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The PRX600 series speakers covered by this manual are not intended for use in high
moisture environments. Moisture can damage the speaker cone and surround and cause
corrosion of electrical contacts and metal parts. Avoid exposing the speakers to direct
moisture. Keep speakers out of extended or intense direct sunlight. The driver suspension will
prematurely dry out and finished surfaces may be degraded by long-term exposure to intense
ultra-violet (UV) light. PRX600 series speakers can generate considerable energy. When

placed on a slippery surface such as polished wood or linoleum, the speaker may move due to its acoustical
energy output. Precautions should be taken to assure that the speaker does not fall off a stage or table on which
it is placed.

Stand Mounting Safety Precautions

Some PRX600 series models include a 36 mm receptacle cup to allow mounting on tripod stands or on a pole
over subwoofers. When using stands or poles, be sure to observe the following precautions:

• Check the stand or pole specification to be certain the device is designed to support the weight of the

speaker. Observe all safety precautions specified by the manufacturer.

• Always verify that the stand (or subwoofer/pole) is placed on a flat, level and stable surface and be

sure to fully extend the legs of tripod type stands. Position the stand so that the legs do not present a
trip hazard.

• Route cables so that performers, production crew, and audience will not trip and topple the speakers over.

• Inspect the stand (or pole and associated hardware) before each use and do not use equipment with

worn, damaged or missing parts.

• Do not attempt to place more than one PRX600 series speaker on a stand or pole.

• Always be cautious in windy, outdoor conditions. It may be necessary to place additional weight (i.e.

sandbags) on the base of the stand to improve stability. Avoid attaching banners or similar items to any
part of a speaker system. Such attachments could act as a sail and topple the system.

• Unless you are confident that you can handle the weight of the speaker, ask another person to help

you get it onto the tripod stand or pole.

• The PRX635 should be pole-mounted on a PRX 600 subwoofer using a pole no longer than 24” in 

length. (SS3-BK24 or SS4-BK24)

• JBL highly recommends that no more than 70 lbs of weight be placed on a speaker pole that is 

mounted to a PRX618S or PRX618S-XLF.

Suspension of Loudspeaker System

Before attempting to suspend your JBL loudspeakers, read and understand the following safety information.

IMPORTANT SAFETY WARNING!

The information in this section has been assembled from recognized engineering data and is intended for
informational purposes only. None of the information in this section should be used without first obtaining
competent advice with respect to applicability to a given circumstance. None of the information presented herein
is intended as a representation or warranty on the part of JBL. Anyone making use of this information assumes
all liability arising from such use. All information presented herein is based upon materials and practices common
to North America and may not directly apply to other countries because of differing material dimensions,
specifications, and/or local regulations. Users in other countries should consult with appropriate engineering and
regulatory authorities for specific guidelines. Correct use of all rigging hardware is required for secure system
suspension. Careful calculations should always be performed to ensure that all components are used within their
working load limits before the array is suspended. Never exceed the maximum recommended load ratings.
Before suspending any speaker system always inspect all components (enclosure, rigging frames, pins,
eyebolts, track fittings, etc.) for cracks, deformations, corrosion, missing, loose or damaged parts that could
reduce strength and safety of the array. Do not suspend the speaker until the proper corrective action has been
taken. Use only load-rated hardware when suspending JBL suspendable loudspeaker models. 

PRECAUTIONS

Summary of Contents for PRX600 series

Page 1: ...P R X 6 1 2 M P R X 6 1 5 M P R X 6 2 5 P R X 6 3 5 P R X 6 1 8 S P R X 6 1 8 S X L F U s e r s G u i d e...

Page 2: ...2...

Page 3: ...aration of Conformity 9 The PRX600 Series Power Amplifier 10 Introduction To The PRX600 Series 11 12 System Specifications 13 18 System Setup 19 22 Setting Input Sensitivity 23 Setting The Gain 24 App...

Page 4: ...ed when the apparatus has been damaged in any way such as power supply cord or plug is damaged liquid has been spilled or objects have fallen into the apparatus the apparatus has been exposed to rain...

Page 5: ...Such attachments could act as a sail and topple the system Unless you are confident that you can handle the weight of the speaker ask another person to help you get it onto the tripod stand or pole Th...

Page 6: ...wing performance standards should be provided to the Professional Engineer for design purposes Uniform Building Code as applicable Municipal Building Code as applicable and Seismic Code as applicable...

Page 7: ...ints will be maintained with a safety factor of 5 1 provided no more than 470lbs 213kg from 2 points equally loaded or no more than 235lbs 106kg maximum from a single suspension point is utilized in c...

Page 8: ...rowhead symbol within an equilateral triangle is intended to alert the user to the presence of uninsulated Dangerous Voltage within the products enclosure that may be of sufficient magnitude to consit...

Page 9: ...lies to Amplifier Module Only CSA Certified to operate only at 120V in Canada FCC Compliance Notice This device complies with part 15 of the FCC rules Operation is subject to the following two conditi...

Page 10: ...in very high ambient temperatures and the heat sink on the rear of the enclosure is in direct sunlight Always ensure adequate cooling and appropriate shade AC Power Requirements Standard PRX600 serie...

