background image

PREAMP OUTPUT SECTION

The 450/4 incorporates a pass-through preamp

output section, so that additional amplifiers can be

added to the system.This pass-through pre-amp

output can be configured three different ways 

using the switch labeled 

“Signal From”

in the

“Preamp Output Section”

.

1) “1&2”:

The preamp output delivers the

same signal that is connected to the 450/4's 

CH 1&2 Inputs. This mode is useful for feeding a

subwoofer amplifier when the 450/4 is being used

to drive front and rear speaker systems.This

preamp output mode will track the signal level of

CH 1&2, allowing fading of the rear channels

without affecting the subwoofer level.

2) “3&4”:

The preamp output delivers the same

signal that is connected to the 450/4's CH 3&4

Inputs. This mode is useful for feeding a subwoofer

amplifier when the 450/4 is being used to drive

front and rear speaker systems.This preamp output

mode will track the signal level of CH 3&4, allowing

fading of the front channels without affecting the

subwoofer level.

3) “ALL”:

This mode delivers a sum of the signals

being fed to the

“CH 1&2 Input Section”

and 

“CH 3&4 Input Section”

of the amplifier.This signal is

not affected by the

“LF Boost”

or 

“Infrasonic Filter”

processing selected for the amplifier or by any

crossover filter selected (if the input signal is full-

range, the preamp output will be full-range).When

the 450/4 is being used to drive front and rear

speaker systems, this preamp output mode will

deliver a summed front/rear signal to the subwoofer

amplifier, while permitting fading of the front and rear

speaker systems from the source unit.

NOTE:

The signal level of the 

“Preamp Output”

is

affected by the setting of the

“Input Voltage  Range”

switches (of the input section(s) chosen by the

“Signal From” 

switch). See the 

“Input Voltage

Range” 

section (page 6) for details on

“Input

Voltage”

settings.The preamp output level is not

affected by the “Input Sens.” rotary controls.

CH 1 & 2 BASS CONTROL

This section provides two basic bass processing

tools for CH 1&2: a 24 dB/octave infrasonic filter at

30 Hz and a +6 dB boost circuit centered at 48 Hz.

Activation of either feature automatically

sums the CH 1&2 input signals to mono.

(These features should only be used when

driving subwoofer(s) from CH 1&2).

1) “Infrasonic Filter”:

The infrasonic filter is a 

24 dB/octave high-pass filter, with a fixed cutoff

frequency of 30 Hz.This filter is designed to

conserve amplifier power and protect subwoofer

systems without audibly degrading the sub-bass

output. With ported enclosures, the use of the

infrasonic filter is highly recommended to protect

the speaker(s) from excessive excursion below box

tuning. With sealed enclosures, the use of the filter is

less necessary, but can still help protect the speaker

system.The infrasonic filter can be completely

defeated by selecting the

“Off”

position on the

“Infrasonic Filter”

switch.This bypasses all signal

from flowing through the circuit.

2) Bass EQ:

This switch allows the user to

activate a 6 dB boost centered at 48 Hz.

3) Remote Bass Port:

Allows you to connect an

optional remote boost knob (sold separately,

JL Audio Model RBC-1) that can be mounted in the

front of the vehicle. With the RBC-1 connected, the

boost is no longer limited to 0 or +6 dB, allowing a

range of 0-15 dB of boost to be selected.

The

“Bass EQ”

and 

“Infrasonic Filter”

features

will only operate when the CH 1&2 filter is

activated and in low-pass mode. If you are using an

external active crossover and would like to use the

“Bass EQ”

and 

“Infrasonic Filter”

features, set the

I M P O RTA N T

!

JL AUDIO

450/4

9

“24dB”:

Configures the filter for CH 1&2 to

attenuate frequencies above or below the selected

filter frequency at a rate of 24 dB per octave

(Linkwitz-Riley alignment).

Depending on the speaker system and the

vehicle, different filter slopes may be required to

produce a smooth transition between the sound of

different speakers in the system. Experiment to find

the slope which best matches the acoustic

requirements of the system.The sharper 

“24dB”

setting will do a better job of protecting small

speakers with limited power handling.The shallower

“12dB”

octave setting allows the rear speakers to

reproduce more low-frequency content.

