The
PAN
control
determines
the
position
of
channel
signal
within
the
stereo
image
.
This
control
features
a
constant
-
power
characteristic
,
which
means
the
signal
is
always
maintained
at
a
constant
level
,
irrespective
of
position
in
the
stereo
panorama
.
PAN
The
LEVEL
control
determines
the
level
of
the
channel
signal
in
the
main
mix
LEVEL
The
CLIP
LED
”
s
of
the
mono
channels
illuminate
when
the
input
signal
is
driven
too
high
,
which
could
cause
distortion
.
If
this
happens
,
use
the
TRIM
control
to
reduce
the
preamp
level
until
the
LED
does
not
light
anymore
.
CLIP
2
.
2
Stereo
channels
6
As
the
name
suggests
,
the
FX
sends
of
the
ME
mixing
consoles
are
intended
to
drive
effects
devices
(
reverb
,
delay
,
etc
.)
and
are
therefore
configured
post
-
fader
.
This
means
that
the
mix
between
dry
signal
and
effect
remains
at
the
level
determined
by
the
channel
’
s
aux
send
,
irrespective
of
the
level
fader
setting
.
If
this
were
not
the
case
,
the
effects
signal
of
the
channel
would
remain
audible
even
when
the
fader
is
lowered
to
zero
.
With
ME
mixing
consoles
the
channel
fader
is
called
LEVEL
control
.
In
the
StudioMIX 10/StudioMix 12
,
the
FX
send
is
routed
directly
to
the
built
-
in
effects
processor
.
To
make
sure
that
the
effects
processor
receives
an
input
signal
,
you
should
not
turn
this
control
all
the
way
to
the
left
(-
∞
).
Attention
:
Since
the
FX
path
for
the
effect
processor
is
connected
post
-
fader
,
the
LEVEL
control
has
to
be
turned
up
in
order
to
get
this
channels
signal
to
the
effects
processor
!
LINE
IN
3
/
4
L
R
MONO
BAL
OR
UNBAL
LINE
IN
5
/
6
MONO
BAL
OR
UNBAL
LINE
IN
7
/
8
LINE
IN
9
/
10
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
3
/
4
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
5
/
6
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
7
/
8
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
9
/
10
LEVEL
+
4
-
10
+
4
-
10
+
4
-
10
+
4
-
10
MONO
BAL
OR
UNBAL
L
R
L
R
MONO
BAL
OR
UNBAL
L
R
FX
FX
FX
FX
Fig
.
2
.
2
:
Connectors
and
controls
on
the
stereo
channels
13
3
.
APPLICATION
1
2
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
+
10
-
40
+
10
+
60
TRIM
dB
/
dBu
BAL
OR
UNBAL
LINE
IN
MIC
MAIN
OUT
L
R
L
R
CTRL
ROOM
OUT
LINE
IN
3
/
4
L
R
MONO
BAL
OR
UNBAL
LINE
IN
5
/
6
MONO
BAL
OR
UNBAL
LINE
IN
7
/
8
LINE
IN
9
/
10
SEND
FX
PHONES
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
1
LEVEL
0
-
+
15
8
L
R
0
-
15
+
15
0
-
15
+
15
0
-
15
+
15
EQ
PAN
HIGH
12
KHz
MID
2
.
5
KHz
LOW
80
Hz
FX
CLIP
0
-
+
15
8
2
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
3
/
4
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
5
/
6
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
7
/
8
LEVEL
0
-
+
15
8
L
R
BAL
CLIP
0
-
+
15
8
9
/
10
LEVEL
+
4
-
10
+
4
-
10
+
4
-
10
+
4
-
10
L
R
CD
/
TAPE
IN
OUT
TAPE
TO
MIX
TAPE
TO
CTRL
FX
TO
CTRL
+
48
V
POWER
0
-
+
15
8
PHONES
0
-
+
15
8
FX
SENDS
L
R
20
0
6
CLIP
MAIN
MIX
10
0
10
15
20
25
30
40
60
8
MONO
BAL
OR
UNBAL
L
R
L
R
PHANTOM
MONO
BAL
OR
UNBAL
L
R
FX
FX
FX
FX
PROGRAM
(
PUSH
)
LOW
CUT
75Hz
18
dB
/
Oct
LOW
CUT
75Hz
18
dB
/
Oct
ME1002
FX
HIGH
QUALITY
14
INPUT
2
/
2
BUS
MIXER
24
-
BIT
DSP
FX
PROCESSOR
REVERB
00
-
39
ER
/
DLY
40
-
59
MOD
60
-
73
PITCH
74
-
79
MULTI
80
-
99
1
2
3
1
2
3
-
3
-
6
-
10
-
15
-
20
CLP
24
-
BIT
DUAL
ENGINE
DSP
24
-
BIT
A
/
D
&
D
/
A
CONVERTER
88
TAPE
+6
. .
66
MIDI
sound
module
CD
player
Active
monitor
Digital
Audio
workstation
microphone
Guitar
keyboard
Fig
.
3
.
1
:
the
StudioMix
in
a
recording
studio
3
.
1
Recording
s
tudio
Headphone
MD
recorder
Summary of Contents for studiomix 10
Page 1: ...USER S MANUAL...