Page 11: ...at a specific application the PRX Series integrate seamlessly with one another offering a multitude of choices when tailoring a system to fit your specific needs Whether you need a single speaker on a...

Page 12: ...one It can get very confusing when you re confronted with a barrage of specifications from manufacturers all claiming to have the best performance A self powered speaker is really a system unto itself...

Page 13: ...controlled LF 48 dB Oct filter slope High Low Pass HF 36 dB Oct High Pass Crossover Frequency 2 kHz Amplifier Design Crown Class D Power Rating 1000 W 2 x 500 Speaker LF Driver 1 x JBL 262F 1 380 mm 1...

Page 14: ...filter slope High Low Pass HF 36dB Oct High Pass Crossover Frequency 1 8 kHz Amplifier Design Crown Class D Power Rating 1000 W 2 x 500 Speaker LF Driver 1 x JBL 265F 1 380 mm 15 in Differential Drive...

Page 15: ...8 kHz Amplifier Design Crown Class D Power Rating 1500 W 3 x 500 Speaker LF Driver 2 x JBL 265F 1 380 mm 15 in Differential Drive dual voice coil and magnetic gap neodymium woofer HF Driver 1 x JBL 24...

Page 16: ...r Rating 1500 W 3 x 500 Speaker LF Driver 1 x JBL 265F 1 380 mm 15 in Differential Drive dual voice coil and magnetic gap neodymium woofer MF Driver 1 x JBL 195H 165 mm 6 5 in horn loaded midrange tra...

Page 17: ...r Modes analog 24 dB Oct filter slope Crossover Frequency 120 Hz Amplifier Design Crown Class D System Power Rating 600 W Speaker LF Driver 268G 460 mm 18 in Differential Drive dual voice coil and mag...

Page 18: ...lter slope Crossover Frequency 90 Hz Dynamic Control Input dbx Type IV limiter circuit Amplifier Design Crown Class D Power Rating 1000 W 2 x 500 Speaker LF Driver 460 mm 18 in Differential Drive dual...

Page 19: ...frequency response FLAT will provide greater accuracy of reproduced music higher speech intelligibility and maximum overall level BOOST is particularly useful at lower levels to enhance the low and h...

Page 20: ...ator 7 LINE SELECT Allows user selection of different country voltage ratings 8 AC LINE INPUT Standard IEC AC line input connector Real Panel Indicators 4 SIGNAL Signal indicator The green LED illumin...

Page 21: ...TY INVERT Allows you to set the polarity of the subwoofer to either Normal no change or Reverse inverse polarity The correct polarity setting will produce the best blend between the subwoofer and the...

Page 22: ...ctive If the input signal is too strong or the LEVEL control set too high the red LED will illuminate constantly Illumination of the LIMITER LED can be avoided by reducing the input level or turning d...

Page 23: ...to the 12 o clock position indicated by the 4 dB region The LEVEL control can then be trimmed to optimize the performance of the system see Setting The Gain When a microphone instrument or other consu...

Page 24: ...he highest input levels are set to just before clip or when the input LED just starts to flicker 2 Position the channel fader for that input to 0 dB 3 Position the Master output fader to 0 dB 4 With t...

Page 25: ...irect connection of sound sources without the need for extra mixer or pre amplifier The XLR or 1 4 inch input jack provides versatility and cabling options and the mic line input sensitivity selector...

Page 26: ...The compact 12 inch satellite system PRX612M is a perfect match to the subwoofer From the master outputs of your mixer route the wires to the subwoofer first and select the x over in high pass option...

Page 27: ...ically in highly reverberant rooms The horn loaded PRX635 3 way system will control the propagation of the sound much better than a conventional 2 way system The more directional or controlled the sou...

Page 28: ...r larger crowds in and outdoors a flexible system like this will deliver excellent results The dual 15 inch PRX625 delivers mighty bottom end and crisp highs The combination of extra PRX618S XLF subwo...

Page 29: ...l conductor or if it gets into the cable is cancelled out by the opposite signals at the receiving end Balanced connections are preferred for long cable runs Unbalanced Lines Unbalanced cable is a two...

Page 30: ...tputs to balanced XLR inputs TS unbalanced 1 4 inch phone jack to XLR M This cable is electrically identical to TRS unbalanced 1 4 inch phone and maybe used interchangeably XLR M to RCA phono cable Co...

Page 31: ...actually sending an audio signal Faulty cables and connections Disconnect and re seat signal cables Replace suspected cable with a known good cable No sound with microphone connected directly to the...

Page 32: ...of your mixer to drive your PRX speakers Use a DI direct injection box to convert your unbalanced equipment output to a balanced output Improper system gain structure Review the Owner s Manual for yo...

Page 33: ...L Customer Service Monday through Friday 8 00am 5 00pm Pacific Coast Time In the U S A 800 8JBLPRO 800 852 5776 www jblproservice com On The World Wide Web www jblpro com Professional Contacts Outside...

Page 34: ...l shipping cartons because a charge will be made if replacement cartons are requested Payment of shipping charges is discussed in the next section of this warranty How To Obtain Warranty Performance I...

Page 35: ......

Page 36: ...Part Number 444833 001 6 10 8500 Balboa Boulevard Northridge CA 91329 USA www jblpro com...

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