3) “Freq. Range”  Control:

When thrown to

the right, this switch multiplies the cutoff

frequency selected by the rotary

“Filter Freq.

(Hz)”

control by a factor of 10. In the 

“x1”

position, the range of the rotary control is 

50 - 500 Hz (as marked). In the 

“x10”

position, the range of the rotary control is 

500 Hz - 5 kHz (5000 Hz).

4) “Filter  Freq. (Hz)”

The filter frequency

markings surrounding this rotary control are for

reference purposes and are generally accurate to

within 1/3 octave or better. If you would like to

select the filter cutoff frequency with a higher level

of precision, consult the charts in Appendix A

(page 20) of this manual.

CH 3&4 Filter Section:

1) “High-Pass Filter” Control:

This switch allows

you to defeat the CH 3&4 filter or select from two

different filter slopes.

“Off”:

Defeats the filter for CH 3&4 completely,

allowing the full range of frequencies present at the

inputs to feed that pair of channels.This is useful for

systems utilizing outboard crossovers or requiring

full-range reproduction from these channels.

“12dB”:

Configures the high-pass filter for CH 3&4

to attenuate frequencies below the selected filter

frequency at a rate of 12 dB per octave

(Butterworth alignment).

“24dB”:

Configures the high-pass filter for CH 3&4

to attenuate frequencies below the selected filter

frequency at a rate of 24 dB per octave (Linkwitz-

Riley alignment).

Depending on the speaker system and the

vehicle, different filter slopes may be required to

produce a smooth transition between the speakers

in the system. Experiment to find the slope which

best matches the acoustic requirements of your

system.The sharper 

“24dB”

setting will do a better

job of protecting small speakers with limited power

handling.The shallower 

“12dB”

octave setting

allows the rear speakers to reproduce more low-

frequency content.

2) “Freq. Range” Control:

When thrown to the

right, this switch multiplies the cutoff frequency

selected by the rotary

“Filter Freq. (Hz)”

control by

a factor of 10. In the 

“x1”

position, the range of the

rotary control is 50 - 500 Hz (as marked). In the

“x10”

position, the range of the rotary control is

500 Hz - 5 kHz (5000 Hz).

3) “Filter  Freq. (Hz)”

The filter frequency

markings surrounding this rotary control are for

reference purposes and are generally accurate to

within 1/3 octave or better. If you would like to

select the filter cutoff frequency with a higher level

of precision, consult the charts in Appendix A

(page 20) of this manual.

8

JL AUDIO

450/4

Summary of Contents for 450/4

Page 1: ... equipment to ensure optimum performance from this product Should you decide to install the amplifier yourself please take the time to read this manual thoroughly so as to familiarize yourself with its installation requirements and setup procedures If you have any questions regarding the instructions in this manual or any aspect of your amplifier s operation please contact your authorized JL Audio...

Page 2: ... equipment air bags seat belt systems ABS brake systems etc You should also take the time to securely mount the amplifier using the supplied screws so that it does not come loose in the event of a collision or a sudden jolt to the vehicle 20 lbs of aluminum traveling at 60 MPH will hurt you Stupid Mistakes to Avoid Check before drilling any holes in your vehicle to make sure that you will not be d...

Page 3: ... pair for any impedance between 1 5 and 4 ohms per channel The staggered power distribution of the 1 2 and 3 4 channel pairs 150W x 2 for CH 1 2 and 75 x 2 for CH 3 4 allows for a wide variety of application options The 450 4 can be operated in the following modes 1 As a full system amplifier in bi amp mode with CH 1 2 driving subwoofers in low pass mode 150W x 1 or 300W x 1 and CH 3 4 driving mai...

Page 4: ...4 s Remote turn on connector is designed to accept 18 AWG 8 AWG wire 12 AWG is more than adequate for this purpose To connect the remote turn on wire to the amplifier first back out the set screw on the top of the amplifier using the supplied hex wrench Strip 1 2 inch 12mm of wire and insert the bare wire into the receptacle on the front panel of the amplifier seating it firmly so that no bare wir...

