AWG wire 12 AWG is more than adequate for this purpose To connect the remote turn on wire to the amplifier first back out the set screw on the top of the amplifier using the supplied hex wrench Strip 1 2 inch 12mm of wire and insert the bare wire into the receptacle on the front panel of the amplifier seating it firmly so that no bare wir...

Page 5: ...mited to 0 or 6 dB allowing a range of 0 15 dB of boost to be selected The Bass EQ and Infrasonic Filter features will only operate when the CH 1 2 filter is activated and in low pass mode If you are using an external active crossover and would like to use the Bass EQ and Infrasonic Filter features set the IMPORTANT JL AUDIO 450 4 9 24dB Configures the filter for CH1 2 to attenuate frequencies abo...

Page 6: ...up of the amplifier not covered in this manual please contact your dealer or the JL AUDIO Technical Department for assistance 954 443 1100 9 00 AM 5 30 PM Eastern Time Monday Friday JL AUDIO 450 4 11 Filter Mode Slope switch on 12dB and rotate the frequency selection knob fully clockwise to the 500 Hz position This will activate the bass controls without significantly affecting the crossover point...

Page 7: ... 4 13 SYSTEM CONFIGURATIONS The 450 4 is a very flexible amplifier well suited for a multitude of system configurations In this section the most likely configurations are explained in detail Once you have selected your desired configuration you can use the amplifier panel drawings on the bottom of the following pages to mark the required switch positions for easy reference BI AMPLIFIED SYSTEMS Bi ...

Page 8: ...mp outputs are not used JL AUDIO 450 4 15 outputs is connected to the CH 1 2 inputs of the 450 4 select 2ch on the Input Mode switch in the CH 1 2 Input Section The second stereo pair of source unit outputs is connected to the subwoofer amplifier inputs In this mode the 450 4 s preamp output is not used Result with this option the user has the ability to fade the level of the subwoofer amplifier s...

Page 9: ...ls are unused User adjustability of left center and right channels depends on source unit processor Subwoofer level is user adjustable Set the subwoofer amplifier s Input Sens with the source unit s subwoofer level control set at 3 4 of full output Refer to the subwoofer amplifier owner s manual for proper adjustment The Summed Center Channel methods outlined below do not create a true center chan...

Page 10: ... a subwoofer system from one or more amplifiers or channels LFchannels mid range speakers from a separate amplifier or set of channels MFchannels and high frequency speakers from a separate amplifier or set of channels HFchannels One such configuration is to run subwoofers off the LFchannel s mid bass speakers off the MF channels and a passively crossed over mid high frequency component speaker sy...

Page 11: ...ult in audible distortion and possible speaker damage It will be necessary to re adjust the Input Sens for the affected channels if any equalizer boost is activated after setting the Input Sens with this procedure This applies to any EQ boost circuit including the amplifier s Bass EQ and source unit tone controls or EQ circuits EQ cuts will not require re adjustment IMPORTANT JL AUDIO 450 4 21 CHA...

Page 12: ...LY SETTHE INPUT SENSITIVITY ON MY AMPLIFIER Please refer to Appendix B page 20 to set the input sensitivity for maximum unclipped output MY AMPLIFIER DOESN TTURN ON Check to make sure there is 12V at the Remote connection of the amplifier In some cases the turn on lead from the source unit is insufficient to turn on multiple devices and the use of a relay is required To test for this problem jump ...

Page 13: ...e as a bandpass filter for tri amp configurations Defeatable LF Boost Single band fixed frequency 48 Hz fixed Q 6 dB boost Defeatable Port for optional remote bass control to provide variable boost control from 0 to 15 dB Infrasonic Filter 24 dB octave 30Hz defeatable CHANNELS 3 4 Amplifier Topology Class AB with patented Absolute Symmetry dual N Channel MOSFET output design Power Supply Independe...

Page 14: ...JL AUDIO 450 4 27 26 JL AUDIO 450 4 INSTALLATION NOTES Use this diagram to document your amplifier s switch and control positions ...

Page 15: ...therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO product All warranty returns should be sent to JL AUDIO s Amplifier Service Facility freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase a copy of the origi...

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