background image

   

The

 

PAN

 

control

 

determines

 

the

 

position

 

of

 

channel

 

signal

 

within

 

the

 

stereo

 

image

This

 

control

 

features

 

a

 

constant

-

power

 

characteristic

which

 

means

 

the

 

signal

 

is

 

always

 

maintained

 

at

 

a

 

constant

 

level

irrespective

 

of

 

position

 

in

 

the

 

stereo

 

panorama

PAN

   

The

 

LEVEL

 

control

 

determines

 

the

 

level

 

of

 

the

 

channel

 

signal

 

in

 

the

 

main

 

mix

LEVEL

   

The

 

CLIP

 

LED

s

 

of

 

the

 

mono

 

channels

 

illuminate

 

when

 

the

 

input

 

signal

 

is

 

driven

 

too

 

high

which

 

could

 

cause

 

distortion

If

 

this

 

happens

use

 

the

 

TRIM

 

control

 

to

 

reduce

 

the

 

preamp

 

level

 

until

 

the

 

LED

 

does

 

not

 

light

 

anymore

.

CLIP

2

.

2

 

Stereo

 

channels

6

    

As

 

the

 

name

 

suggests

the

 

FX

 

sends

 

of

 

the

 

ME

 

mixing

 

consoles

 

are

 

intended

 

to

 

drive

 

effects

 

devices

 (

reverb

delay

etc

.) 

and

 

are

 

therefore

 

configured

 

post

-

fader

This

 

means

 

that

 

the

 

mix

 

between

 

dry

 

signal

 

and

 

effect

 

remains

 

at

 

the

 

level

 

determined

 

by

 

the

 

channel

s

 

aux

 

send

irrespective

 

of

 

the

 

level

 

fader

 

setting

If

 

this

  

were

 

not

 

the

 

case

the

 

effects

 

signal

 

of

 

the

 

channel

 

would

 

remain

 

audible

 

even

 

when

 

the

 

fader

 

is

 

lowered

 

to

 

zero

.

With

 

ME

 

mixing

 

consoles

 

the

 

channel

 

fader

 

is

 

called

 

LEVEL

  

control

   

In

 

the

 

StudioMIX 10/StudioMix 12

the

 

FX

 

send

 

is

 

routed

 

directly

 

to

 

the

 

built

-

in

 

effects

 

processor

To

 

make

 

sure

 

that

 

the

 

effects

 

processor

 

receives

 

an

 

input

 

signal

you

 

should

 

not

 

turn

 

this

 

control

 

all

 

the

 

way

 

to

 

the

 

left

 (-

 ).

Attention

Since

 

the

 

FX

 

path

 

for

 

the

 

effect

 

processor

 

is

 

connected

 

post

-

fader

the

 

LEVEL

control

 

has

 

to

 

be

 

turned

 

up

 

in

 

order

 

to

 

get

 

this

 

channels

 

signal

 

to

 

the

 

effects

 

processor

!

LINE

 

IN

 

3

/

4

L

R

MONO

BAL

OR

UNBAL

 

LINE

 

IN

 

5

/

6

MONO

BAL

OR

UNBAL

 

LINE

 

IN

 

7

/

8

LINE

 

IN

 

9

/

10

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

3

/

4

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

5

/

6

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

7

/

8

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

9

/

10

LEVEL

+

4

-

10

+

4

-

10

+

4

-

10

+

4

-

10

MONO

BAL

OR

UNBAL

 

L

R

L

R

MONO

BAL

OR

UNBAL

 

L

R

FX

FX

FX

FX

Fig

.  

2

.

2

Connectors

 

and

 

controls

 

on

 

the

 

stereo

 

channels

13

3

.

             

APPLICATION

1

2

+

10

-

40

 

+

10

 

+

60

TRIM

dB

/

dBu

BAL

OR

UNBAL

 

LINE

IN

MIC

+

10

-

40

 

+

10

 

+

60

TRIM

dB

/

dBu

BAL

OR

UNBAL

 

LINE

IN

MIC

MAIN

 

OUT

L

R

L

R

CTRL

 

ROOM

 

OUT

LINE

 

IN

 

3

/

4

L

R

MONO

BAL

OR

UNBAL

 

LINE

 

IN

 

5

/

6

MONO

BAL

OR

UNBAL

 

LINE

 

IN

 

7

/

8

LINE

 

IN

 

9

/

10

SEND

 

FX

PHONES

0

-

+

15

8

L

R

0

-

15

+

15

0

-

15

+

15

0

-

15

+

15

EQ

PAN

HIGH

12

 

KHz

MID

2

.