Page 5: ...mited to 0 or 6 dB allowing a range of 0 15 dB of boost to be selected The Bass EQ and Infrasonic Filter features will only operate when the CH 1 2 filter is activated and in low pass mode If you are using an external active crossover and would like to use the Bass EQ and Infrasonic Filter features set the IMPORTANT JL AUDIO 450 4 9 24dB Configures the filter for CH1 2 to attenuate frequencies abo...

Page 6: ...up of the amplifier not covered in this manual please contact your dealer or the JL AUDIO Technical Department for assistance 954 443 1100 9 00 AM 5 30 PM Eastern Time Monday Friday JL AUDIO 450 4 11 Filter Mode Slope switch on 12dB and rotate the frequency selection knob fully clockwise to the 500 Hz position This will activate the bass controls without significantly affecting the crossover point...

Page 7: ... 4 13 SYSTEM CONFIGURATIONS The 450 4 is a very flexible amplifier well suited for a multitude of system configurations In this section the most likely configurations are explained in detail Once you have selected your desired configuration you can use the amplifier panel drawings on the bottom of the following pages to mark the required switch positions for easy reference BI AMPLIFIED SYSTEMS Bi ...

Page 8: ...mp outputs are not used JL AUDIO 450 4 15 outputs is connected to the CH 1 2 inputs of the 450 4 select 2ch on the Input Mode switch in the CH 1 2 Input Section The second stereo pair of source unit outputs is connected to the subwoofer amplifier inputs In this mode the 450 4 s preamp output is not used Result with this option the user has the ability to fade the level of the subwoofer amplifier s...

Page 9: ...ls are unused User adjustability of left center and right channels depends on source unit processor Subwoofer level is user adjustable Set the subwoofer amplifier s Input Sens with the source unit s subwoofer level control set at 3 4 of full output Refer to the subwoofer amplifier owner s manual for proper adjustment The Summed Center Channel methods outlined below do not create a true center chan...

Page 10: ... a subwoofer system from one or more amplifiers or channels LFchannels mid range speakers from a separate amplifier or set of channels MFchannels and high frequency speakers from a separate amplifier or set of channels HFchannels One such configuration is to run subwoofers off the LFchannel s mid bass speakers off the MF channels and a passively crossed over mid high frequency component speaker sy...

Page 11: ...ult in audible distortion and possible speaker damage It will be necessary to re adjust the Input Sens for the affected channels if any equalizer boost is activated after setting the Input Sens with this procedure This applies to any EQ boost circuit including the amplifier s Bass EQ and source unit tone controls or EQ circuits EQ cuts will not require re adjustment IMPORTANT JL AUDIO 450 4 21 CHA...

Page 12: ...LY SETTHE INPUT SENSITIVITY ON MY AMPLIFIER Please refer to Appendix B page 20 to set the input sensitivity for maximum unclipped output MY AMPLIFIER DOESN TTURN ON Check to make sure there is 12V at the Remote connection of the amplifier In some cases the turn on lead from the source unit is insufficient to turn on multiple devices and the use of a relay is required To test for this problem jump ...

Page 13: ...e as a bandpass filter for tri amp configurations Defeatable LF Boost Single band fixed frequency 48 Hz fixed Q 6 dB boost Defeatable Port for optional remote bass control to provide variable boost control from 0 to 15 dB Infrasonic Filter 24 dB octave 30Hz defeatable CHANNELS 3 4 Amplifier Topology Class AB with patented Absolute Symmetry dual N Channel MOSFET output design Power Supply Independe...

Page 14: ...JL AUDIO 450 4 27 26 JL AUDIO 450 4 INSTALLATION NOTES Use this diagram to document your amplifier s switch and control positions ...

Page 15: ...therefore these exclusions may not apply to you This warranty gives you specific legal rights and you may also have other rights which vary from state to state If you need service on your JL AUDIO product All warranty returns should be sent to JL AUDIO s Amplifier Service Facility freight prepaid through an authorized JL AUDIO dealer and must be accompanied by proof of purchase a copy of the origi...

Reviews: