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SUMMARY SPECIFICATIONS

A.  MUSICAL FEATURES

Range:  4-3/4 octaves, A to F (57 notes), Middle "C" at keyboard center.

Two Basic Contrasting Voices: "Blue" - a clear, deep-throated, resonant string 
tone with long sustaining power; somewhat reminiscent of the haunting quality of 
the bass clarinet; pickups "listen" to string at midpoint. 
"Red" - a driving, twangy, shallow string sound with pronounced plucking and long 
sustaining; the biting power of an electric guitar; pickups "listen" to string 
ends. 
"Light Blue" - An extra string that can be selected between 8' or 4' range.
"Light Red" - An extra string that can be selected between 8' or 4' range.

Damped Effect on Each Voice: Muted "Blue" - a strongly plucked, "covered",  
subtle string tone, with foreshortened sustaining: practically indistinguishable 
from a harp. 
Muted "Red" - a tune percussive tone, rhythmically powerful without being harsh; 
resembling a banjo.

Delay Effect on Each Voice: All four voices can be delayed to create a subtle 
or extreme grace note/strum effect. For best results always leave at least one 
voice with no delay applied.

Tuning: All four voices can be independently detuned by up to a semitone. A 
two-semitone Pitch-bend is also available for guitar-like bends.

Special External Effects:  The guitar amplifier can add spring and room  
reverberation, and specially tailored drive and cabinet effects, all external 
to the harpsichord.

B.  CONTROLS

Two-Manual Flexibility - Single-Manual Simplicity:  Keyboard divides at  
Middle-"C" into treble/bass section, so that the right can contrast the left. 
Tonal colors can be set up and volume adjusted independently in the bass and 
treble ends of the keyboard, or pedal controlled.

Handswitches:  one for each voice range.  Each switch has three positions di-
recting the voice it controls either to the left output, off, or to the right 
output, when the instrument is in Stereo mode and using either no amplifier or 
the stereo transistor amplifier. If the instrument is Dual Mono mode or is us-
ing a mono amplifier, each voice is sent to both outputs.

Pedal: a standard swell/expression pedal located in a separate housing on the 
floors serves as remote volume control to the amplifier.

Damper: Increase the Damp fader to apply damping effect.

Summary of Contents for Combo Electric Harpsichord

Page 1: ...COMBO ELECTRIC HARPSICHORD OWNER S MANUAL JIGGERY POKERY...

Page 2: ...ur new Combo Electric Harpsichord It will also serve to guide you in the use of your instrument The information contained herein is as up to date as possible in view of the rapid advances in this radi...

Page 3: ...The Baldwin SOLID BODY HARPSICHORD...

Page 4: ...s always leave at least one voice with no delay applied Tuning All four voices can be independently detuned by up to a semitone A two semitone Pitch bend is also available for guitar like bends Specia...

Page 5: ...t 100 for the standard amount A brick wall High Pass Filter can be used to filter out sub 40 Hz low end by increasing it up to around 20 25 or push it further for a thinner sound C DESIGN DETAILS Stri...

Page 6: ...n has not been allowed to hamper the design yet tradition is referred to as an aid in styling and where proven techniques could be called forward to be used in the new instrument The result is an opti...

Page 7: ...plucked covered subtle string tone with foreshortened sustaining practically indistinguishable from a harp Muted Red a tuned percussive tone rhythmically powerful without being harsh resembling a ban...

Page 8: ...reo or Tube Class A or Plexi types which only operate in mono thus the Channels setting is disregarded DR adjust the drive amount for the given amp type Tone BS boost or attenuate the bass eq TR boost...

Page 9: ...g with the basic voices separately First play the Blue voice as a solo stop The handswitches on the harpsichord should be set thus BLUE RED LIGHT BLUE LIGHT RED with a basic amplifier setting as follo...

Page 10: ...h Voice is small Tuning knob Try twisting the Light Red Tuning knob a little to right to detune it slightly creating a unison or chorus effect You can also try live detuning by using a pitch wheel whi...

Page 11: ...reble Map _control_ Mid Pickup Pedal Map _control_ Mid Pickup Level Map _control_ Mid Pickup Delay Map _control_ Mid Pickup Tuning Map _control_ Top Pickup Bass Map _control_ Top Pickup Treble Map _co...

Page 12: ...n this guide and the associated Reason Rack Extension product are merely indicative and do not constitute endorsement of this product by any party The Combo Electric Harpsichord was Produced Sampled P...

Page 13: ...gain and inversion controls channel delay and mirroring Mordred Audio Bypass Merger 4 x 5 channel stereo audio merger with independently switch able outputs and auto fade control Shelob Audio Bypass S...

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