5

 

KHz

LOW

80

 

Hz

FX

CLIP

0

-

+

15

8

1

LEVEL

0

-

+

15

8

L

R

0

-

15

+

15

0

-

15

+

15

0

-

15

+

15

EQ

PAN

HIGH

12

 

KHz

MID

2

.

5

 

KHz

LOW

80

 

Hz

FX

CLIP

0

-

+

15

8

2

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

3

/

4

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

5

/

6

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

7

/

8

LEVEL

0

-

+

15

8

L

R

BAL

CLIP

0

-

+

15

8

9

/

10

LEVEL

+

4

-

10

+

4

-

10

+

4

-

10

+

4

-

10

L

R

CD

/

TAPE

IN

OUT

TAPE

 

TO

 

MIX

TAPE

 

TO

 

CTRL

FX

TO

 

CTRL

+

48

 

V

POWER

0

-

+

15

8

PHONES

0

-

+

15

8

FX

 

SENDS

L

 

R

20

0

6

CLIP

MAIN

 

MIX

10

0

10

15

20

25

30

40
60

8

MONO

BAL

OR

UNBAL

 

L

R

L

R

PHANTOM

MONO

BAL

OR

UNBAL

 

L

R

FX

FX

FX

FX

PROGRAM

(

PUSH

)

LOW

 

CUT

75Hz

18

 

dB

/

Oct

LOW

 

CUT

75Hz

18

 

dB

/

Oct

ME1002

 

FX

HIGH

 

QUALITY

 

14

 

INPUT

 

2

/

2

 

BUS

 

MIXER

 

24

-

BIT

 

DSP

 

FX

 

PROCESSOR

REVERB

   

00

-

39

ER

/

DLY

    

40

-

59

MOD

        

60

-

73

PITCH

      

74

-

79

MULTI

      

80

-

99

1

2

3

1

2

3

-

3

-

6

-

10

-

15

-

20

CLP

24

-

BIT

 

DUAL

 

ENGINE

 

DSP

24

-

BIT

 

A

/

D

 & 

D

/

A

 

CONVERTER

88

TAPE

+6

. .

66

MIDI

 

sound

 

module

CD

 

player

Active

 

monitor

Digital

 

Audio

 

workstation

 

microphone

 

Guitar

keyboard

 

Fig

.  

3

.

1

the

 

StudioMix

 

in

 

a

 

recording

 

studio

 

3

.

1

 

Recording

 

s

tudio

 

 

Headphone

MD

 

recorder

Summary of Contents for studiomix 10

Page 1: ...USER S MANUAL...

Page 2: ...Denotes the apparatus is turned off WARNING Describes precautions that should be observed to prevent the danger of injury or death to the operator CAUTION Describes precautions that should be observe...

Page 3: ...not fall into and liquids are not spilled into the inside of the apparatus for safety Power Cord and Plug Protect the power cord from being walked on or pinched particularly at plugs convenience rece...

Page 4: ...ced approx 240 bal 120 unbal 28 dBu Control room outputs Type Impedance Max output level 1 4 TS connector unbal approx 120 22 dBu Headphones output Type Max output level 1 4 TRS connector unbalanced 1...

Page 5: ...digital technology these base in class consoles combine the advantages of both analog and digital technology We should like to draw your attention to the fact that extreme volumes may damage your hear...

Page 6: ...to the FX send connector Do not be put off by the huge range of possibilities it is easier than you thank if you look at quickly familiarize yourself with your mixing console and you will soon be mak...

Page 7: ...ng of these cables Be sure to use only high grade cable Please use commercial RCA cables to wire the 2 track inputs and outputs You can of course also connect unbalanced devices to the balanced input...

Page 8: ...Set the TRIM control is turned to the external devices standard output level If that unit that an output signal level display it should show 0 dB during signal peaks For 4 dBu turn up TRIM sightly fo...

Page 9: ...INE IN 3 4 L R MONO BAL OR UNBAL LINE IN 5 6 MONO BAL OR UNBAL LINE IN 7 8 LINE IN 9 10 0 15 8 L R BAL CLIP 0 15 8 3 4 LEVEL 0 15 8 L R BAL CLIP 0 15 8 5 6 LEVEL 0 15 8 L R BAL CLIP 0 15 8 7 8 LEVEL 0...

Page 10: ...input is more sensitive requires less level to drive it than at 4 dBu studio level A stereo EQ is highly preferable to two mono equalizers when working on a stereo signal as two separate Eq s will usu...

Page 11: ...crossovers Active crossovers are impiemented directly before the power amplifier and they divide the frequency range into several segments that are first amplified in the amplifiers and then passed o...

Page 12: ...eedback loop since the signal would be routed via the main mix back to tape via the CD TAPE OUTPUT To monitor the CD TAPE INPUT use the CD TAPE TO CTRL ROOM switch to assign the tape signal to the mon...

Reviews: